Tongerdai Fu Unopened Begonia. The first is a seven-character quatrain, which uses the artistic method of expressing one's ambitions by supporting things to express one's attitude towards life. This article was collected and compiled by the editor of the University College Entrance Examination. I hope you all like it!
The begonias of the same generation have not yet bloomed
Yuan Haowen
There are layers of new green among the branches,
Xiaolei hides a few red spots.
Don’t vomit when you cherish your beauty.
Let’s teach peaches and plums to make spring breeze. Word explanation:
Fu: chant.
Compose poems with children of the same generation: Work with your children to write poems about the begonia flowers that have not yet bloomed.
One layer after another: layer after layer. Describes the lush and dense new green leaves.
Xiaolei: refers to the buds of Begonia flowers.
Fangxin: originally refers to the heart of a young woman. There is a pun here, one refers to the flower core of the crabapple, and the other refers to the hearts of the children.
To spit out: to open up easily and casually.
Let’s teach: Let’s give in.
The spring breeze: competing for beauty in spring. Translation of the work:
The newly grown green leaves on the branches of Begonia are layered on top of each other, and the small flower buds are hidden among them and are slightly red. You must cherish your fragrant heart, don't bloom easily, let the peach and plum blossoms bloom in the spring breeze! Background of the work:
The poet was in his twilight years when he wrote this poem, and the Jin Dynasty had perished. He returned to his hometown, adopted an attitude of not fighting against the world, and lived a life of a remnant. He felt that he was no longer capable. To help the world, we can only stick to our own moral integrity and take care of ourselves. The poem may express my own mentality from one aspect, borrowing from the unopened begonia. Appreciation of the work:
This poem describes the begonia buds that are hidden deep in the greenery and have not yet opened but are just a few red dots. The poet advises it to "cherish your heart" and not to bud easily. So why does the poet give such affectionate advice? Perhaps, the poet thought that once it blooms, after a few winds and rains, the flowers will soon fall and wither. "The forest flowers wither the spring red, too hastily", so that it will not wither quickly, and for its longevity, The poet would rather the red buds are hidden deep inside.
Perhaps, the poet thought deeper and believed that the true "heart" should not be revealed easily. Chasing and playing in the spring breeze like peaches and plums is just a kind of showing off, a superficial expression. The poet does not want to be like a peach and plum in the sun, but he hopes to be careful not to be a peach and plum. In short, although the poem's language is simple, its meaning is mellow and chewy, leaving us with a lot to think about.
Begonia flowers bloom later than peach blossoms and plum blossoms, and the flowers are red and white with elegant colors. They are hidden deep in the dense green leaves and are inconspicuous. Unlike peach blossoms and plum blossoms, Spring is blooming to attract people's attention. Through the description of Haitang, the poet praises Haitang's character of cleanliness, self-love, and willingness to be quiet.
Its freshness, its expressiveness, its ambition, all moved me. Early to mid-April in the Gregorian calendar is when flowers are in full bloom. Of course, Taoxing was the first to open. Therefore, the spring breeze is the song of the flowers and the spring breeze on the red apricot branches. Begonia blooms slightly later, with leaves first and flowers later. When the tender green leaves overlapped, its flower buds had just burst through the calyx, revealing the bright red petals. What the author describes is Begonia at this time. I particularly admire the author's timing for capturing so accurately and his observation so meticulously! However, the author's original intention lies in the last two sentences, praising Haitang for being reserved and noble, not following the trend, and not competing with the crowd. This is exactly the portrayal of the author's own spirit.
?香心? is a pun, which means the core of the begonia flower.
The other level is the love of children.
There are layers of fresh green among the branches, and several dots of red are hidden deep in the little buds. This poem uses the new green to describe the freshness of the leaves of the crabapple, and uses several dots of red to express the appreciation of flowers in the distance. perception. The small buds of Begonia are in bud, hidden deep in the dense green leaves, with only a little bit of red showing. They are looking at the outside world, showing an attitude of not being frivolous or showing off, being shy about showing off, and cherishing the core of the flower. Our modern public servants should have this sentiment. We must be like a little flower bud, modest and prudent, neither arrogant nor impetuous, gather our own strength, grow our talents, and contribute silently to the country and the people.
?Cherish your beautiful heart and don’t spit it out lightly, and teach the peach and plum blossoms to be happy in the spring breeze?. In this sentence, the word "nao" satirizes the claptrap of peach and plum blossoms and reflects the modesty of Begonia; "Love heart" refers to the heart of Begonia flower. , also refers to the hearts of children. This sentence is written as "Haitang" on the surface, but it actually teaches children to behave dignified and steady, and not to be sensational or impetuous. About the author:
Yuan Haowen (pronounced h?o, meaning love, the name has the same meaning as the character), lived in northern China during the Jin and Yuan Dynasties. He was a descendant of the Tuoba clan of the Xianbei tribe in the Northern Wei Dynasty. Yuan Haowen I asked my step-uncle Yuan Ge. The courtesy name was Yuzhi and the nickname was Yishan. He was a native of Xiurong, Taiyuan (now Xinzhou, Shanxi). He was able to write poetry at the age of seven. He studied under Hao Tianting at the age of fourteen and completed his career in six years. In the fifth year of Xingding (1221), he could not be selected as a Jinshi; in the first year of Zhengda (1224), he was awarded the title of scholar in the macro-ci subject of Zhong Bo Xue, was appointed as editor of the Academy of National History, and served as the county magistrate of Zhenping, Nanyang and Neixiang.
In the autumn of the eighth year (1231), he was ordered to enter the capital. In addition to the ministers of Shengpu and Zuosi, he was transferred to the imperial court. He was not an official after the death of Jin Dynasty. Xianzong of the Yuan Dynasty died in Huolu's residence in the seventh year of the Jin Dynasty. The poems are full of expectations; the poetry style is melancholy, and many of the poems are sentimental and sentimental. The thirty quatrains of his "On Poetry" are quite important in the history of Chinese literary criticism; he wrote "Yishan Collection", also known as "Collected Works of Mr. Yishan", and edited "Zhongzhou Collection".
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