this exhibition * * * shows 42 pieces/group (436 pieces) of cultural relics and ancient books related to "Hehe" culture. Among them, there are 88 pieces/group of national first-class cultural relics and 121 pieces/group (177 pieces) of borrowed cultural relics, covering the exhibition halls of No.2, No.21 and No.22 on the third floor of Liaobo, with an area of ***3738.1 square meters and an exhibition line length of 387 meters.
Brief introduction of some key cultural relics:
Linked vortex painted pottery _
Neolithic Hongshan Culture
Diameter 13.2, Bottom diameter 12, Height 49.2 cm
Unearthed at Niuheliang Site in Chaoyang, Liaoning Province
Muddy red pottery hidden by Liaoning Provincial Institute of Cultural Relics and Archaeology
The red pottery is decorated with black color on the ground. Convergent mouth, round lips, broad shoulders, bulging belly, small flat bottom, belly decorated with vertical bridge-shaped ears, disc-shaped cover, and semi-circular hand catcher at the top. The lid is decorated with heavy circles, and the urn is decorated with vortex bands around it.
As early as the Neolithic Age, Hongshan Culture, located in the West Liaohe River Basin, had a history of 15 years with its nature of being in harmony with nature and an open mind of extensive communication with its neighbors. Hongshan Culture sacrificial pottery is mainly argillaceous red pottery, and there are many colored pottery. Painted pottery in Hongshan Culture is strongly influenced by Yangshao culture in the Central Plains, and in the process of development, it is constantly integrated with its own cultural factors, forming a unique painted pottery in Hongshan Culture. The use of colored pottery from neighboring cultural factors in the spiritual field reflects that the ancestors of Hongshan had a high tolerance for foreign cultures.
Tri-colored glaze printing Tai Chi map holding pot
Liao
Tonggao 21 caliber 3.7 bottom diameter 1.8×8.9 cm
The pot body of the former Northeast Cultural Relics Management Office
Liaoning Provincial Museum
is oblate, round mouth, crank, tubular short flow and full circle. The fetal quality is gray and flashing red, with white powder hanging. Apply yellow, green and white glaze all over the body. On the rippled ground, there is a floating cloud belt. Ribbon pattern is applied outside the handle, and the base of the flow is the first mouth of the cow. The pot body is printed with the same raised pattern on both sides, and a lotus flower in the center is decorated with Tai Chi pattern, which outlines the aesthetic artistic conception of "starting from nature and bearing in heaven". This pot is ingenious in conception, fine in production, unique in pattern and richly decorated, and it is a masterpiece of ceramics in Liao Dynasty.
A picture of Xiajing Mountain Pass to be crossed
Dong Yuan of the Five Dynasties (date of birth unknown-962)
The silk book is colored
It is 49.8 in vertical direction and 329.4 cm in horizontal direction
Dong Yuan, whose name is Shu Da, was born in Zhongling (now Nanjing, Jiangsu). When he was in charge of the Southern Tang Dynasty, he used to be the deputy envoy of Beiyuan, so he was called "Dong Beiyuan" and was good at painting.
This volume depicts the scenery of the south of the Yangtze River. The river meanders among the mountains, and the vegetation is abundant, showing the beautiful and moist landscape of the south of the Yangtze River. Dong Qichang's book title in Ming Dynasty is the first, followed by Ke Jiusi and Yu Ji's inscriptions in Yuan Dynasty, which is a very exquisite work in Dong Yuan's paintings handed down from generation to generation.
Taibai Mountain Atlas
Wang Meng (138-1385) in Yuan Dynasty
Paper coloring
Vertical 27.4 and Horizontal 238 cm
Wang Meng, whose uncle name was Huang Heshan firewood, was born in Xing Wu (now Huzhou, Zhejiang) and was Zhao Meng _ grandson. The painting style is deeply influenced by my grandfather, and it is innovative and unique. Later generations called it "Yuan Sijia" together with Huang Gongwang, Zhen Wu and Ni Zan.
