The sun is slightly dew, mist covers the river, and a small boat is waiting to set sail. On the boat, there was a white light and a deep gaze, staring straight into the sky. At the foot of Baidi City, an immortal boarded a boat and was about to leave. This is him, Li Bai.
As a young man, he traveled around China. The Tianmen interrupts the opening of the Chu River, and the clear water flows eastwards to this point. A pair of Xie Gong clogs travels the world handsomely.
When he matured, he became an official in Hanlin. I laughed up to the sky and went out. How can I be a Penghao person? It is my nature that my talents will be useful, and I will come back after all my money has been spent. How ambitious, how proud and unbridled!
Frustrated, he was very angry. An Neng was able to bend his eyebrows and bend his waist to serve the powerful, which made me unhappy. Still dreaming of becoming an official, he cried out his injustice and depression.
He is an alcoholic, romantic and flamboyant. Raise a glass to invite the bright moon, and make three people in the shadows. Oh, this is him, the person drinking with the shadow!
Look for Li Bai, buy a pair of sneakers and travel through China. What I found were only tall buildings, bare mountains, filthy air, and deserted land... Without clarity, bid farewell to cleanliness, I said, Lao Bai, where can I still have the beautiful scenery of the deep chestnut forest and the shocking top of the mountain? No one answered. Looking for Li Bai, I found a world of silence.
Looking for Li Bai, looking for Li Bai who smells of alcohol. What rich people drink is xo, but what they spit out is ignorance and ignorance. But what Li Bai drank was the Tianfu village gangster's home brew, and what he spit out was an intoxicating chapter. When they come to the countryside, what the farmers drink is methanol, which is the same as wine, but what they pay for is a lifetime of light and life. I said, Lao Bai, can you, the wine master, drink this kind of wine? No one answered. Looking for Li Bai, I found the wine master who no longer drinks.
Looking for Li Bai, looking for the free and easy nature that makes me useful. Three exams will turn you into a ghost, and two words of fame will make you miserable. But now we have gone through so many exams that we have become numb. Are there ghosts in the world? Or is it that there are no ghosts in the world and humans are ghosts? Li Bai! You don’t have to take the imperial examination. If you are talented, someone will invite you. And what about us? There is no choice but to take the college entrance examination. Remember this saying: Gold shines wherever it is. However, there is very little gold like this. After all the yellow sand is sifted, gold will be found. More gold will lose its edges and luster under the wear and tear of life. Who will brush away the yellow sand that buries them? In the end, they could only stay with SIO2 forever, losing their dignity and glory. I said, Lao Bai, if the gold mine in this life is gone, can you come back again? No one answered. Looking for Li Bai, I found the sadness that will never come back after all the money has been spent.
I held up the poem "Looking for Li Bai" again, and I burst into tears:
The wine entered my heart, seven parts turned into moonlight, and another three parts roared into sword energy, and the mouth was embroidered One vomit is half of the prosperous Tang Dynasty... Li Bai often uses images of wine, swords, horses, moons, harps, flowers, etc. in his poems, forming a colorful and splendid poetic realm that embodies the glorious atmosphere of the prosperous Tang Dynasty. It also constitutes his carefree mood. Poeticizing the realm of life. Among them, the ones that most inspired his passion for life were wine and sword. Drinking is inner cleansing, wielding a sword is outer stimulation, and writing poetry becomes the pursuit of individual freedom and the expression of vitality. Wine is a very important part of Li Bai's life. Li Bai can hardly live without wine. It can relieve sorrow: "The five-flowered horse and the golden fur will call you for fine wine, and we will sell the eternal sorrow with you"; I love the reputation behind me, but I love the wine in front of me. Drinking makes me happy in front of me, but where is the false reputation?” Unlimited wine, drunkenness kills Dongting Autumn", "I came drunk to sleep on the empty mountain, the heaven and the earth are quilt pillows", "I am drunk and want to sleep, please go away, Ming Dynasty intends to hold the harp". "Poetry is inspired by advocacy, and wine is inspired by swordsmanship and singing." Li Bai is a knight. The strong spirit of chivalry makes many of Li Bai's poems impassioned and heroic, which is naturally inseparable from his beloved sword. In Li Bai's writings, the sword symbolizes the chivalrous consciousness of "drawing the sword to help when the road is rough", and also represents the spirit of sacrifice for the common people and An Liyuan. Chang Ling's poem said: "The yellow sand wears golden armor in a hundred battles, and the Loulan will never be returned until it is broken." Li Bai shouted: "I am willing to take off the sword from my waist and kill Loulan." "The king of Qin swept Liuhe, what a majestic tiger! He waved his sword to fight against the floating clouds, and the princes came to the west." "The floating clouds are fighting, and the ambition is to be quiet and peaceful." He used the sword to express his ambition and feelings of helping the world, and to express his appreciation for the past. The admiration of outstanding heroes and mad warriors. However, when he failed to achieve his ambition and was abandoned, he would also draw his sword and hit the pillar to express his resentment. Although when he was about to cross the Yellow River and was blocked by ice, and when he was about to ascend Taihang in the dark snowy sky, he also had the mood of "stopping his cup and throwing chopsticks without being able to eat, and drawing his sword and looking around at a loss", he always had good wishes for the future. and confidence, compared with Jiang Taigong, the "adult" is in a rough situation, but his heart is magnanimous. If the images of wine and sword mainly express the poet's unruly, bold and unrestrained heroic spirit, then the images of the moon and flowers in the poem express his pure and kind worldly feelings. No pretense, no sophistication. The clear brilliance of the moonlight envelopes the earth, making people's noisy and restless hearts return to peace and tranquility during the day. In Li Bai under the moonlight, his poetic life is most prominent. "When will the moon come in the blue sky? I'll stop drinking and ask. People can't catch the bright moon, but the moon follows people when it moves." Here, "moon" is a kind of transcendence, a kind of personality transcendence, a kind of spiritual transcendence that gets rid of the disputes of worldly interests and gains something. This is also a poetic realm of aestheticism. "A pot of wine among the flowers, drinking alone without any intimacy. Raise a glass to invite the bright moon, and drink together as three people."
