Volume 12 of Fang's "Zhao Wei" said: "The opening paragraph is written as a narrative, which is brilliantly written, with high brushwork and high tolerance." The so-called "narrative in words" means that this passage is essentially a description of the contents of Jiang Yan Picture, but there is no abstract description, but an image description. In fact, if you don't look at the title of the poem and the next paragraph of the poem, this poem is not like introducing the picture of the Yanhe River, but describing the natural scenery.
The first four sentences, focusing on lofty, write the general appearance of mountains and rivers. "On the River", click on the location of "Qian Shan died". Worrying about Your Heart melts your feelings into the scene. "Floating and accumulating Cui" is the inverted sentence of "accumulating Cui and floating", and the subject is "Thousands of mountains". "Emerald" is full of emerald color between the lines. "Qian Shan Wanshui" has accumulated infinite emerald, floating in the distant sky, like smoke and clouds. After the smoke disappears, the mountain shape still exists. A few poems, changing a static scene into a moving scene, are written in thousands of layers, and the emerald color floats like before.
The last four sentences, from far and near, from high to low, highlight the two cliffs first, and then fly out of the valley of two cliffs and hundreds of springs; These hundreds of flying springs wander between forests and rocks, disappearing from time to time, and finally "descend to the mouth of the valley" and merge into a giant river, rushing forward. Here, the poet unified the scenery with flying springs, thus using the artistic techniques of seeing the dark in the light and seeing the obvious in the hidden. There are countless valleys between the two cliffs. Because it is "black", it can't be seen, so it can't be written. They just wrote hundreds of springs flying. This is to see the darkness from the light. The trees are sparse, and the strange stones are aboveboard, visible and writable; But if we want to describe them one by one, it will waste more ink and distract the key points, so we only write the "hidden" of Baiquan, from hidden to obvious.
In the last four sentences, the poet draws the reader's attention from the valley where hundreds of springs meet to the close-up Pingchuan, Shankai and Linzuduan show three pictures; At the foot of the forest, there are bridges, wild shops, trees and pedestrians. And "A Leaf on a Fishing Boat" pushes the line of sight to the open Yanbo River. The word "swallowing the river" covers the panorama of "smoke waves overlapping the river", which has the potential of Wan Li.
The following four sentences of "Your Majesty" are in themselves a paragraph. Ji Yun commented: "The wonderful rhythm is purely based on transformation." Fang said, "Four positive sentences." The sentence "How did the monarch get this book" returned to the original question, which not only turned the real scene into a painting scene, but also pointed out that the painting was hidden by Wang Dingguo. It goes without saying that this painting is unique and provides a strong basis for the praise of "embellishing details and distinguishing beauty" The sentence "I don't know where there is such a world" has become a reality from the painting. I hope to seek such a beautiful country in the "world" and buy land for retirement, thus changing the layout of the whole article from scenery writing to lyricism and discussion.
"Didn't you see" is the last paragraph. Starting with "I don't see you", it leads readers to the world in the poet's memory. This kind of memory is not pleasant for poets. 1079 (the second year of Yuanfeng) In March, Su Shi stopped Xuzhou Zhizhou and changed to Huzhou. In April, I went to Huzhou. He Chen Zheng quoted the words in Huzhou Xie Biao and accused Su Shi of being "arrogant". Shu Shu, Li Ding etc. And criticized Luo Zhi's poems. On July 28th, Su Shi was arrested in Huzhou and put into Yushitai prison. This is Wutai Poetry Case (Rain Stone Terrace is also called Wutai). When the case was closed in December this year, Su Shi was demoted to be the deputy envoy of Huangzhou Yingyong, and was placed in the state capital. He was not allowed to sign books or do business. Su Shi arrived in the relegated mansion in February from 1080 (the third year of Yuanfeng) and was appointed as the assistant ambassador of Ruzhou in April from 1084 (the seventh year of Yuanfeng). * * * spent more than four years in Huangzhou. At this time, he felt something because he saw the picture of Yanhe River, which evoked memories of the past. "I don't see you" leads to "the secluded place of Fankou in Wuchang" and describes the depth of relegation; "Mr. Dongpo stays for five years" is a long time of relegation. In the following four sentences, Wu Beijiang thinks that it is not entirely wrong to write "the scenery at four o'clock" alone, because the poem is about the scenery; But more precisely, it is not simply to write about scenery, but to use scenery to describe and express emotions because of scenery. These four sentences after the first two sentences sum up the poet's experience and feelings in that "secluded place" and "staying for five years": in spring, watching "the spring breeze shakes the river"; In summer, I am alone in "Juanjuan in the misty clouds and rainy mountains"; Lonely autumn night, "Feng Dan turns to crow with the water"; Indulge in winter, "long pine falls snow, drunk." Every year, the poet's relegation career and relegation mood are vividly expressed through the description of the four seasons.
The phrase "Peach Blossom Flowing Water" is continued with the allusion of "Peach Blossom Spring". Tao Yuanming's Peach Blossom Garden is an ideal society pursued by people suffering from tyranny and will be a fairyland for later generations. Su Shi said: Peach Blossom Garden is "on earth", and people there are not necessarily "immortals". These two sentences are the answers to "I don't know where the world exists". The sentence "Jiangshan is empty and I am dusty" has a turning point "Jiangshan is empty", which is closely related to "Peach blossoms and flowing water are on earth"; "I am Dust", the last six sentences of "I don't see you" not only refer to the relegated life of Huangzhou for several years, but also include the situation at that time. Only "I am dusty" thought of buying land for retirement. The scenery in the first paragraph, "I don't know where there is such a scene in the world" in the second paragraph, "Peach blossoms on earth" and "mountains and rivers are empty" in the third paragraph all refer to places where you can retire. The following sentence "although there is a way" is an extension of this line. The "seeking" that "can't find the opportunity" is exactly where "seeking" retreats. Because I want to "find" and "have no chance", I "give you three sighs" Although "no chance", I still have to "find", and the whole poem ends with "an old friend in the mountains invited me back"
The title of this poem is "A Stack of Smoke Rivers Collected by Wang Dingguo", which was first shown to Tibetan painter Wang Dingguo and painter Wang Jinqing. "Jun" in the poem first refers to Wang Dingguo and Wang Jinqing. Wang Dingguo, namely Wang Gong, was demoted at the same time as Su Shi because of the Wutai Poetry Case. Wang Jinqing was also involved in Wutai poetry case, because some of Su Shi's poems were "engraved" by Wang Jinqing. As a result, he was demoted to Zhou Jun. After returning to the DPRK, the three men got together, "sighing and writing poems belonging to each other to support things with sadness" (preface to Su Shi's "He Wang Jinqing"). This poem is a work of "nourishing things with sorrow".