This picture shows the Taibai Mountain in Yinxian County, Zhejiang Province and its surrounding scenery. The mountains here are endless, with small bridges flowing water and long bridges with high arches. The whole article is densely written with vermilion and cyanine, with superb techniques and unique style.
Preface to the Orchid Pavilion in Tang Dynasty (yellow silk edition)
Anonymous in Tang Dynasty
Horizontal 24.5 and Vertical 65.6 cm
Hunan Museum
Exhibition will be exhibited in the middle and later period, so please look forward to it.
The original title of this volume is Preface to the Orchid Pavilion written by Chu Suiliang, and the texture of the text is silk, yellowish brown, also known as "yellow silk". At the end of the text, under "Sven", there are "Fu Yin" and "Zi You". At the beginning of the volume is the inscription "Mo Bao" by Dong Qichang, a famous painter and connoisseur in Ming Dynasty (remnant). Xiang Yuanbian, a connoisseur of calligraphy and painting in the Ming Dynasty, has a large collection of seals. At the end of the volume are Wang Shu, He Tianjun, Tang Yujian, Gu Qin, Liang Zhangju, Liang Tongshu, Sun Xingyan, Shi Yiyu, Li Zuoxian and Han Chong in the early Ming Dynasty.
Although this volume of Preface to Lanting, a copy of Tang Dynasty, is not a copy of Chu Suiliang, it is not easy for it to spread as a calligraphy work in the early Tang Dynasty. It is precisely because of its existence with the Preface to Lanting, another copy of the Tang Dynasty, that we can still feel the charm of Wang Xizhi's calligraphy art and understand the calligraphy fashion in the early Tang Dynasty.
Preface to Lanting Collection
Zhu Yunming (1461-1527) in Ming Dynasty
Wen Zhiming (147-1559)
Book center: 22.9 vertical and 48.8cm horizontal
Painting center: 2.8 vertical and 77.8cm horizontal
. In his early years, regular script was meticulous, learning from Zhao Meng and Chu Suiliang, and catching up with the "two kings" from Europe and Europe. The cursive writers, Li Yong, Huang Tingjian and Mi Fei, have profound skills, especially in their later years.
Wen Zhiming, formerly known as Bi (or Zuobi), has a clear character. Since the age of forty-two, he has been using the word line, and the word is even more important. Changzhou county people. In the second year of Jiajing (1523), Gong Sheng took the official examination at the age of, and was awarded the post of Imperial Academy. In the fifth year of Jiajing (1526), Wen Zhiming resigned and returned to his hometown, specializing in creation. Wen Zhiming's poems, essays, books and paintings are all excellent, and they are called "Four Exquisites", which together with Shen Zhou create "Wu Pai". Together with Shen Zhou, Tang Yin and Chou Ying, they are called "Ming Sijia" in the history of painting. In literature, he is also called "four gifted scholars in Wuzhong" with Zhu Yunming, Tang Yin and Xu Zhenqing.
Return to Xi Ci
In the Ming Dynasty, Ma Shili was in Xia Zhi (the year of birth and death is unknown)
Paper ink and wash
27.7 in length and 6 cm in width
Ma Shi, whose words are respectful. Jiading (now Shanghai) people. During Xuande's reign, Dai Jin and Xie Huan were good at painting in the capital. Works, poems, good paintings and landscapes are adopted in the Southern Song Dynasty.
Li is a native of Putian, Fujian. Xuande entered the painting academy during the years, and he was waiting for the painting academy. Good landscape figure, Zong Guoxi.
This painting of Tao Yuanming's "Going Back to Xi Ci" has nine paragraphs, including Li San, Ma Shi San and Xia Zhi. The original works of the first paragraph and the eighth paragraph have been lost, and these two paragraphs are supplemented by painters of the Qing Dynasty Painting Academy.