Du dynasty
Jiangshan bathed in spring, how beautiful, flowers send flowers.
Swallows are busy nesting in wet mud and sleeping in pairs on the warm beach.
Tao Yukai, a poetry theorist in the Qing Dynasty, pointed out in his book On Du Fu that there are many works in Du Fu's anthology that "take poetry as painting". This five-character quatrain written in Chengdu Caotang is a very poetic masterpiece. At the beginning of the poem, I began to use ink from a big place, depicting the beautiful spring scenery around Huanhuaxi under the bright sunshine in early spring. This pen is simple and colorful. "Late day" means spring day, which means "spring night" in The Book of Songs, Wind and July. Here is used to highlight the sunshine in early spring, so as to control the whole. At the same time, the word "Li" is used to dye "Jiangshan", which shows the beautiful scenery of beautiful spring and green streams reflecting the sun. Although this is a sketch, the bottom of the pen is a spring swing.
In the second sentence, the poet further demonstrated the beautiful spring scenery with warm spring breeze, blooming flowers, lush grass and rich fragrance. Because the poet organically organizes the spring breeze, flowers and plants and their fragrance, readers can feel the harmony of the wind, flowers and flowers, and receive the artistic effect as if they were in the air.
On the basis of bright and broad pictures, three or four sentences turn to a concrete and vivid description of the early spring scenery.
In the third sentence, the poet chooses the most common and distinctive dynamic scenery in early spring to sketch. In spring, the flowers bloom, the soil melts, the soil is wet, and the swallows that come from autumn to spring are busy flying around and building nests with the soil. This vivid description makes the picture more vibrant, full of the breath of spring, and has a dynamic beauty. Du Fu's observation of swallows is very detailed, and "mud melting" is closely related to the first sentence, because spring returns to the earth and the sun shines brightly, which is "mud melting"; The new Yanzi made a nest out of the mud in his mouth and kept flying, showing a feeling of spring.
The fourth sentence is to outline the static scenery. Spring melts, the sun is shining and the beach is warm. Yuanyang should also enjoy the warmth of this spring and sleep on the sandbar by the stream. This is also closely related to the first sentence, because "the sun came late" warmed the beach, and the warmth of the beach attracted couples of mandarin ducks to come out of the water and bathe in the bright sunshine, which was so leisurely. From the description of the scenery, it is in contrast to the dynamic flying swallow in the third sentence, which is dynamic and static, and sets each other off. These two sentences depict the flying swallow with mud and the sleeping mandarin duck with meticulous brushwork, and cooperate with one or two sentences to outline the broad and bright scenery, which makes the whole picture harmonious and unified, forming a colorful, prosperous and aesthetic early spring scenery map. As far as the thoughts and feelings contained in the poem are concerned, it reflects the poet's pleasant mood of temporarily settling down in the thatched cottage after "four battles at one year old" and "three years of famine mountain", and also shows the poet's joy at the vitality and prosperity of nature in early spring.
This five-character quatrain is bright and beautiful in artistic conception and fresh in style. The whole poem is neat, but natural and smooth, without carving; Describing the beautiful scenery without trace is a unique chapter in Du Ji.
Two quatrains (part two)
Du Fu
The water waves in the river, the white feathers of waterfowl, the green and red flowers on the mountain are in contrast, and you want to burn.
I watched it again this spring. When is the year of return?
This poem was written by Du Fu after he entered Shu, expressing his feelings in a foreign land. "The birds in the river are white, and the mountains are blue and white." This is a landscape painting embedded in a frame. The paper is full of ink, and the painting is colorful and has a fascinating charm. You see, the blue waves are rippling all over the river, revealing white water birds, skimming over the river, what a pleasant scenery! All over the mountains and plains are green, blooming everywhere and extremely red. It's like burning a fire, how beautiful and brilliant! White bird feathers are lined with river walls, and blue and white set each other off; Green hills are lined with red flowers, and green and red compete. The word "Guo" makes the waterfowl whiter and whiter with the blue sediment of the river, and writes deeply and picturesque; And a word "desire" endows the flower with anthropomorphic dynamics and swaying. There are four poetic images of rivers, mountains, flowers and birds, which are depicted in four colors: green, green, red and white. The scene is fresh and pleasing to the eye. However, the poet's will is not here, and then, the pen path turns sharply and sighs.
"I saw it again this spring. When is the year of return?" The word "read through" in the sentence refers directly to the season of writing poetry. The scenery in late spring and early summer is not beautiful, but it is a pity that the years have passed and the return date is far away, which not only does not arouse the interest of playing, but evokes the sadness of wandering.
The artistic feature of this poem is to write sadness with joy. Only by saying that spring is harmonious can we compare the poet's eagerness to return home. It does not reveal homesickness directly from the scenery, but compares the poet's deep homesickness with the difference between objective scenery and subjective feelings.
Du Fu —— "Four quatrains"
There are long bamboo shoots in the west of the hall that don't open the door, and peppers in the north return to the village.
Shu Mei promised to have dinner with Zhu, and Kao Sung planned to talk about Ruan Sheng.
I want to be a floating cloud, and the cold rain in April is shocking.
There is a dragon cave in Qingxi first, and Zhushishan is afraid to be safe.
"Two orioles sing green willows, and egrets cover the sky."
My window framed the snow-covered western hills. My door often says "goodbye" to ships sailing eastward.
The medicine strips are moist green and too brown to enter the grass pavilion.
The seedlings are full of shame, and the roots dare not form.
Precautions:
Solution: In the second year of Dai Zongbao (736), the Anshi Rebellion was settled and Du Fu returned to Chengdu Caotang. At this time, his mood is particularly comfortable. Faced with a vibrant spring scene, he couldn't help but write four quatrains happily.
Appreciate:
This "Spring Scene Map" is near and far, colorful; Set off the fun, tile Ming is open, the characters are suitable, and the movement is combined; A school of vitality, a thousand miles of spring scenery, not only depicts the beauty of the motherland's mountains and rivers, but also shows the poet's state of mind.