"Up the Mountain", like a general poem, first writes the scene, comes straight to the point and renders the sad atmosphere. This poem is written like this: in the wild wind in the vast sky, apes are sobbing, and birds fly home on the clear lake and white beach. These two sentences are a combination of static and dynamic, and a wonderful ink painting is constructed with cool colors. The words "the ape is sobbing in the fierce wind from the wide sky", "urgency" and "sadness" have a sense of substitution, which makes people immediately enter the sad situation created by the author. Then, repressed emotions flooded in my chest, and there was nowhere to send them. The poet focused on the situation of birds, and wrote: Birds fly home on the clear lake and white sand beach, which constitutes a cold and pale picture, in which Zhu is clear, sand is white, and birds fly back, in a bleak and desolate cinnabar. Judging from the structure of the whole painting, this is a microscopic ink painting with a narrow field of vision.
This couplet embodies the typical characteristics of Kuizhou in autumn. The poet looked up at the endless rustling leaves and looked down at the endless rolling river. While writing about the scenery, he expressed his feelings affectionately. Endless and inexhaustible, it makes the rustling roll more vivid, which reminds people of the rustling of fallen trees and the surging Yangtze River, and invisibly conveys the feeling that youth is fleeting and ambition is hard to pay. Through the gloomy and sad dialogue, it shows superb brushwork, and it does have the majestic momentum of "repairing the palace" and "pouring hundreds of rivers into the east". It is reasonable for predecessors to call it "the absolute step of the past and the present" and "the transformation in the sentence"
Finally, the perspective of the neck and tail couplet returns to the micro and the poet himself. The collar says: I came from three thousand miles away. With the sadness of autumn, with my sorrow of a hundred years, I climbed this height alone. "Sad Autumn" has made people feel sad, and "Sad Autumn in Wan Li" is even more sad. A word "Chang" tells me that "Wan Li is sad for autumn" is always with me, and that kind of sadness is so strong that people feel lonely and can't get rid of it. Literally, "Wan Li Sorrow for Autumn" is often a guest appearance, and the poet should not be alone, but accompanied by someone, so there is a contradiction with the next sentence "coming to power alone". Actually, it's not. Just look at the poet. Generally speaking, "Left" connects abstract things, such as doing difficulties, invalidating and leaving, while "Left" connects concrete things that can be perceived in real life, such as doing homework, working and making clothes. "Guest" is a concrete thing that can be actually perceived, generally referring to "person". It is puzzling that the poet uses "work" instead of "doing" here. Think carefully, it is the poet's clever use of words. "Wan Li mourns autumn" is an abstract thing, which embodies the poet's sentimental feelings. It is a scene that makes people feel lonely and sad, not a concrete thing in real life, so "doing" is used instead of "doing". The effect achieved is to deepen the feeling of sad autumn, which is more intense and dense. Only "Wan Li mourns autumn" accompanies me, so I can only "go on stage alone". The loneliness and melancholy of being alone in a foreign land blend with the desolation of the late autumn scenery, reaching a superb realm, and pinning the poet's sadness of self-injury in autumn.