Author: Tao Yuanming
Works: Returning to Garden Residence
Content:
Few people do as the Romans do. Their nature is to love nature.
I sneaked into the official career network and have been away from the game for more than ten years.
Birds in cages are often attached to the forests of the past, and fish in ponds yearn for the abyss of the past.
Land reclamation in the south and return to the countryside.
The house is surrounded by about ten acres of land, thatched cottages.
The elm tree is behind Liu Yin and in front of Luotang in Li Tao.
The neighboring village of the neighboring village is faintly visible, and there is smoke in the village.
Several dogs barked in the alley, and the mulberry tree was barked by a rooster.
There is no dust and sundries in the yard, and the quiet room is comfortable and leisurely.
Trapped in a cage without freedom for a long time, I finally returned to the forest today.
Explanation:
Tao Yuanming's "Returning to the Garden", a famous pastoral poem, was written in the second year after the author resigned from his post and returned to his hometown.
At the beginning of the poem, it is said that when I was young, I didn't adapt to the secular character and naturally loved the natural scenery. "Falling into the dust net by mistake" means a lot of regret. Comparing "dust net" with officialdom shows the poet's contempt and disgust for dirty officialdom.
"Caged birds" and "pond fish" are both animals that have lost their freedom. Tao Yuanming used his own metaphor to show that he missed the beautiful nature like a bird loves to return to the forest and a fish misses his hometown. Returning to nature means regaining his freedom. So how do you make a living? "Southern Land Reclamation" can make up for the previous mistakes and can "return to the garden".
Next, it describes the quiet and natural pastoral scenery. Although Tao Yuanming lived at the foot of Lushan Mountain since childhood and was very familiar with the mountains and rivers here, this time he broke free from the shackles of officialdom and returned to the free world forever from the cage dust net, so he had a special joy and freshness. Looking back and looking forward, he looked at the square houses, grass houses, elm willows, peaches and plums, villages, kitchen smoke, and even the barking of dogs and the crowing of chickens in deep alleys, all of which constituted the true interest in the poet's chest.
"Warm", blurred vision; "yiyi", light smoke curled up. In this diluted silence, coupled with a few crows, more and more shows the tranquility and leisure of rural life.
At the end of the four sentences, the mind is written by the scenery, and "virtual room" corresponds to "home", which refers to both the leisurely and quiet room and the poet's carefree state of mind. At the end of the poem, the two sentences "I have been locked in a cage for a long time, but I have returned to nature" echo the beginning of the poem. The personality shown here is neither a villa hermit nor a field farmer. The retired scholar-officials have a superior material life, while the farmers in weeding fields lack the spiritual life of Tao Yuanming, so Tao Yuanming is a poet and philosopher who can really appreciate the interest of nature and gain peace of mind from hard work.
"Returning to nature" is the central theme of this poem. It is the poet's life ideal and the main theme of this group of pastoral poems.
About the author:
Tao Yuanming (365-427) was born in Chaisang, Xunyang (now Jiangxi). He used to be a small official in some places, and Peng Zeling abandoned the official in just over 80 days. He was a great poet in ancient China, and his poems made great artistic achievements, which had a wide influence on the development of China's poems. There is a collection of Mr. Jing Jie.
Respondent: Forget Jianghu-Tong Sheng's First Pass 2-2 0 1:05
-
Gui yuan Tian ju
Tao Yuanming
one
Few people do as the Romans do. Their nature is to love nature. I sneaked into the official career network and have been away from the game for more than ten years. Birds in cages are often attached to the forests of the past, and fish in ponds yearn for the abyss of the past. I want to open up wasteland in Minamino and keep my humility to the fields. The house is surrounded by about ten acres of land, thatched cottages. Willow trees cover the eaves, and peach trees cover Li Lieman in front of the hospital. Warm and distant villages, the smoke from the kitchen in Yiyi market, the barking of dogs in the depths of alleys, the crowing of chickens on the top of mulberry trees, dust-free households, and free virtual rooms. Trapped in a cage without freedom for a long time, I finally returned to the forest today.
two
There are few chariots and horses in the secluded places when the countryside makes friends with the secular world. This day is still Chai Men closed, and the pure mind blocks the vulgar thoughts. When complex market music, grass * * *. When we meet, we don't talk about worldly affairs, only that the garden is long in Sang Ma. My field is growing higher and higher, and my cultivated land is expanding day by day. Often worried about sudden frost, crops wither like shrubs.
three
I planted beans at the foot of Nanshan, and the weeds in the field were covered with peas. Get up early in the morning to get rid of weeds, and come back with hoes in the moonlight at night. The narrow path covered with vegetation, the night dew wet my clothes. It's not a pity to get wet, but I hope it won't be against my will.