"I", the moon and the shadow have formed a friendship that forgets all the worldly affairs, and we travel together in Yunhan: "I sing to the moon and wander around, and my dancing shadows are scattered. We make love together when we are awake, and we are separated when we are drunk. We will travel together forever, and we will travel together. "Miao Yunhan" transcends the dirty and ugly world and returns to the true and beautiful realm of harmony between man and nature and freedom of mind. This kind of moon culture is a very high state of Eastern culture, and it is also the highest state for human beings to find their spiritual home and explore their ultimate concern. "Today's people don't see the ancient moon, but today's moon once shone on the ancients. People in ancient times and today are like running water, and they can see the bright moon like this." "Wine to Ask the Moon" puts forward the direct feelings and rational thinking of ancient and modern people in a questioning way. The poem also lingers in the hearts of thousands of readers like the moon, turning it over and over again. Since Li Bai is a typical subjective romantic poet, his poems often transfer his emotions to external objects. In Li Bai's moonlight, there is another kind of poetic realm and a kind of cultural concern. These are the effects of empathy presented in the moonlight, which make the originally ruthless moonlight have the qualities of innocence, purity and nobleness, which comprehensively constitute Li Bai's moonlight. His unique poetic life and personality charm. "When I was young, I didn't know the moon. I called it a white jade plate. I also doubted the Yao mirror and flew up to the blue clouds." Innocent imagination reminds people of the wonderful years of childhood. "Look up at the bright moon, lower your head and miss your hometown." The "moon" here carries the imprint of "Emei Moon" which means "the moon rises in Emei and shines on the sea, and it always accompanies people thousands of miles away." It makes people miss their home, homeland, and relatives. "The king is young when he is drunk," "I want to go to the blue sky to see the bright moon." He is independent from the world, proud and unyielding, as if he does not eat the fireworks of the world: "Let's borrow the moonlight in the Dongting, and buy wine by the white clouds." But to a friend, he says, "I send my sorrowful heart to the bright moon, and I will follow you till the end of the night." What a true love. On the one hand, he despised the princes: "The emperor couldn't even get on the ship"; on the other hand, he was close to the common people: "I slept in a restaurant in Chang'an City", showing tenderness to the ordinary people and workers who were not in the mainstream. How contradictory and contradictory it seems, but how unified it is when reading his poems. He mocked Yao and Shun, laughed at Confucius, and despised etiquette. He is both a poet and a knight. It is a true celebrity who is free and easy, and a true hero who is free and easy. The spirit of Ren Xia and the demeanor of celebrities in the Wei and Jin Dynasties naturally merged into one in him. His legendary experience, raging passion, rebellious personality, and wild romantic temperament seem to make me see the Western poetry demon-Byron, holding a sharp sword and wearing a Greek flower scarf on his head. Li Bai, the Eastern Poet, and Byron, the Western Poet Demon, these two extraordinary geniuses with poetic hearts and bravery, have added so much splendid color to the romantic literature at home and abroad. If these two were taken away, the history of world literature would be eclipsed. The spiritual atmosphere of mountains and rivers cultivates the poet's spirit, and the poetic soul of Zhuang Sao inspires the poet's philosophical understanding. He "never traveled far to seek immortality in the Five Mountains, and enjoyed traveling to famous mountains throughout his life." The Yangtze River, the Yellow River, the Five Mountains, and all over the world have left his footprints. Through the images of wine, swords, horses, moon, harp, flowers, etc. in his poems, he achieved the state of harmony between man and heaven where "heaven and earth coexist with me, and all things are one with me", presenting a gorgeous and dazzling scene. Poetic realm. For Li Bai, poetry was his career, poetry was his treasure, and poetry was his life. For decades, poetry and his honor, disgrace, love, life and death depended on each other. He advances with poetry and retreats with poetry; he enters officialdom with poetry and emerges from the world with poetry; he is favored with poetry and convicted with poetry; he expresses his emotions with poetry and shouts with poetry. He writes poetry when he is happy, when he is sad, when he is sad, when he is angry, when he is awake and when he is drunk. Poetry has long become a part of his life, connected by blood and inseparable, completing his life. A poetic life that wanders around in troubled times. Living on the earth poetically has always been a way of life for humans. For Li Bai, his soul had already poetically inhabited the land of China and the hometown of China; his life was completely free in the poetic life. He used his poetic life to show the high vitality of mankind and pursue the spiritual home that mankind yearns for.