Du Fu
Lone geese don't drink pecks, but fly and sing.
who pities a shadow and loses a million clouds?
I hope I can still see it, but I feel more sorrow than I smell it.
wild crows have no intention of being in a mood, and they are making noises.
This object-chanting poem was written when Du Fu lived in Kuizhou at the beginning of Dali. It is a song of lonely geese thinking about the crowd, with wonderful body music and the author's thoughts and feelings at the same time, which is a masterpiece.
according to the usual method, poetry chanting things is better with music and better with concealment, and what is sung should not be revealed. Du Fu, on the other hand, called out the "lone wild goose" at the beginning, but this lone wild goose was different. It didn't drink or peck, just kept flying and screaming, and its voice revealed how much it missed its companion! Not only miss, but also desperately pursue, this is really a passionate and persistent "lonely goose." Pu Qilong, a Qing dynasty man, commented that "the sound of flying sounds is the bone of a poem" ("Reading Du Xin Jie"), which grasped the point.
the realm of secondary association is suddenly open. In the vast sky, this little lonely goose is just a "shadow", and it is lost in the "thousands of clouds" with the geese. How anxious, anxious and confused it is at this moment! The sky is high and the sea of clouds is misty. Where will I find my lost partner? This couplet is asked with the word "Who pities". This question seems to open a floodgate, and the emotional spring in the poet's chest rolls out: "Lonely goose, am I not as sad as you?" The sky is vast, and who will pity me? " Poets and geese, things and I blend together, one integrated mass. Zhu Heling, a Qing Dynasty poet, commented on this poem, saying, "I trust the lonely geese to miss my brothers", and I am afraid that the people the poet misses are not only brothers, but also his close friends. After the Anshi Rebellion, in those turbulent years, the poet lived in exile, his relatives and friends were separated, and he was far apart, but he longed for the reunion of flesh and blood all the time, and he never dreamed of the reunion of his bosom friends. This lonely goose gave him his own shadow.
Sanlian closely connects with Shanglian, and depicts the distinctive personality of the lonely goose from the psychological aspect: it is entangled in thoughts and tortured by pain, forcing it to keep flying. It looks all over the sky, looking, looking, as if the lost geese are always shaking in front of it; It cries, cries, cries, as if the companion's singing is always ringing in its ears; Therefore, it has to keep chasing and calling. These two words of blood and tears are profound and sorrowful. Pu Qilong commented: "I only miss flying, but I can't stop flying when I look at it. It seems that I still see its group and drive it away;" Only when you think about it, you will cry a lot, such as those who hear it more. Sketching at this point, the rain is crying! " ("Reading Du Xin Jie")
At the end, the brushwork of foil is used to express the poet's love and hate feelings. Lonely geese miss the group so urgently, it is so painful and tired; And the wild crows don't understand at all. They are constantly making noise and enjoying themselves. "Unintentional mood" is the lonely goose's mood when facing the wild crow, and it is also Du Fu's mood that he hates boredom when he can't meet his friends and relatives, but faces some ordinary people. "Those who know me call me worried, and those who don't know me call me what I want" (Poem Feng Wang Mi Li). What is there to talk about with such "those who don't know me"?
This is a hymn of the geese who miss the flock. The emotion it expresses is profound and strong in sorrow. It is so lonely and miserable, but at the same time, it has to keep calling and pursuing. Its love for friends burns fiercely in its chest, and it can even abandon eating and drinking, regardless of the safety of the situation; Although Ann's life is thin, her heart is high. She prefers to fly in the clouds, and she has never paid attention to the cold pond of dusk rain. Her poetry is intense and her ideological realm is high.
as far as artistic skills are concerned, the whole article is vivid and vivid, and it is a great craftsman's luck, which is naturally muddy and has no trace of axe chisel. In the middle, the two couplets have feelings and scenes, and the scenes are colorful, even with light and shadow, which can give people a "three-dimensional sense", like focus plane's performance of the wild goose shadow in the clouds, which is really a stroke of genius.