Autumn Ci is a group of poems written by Liu Yuxi, a poet in the Tang Dynasty. The original poem is as follows:
Since ancient times, I feel sad and lonely every autumn. I think autumn is more than spring.
There is no one in the clear sky in Wan Li, and a crane, Ling Yunfei, has aroused my meditation on the blue sky.
The mountains and rivers are clear and frosty at night, and several trees are deep red and light yellow.
Trying to get under a tall building is as crazy as spring.
I feel sad and lonely every autumn since ancient times, but I think autumn is better than spring. In the clear sky of Wan Li, a crane flying in the sky aroused my poetic interest in the blue sky. Autumn has come, with beautiful scenery and first frost at night; The leaves turn from green to light yellow, but some of them turn red, which is particularly conspicuous in light yellow; Climb a tall building and look around in the clear autumn; It won't drive people crazy like spring.
Extended data
Creative background: In 805 AD (Yongzhenyuan), Shunzong ascended the throne and appointed Wang to reform the state affairs. Liu Yuxi also participated in this innovation movement. Failure was downgraded. However, he has a strong psychology of seeking differences. He wants to be different in everything and refuses to follow suit. Liu Yuxi was thirty-four years old when he was demoted to Langzhou (Changde, Hunan). I was proud of the spring breeze, but I was kicked out of court. My distress can be imagined. Two Autumn Poems was written when he was demoted to Sima Langzhou.
In the first sentence of one of the poems, "Autumn has been sad and lonely since ancient times", the poet begins with a discussion, which categorically denies the previous concept of sad autumn and shows a strong upward poetry. The first sentence clearly pointed out that since ancient times, whenever autumn is mentioned, people will lament the loneliness and desolation of autumn. "Since ancient times" and "whenever", the traditional view of mourning for autumn has a long history, and the thinking mode is stubborn.
The next sentence uses "I speak" to express my mind directly, with a clear attitude and the poet's confidence. Although this self-confidence is infected with an unfortunate color, the poet's broad mind has particularly resolved this misfortune. "Autumn is better than the spring dynasty", which praises autumn warmly, saying that autumn is better than the spring when everything is budding and thriving. This is a powerful denial of the sad autumn argument since ancient times.
The third sentence chooses typical things and vividly outlines a magnificent picture. The poet grasped the unique landscape of "crane flying in the sky" in autumn, and showed the open scene of crisp autumn, clear skies in Wan Li and white clouds fluttering. The crane in Lingyun, also carrying the poet's poems, swam to the sky together.
The fourth sentence is followed by the first sentence to express your feelings directly. Seeing this magnificent situation, the author's heart is full of surging poetry, just like a crane flying in the sky. Between the lines, the author's optimism and high morale are vividly portrayed. If the above sentence focuses on the "formal beauty" of autumn, then this sentence highlights the "charm" of autumn and makes the view that "autumn is better than spring" more vivid and powerful.
The second song is about autumn. Praise Qiu's beauty and lofty aspirations, praise Qiu's innocence. Scenery moves with people, and color changes with feelings. Scenery is like makeup, temperament and morality. Spring is glorious, and autumn is good character. The first two sentences of the second song describe the scenery in autumn. The poet just outlines its true colors and shows its characteristics. It is bright and innocent, red and yellow, with a slight color, showing an elegant and leisurely charm. Ling Ran is like a gentleman, which is admirable.
When you try to look at a tall building, you will feel clear, clear-headed and affectionate, and will not be as frivolous and crazy as the bustling and colorful spring scenery. The last sentence contrasts the theme of the poem with the reverse proportion of "crazy spring scenery", pointing out that the whole poem coincides with personification, vivid and ingenious.