The pagoda is very high, pointing to the sky. Climb to the top and enjoy the surrounding scenery. The top of the tower is connected with the vitality of the sky, and the towering sign is above the sea cloud.
From: Tang Dynasty: Li Bai's Autumn Climbing the Xiling Pagoda in Yangzhou
2. Above the clouds, the moon goes down last month. Looking back at the pillow, the body is flush with Leifeng Tower.
Translation:
Yun Sheng clouds fall upstairs, and the moon rises and falls on things. Looking back in a low voice from the pillow side, I am at the top of Leifeng Tower.
Ming Dynasty: Song Jue's Two West Lake Miscellaneous Poems
Santianzhu Road gradually leveled off, as high as several floors of Leifeng Tower. It's nice to go where no one walks and set up a solitary monk in the bay.
Santianzhu Road is gradually flattened, and Leifeng Tower is several stories high. From the mountain to the place where no one walks, there stands a lonely monk under the pine shade.
From: Yuan Dynasty: Fang Hui's Three Tianzhu Dao
Lei Feng looked at the tower, and Ge Ling drove away the spring.
Lei Feng can see the tower clearly, and Geling is far from spring.
From: Ming Dynasty: Wu's Seven Poems on Spring Tour in West Lake.
5. At the bottom, it is awkward to think about it, and the pavilion behind the Gushan Tower faces west. The gloomy painting axis Lin Temple is littered with chess shuttlecocks.
At dusk, where is the railing, and my thoughts are so boundless? In the secluded monk's room on the west side of the pavilion behind the Gushan Tower.
From a distance, dense forests and shady temples are as dim as a faded ancient painting; However, patches of rice fields are floating on the water sporadically, as if they were cut down by Fang Gezi on the chessboard.
From: Song: Lin Bu's "Looking at the World at the End of Gushan Temple"