Responder: soldier cunning-trainee magician level 2-2 12:50
-
Guiyuantianju (1)
Few people do as the Romans do. Their nature is to love nature.
I sneaked into the official career network and have been away from the game for more than ten years.
Birds in cages are often attached to the forests of the past, and fish in ponds yearn for the abyss of the past.
Land reclamation in the south and return to the countryside.
The house is surrounded by about ten acres of land, thatched cottages.
Willow trees cover the eaves, and peach trees cover Li Lieman in front of the hospital.
The neighboring village of the neighboring village is faintly visible, and there is smoke in the village.
Several dogs barked in the alley, and the mulberry tree was barked by a rooster.
There is no dust and sundries in the yard, and the quiet room is comfortable and leisurely.
Trapped in a cage without freedom for a long time, I finally returned to the forest today.
The poet described the beautiful rural scenery and simple farming life. Expressed the happy mood of abandoning officials and returning to nature. The whole story is integrated, showing the beauty of peace and harmony. In this harmony and beauty, people's hearts are also purified to a certain extent. Looking at the poet's pen, the pastoral scenery is beautiful and natural, and the poets in it are indifferent and quiet, with high interest. This situation constitutes the highest interest of China's ancient pastoral poems. ?
Su Shi once commented on Shi Tao's poems and said, "The quality is beautiful, but the quality is poor." . This means that Tao's poems are straightforward and do not pay attention to literary color. In fact, their artistic conception is beautiful and poetic. Scenery in the poem, such as elm willow, peaches and plums, thatched cottages, villages, kitchen smoke, chickens and dogs, are all very common things in the countryside, but when written into the poem by the poet, it is full of vitality, forming a quiet and beautiful pastoral picture and an organic composition of lyricism. This purely natural and unadorned artistic expression also complements the plain style and high harmony throughout.
Responder: In an instant √-Trainee magician level 2-3 18:40.
-
Guiyuan Tianju (3)
Tao Yuanming's Return to the Garden has five songs, and this is the third one. On the surface, this poem is about the joy of pastoral work and the idea of seclusion in the mountains; But comparing this poem with other poems, the author's "wish" actually has its special connotation.
I planted beans at the foot of Nanshan, and the weeds in the field were covered with peas.
These two sentences are about planting beans in Nanshan, with lush grass but sparse bean seedlings. The first sentence is very plain, just like an old farmer standing there talking, which makes people feel very cordial.
Get up early in the morning to get rid of weeds, and come back with hoes in the moonlight at night.
In order not to make the bean field barren, the poet went to the fields early in the morning and came back in the moonlight at night. Although it was hard, he didn't complain, which can be seen from the beautiful scenery of "the moon and the lotus returning home".
The narrow path covered with vegetation, the night dew wet my clothes.
It's not a pity to get wet, but I hope it won't be against my will.
The road is narrow and the grass is long, but the clothes are wet. What's the pity? This sentence seems dull, but this kind of dullness just reflects the ending sentence "but I don't want to violate it", which makes "I don't want to violate it" fully emphasized. The "wish" here contains the meaning of not losing yourself in the dirty real world.
The language of this poem is very plain and natural. "Planting beans in Shannan" and "Dew on my clothes" are all random, without any modification. This natural and simple poem is integrated into the artistic conception of the whole poem, which turns spoken language into poetry, harmoniously unifies simple spoken language and poetic mellow beauty, and forms the artistic characteristics of Shi Tao's simple and mellow beauty.
Tao poetry is plain and interesting. The interest of Tao poetry comes from freehand brushwork. "Go home with the moon hoe", the poet who returned from work is alone, but accompanied by the bright moon. The poet under the moon walked through waist-deep grass with a hoe on his shoulder. Returning to the countryside on a moonlit night, what a beautiful picture! It is full of the poet's happy mood and seclusion pride.
The plain language of "planting beans in Nanshan" and the beautiful sentence of "bringing lotus home in the moon"; The first sentence is real, and the last sentence is empty. The whole poem is soft and perfect with the mutual complement of simplicity and reality.