Brief introduction of Na Genzheng's calligraphy

Na Genzheng was influenced by his grandfather Sid (Na Ceng Xi) and especially liked calligraphy. Na Genzheng admired the calligraphy style of Yan Zhenqing and Emperor Qianlong, studied the style of Imperial Pavilion assiduously, and devoted himself to it for several decades, becoming the first bilingual calligrapher in China. His works are magnificent, dignified, solemn and Fiona Fang, which shows the soul of China culture, inherits the solemn benevolence and artistic style of Imperial List to the present age, and has a refreshing aesthetic feeling, just like watching a temple. Many of his works are collected by many museums in China.

Industry experts praised him: "Manchu-Chinese bilingual, royal style, a piece of paper and a piece of gold, like a memorial arch." In particular, he wrote the word "Fu" in Manchu and Chinese, which some people call "the first contemporary blessing in China". Recently, the Cultural Information Association of the Ministry of Culture of China awarded outstanding leaders in five major industries (calligraphy, fine arts, sculpture, music and dance) of contemporary national cultural and artistic circles, among which the leader in China's calligraphy field was won by Na Genzheng, the nephew and great grandson of Cixi. To this end, the Cultural Information Association grandly launched the excellent publication "Several Romantic Figures", and specially invited that root to write the title of this book in the style of imperial court.