He used Changfeng wool to write cursive script, and used Xuan paper to write dry, wet, thick, light and burnt strokes, which broadened the expressive force of cursive script and enriched the brushwork of cursive script. At the same time, he is good at using ink and wash, integrating ink and wash elements of Chinese painting into calligraphy, and creating his own unique "forest style" with his profound skill in ancient calligraphy.
Although Lin Sanzhi's calligraphy can't be compared with Wang Xizhi and Zhang Xu, it also has its own beauty. In fact, in the history of calligraphy, Wang Xizhi and Zhang Xu are rarely put together. Wang Xizhi is a sage of calligraphy, only Zhong You, the father of regular script, and his son Wang Xianzhi can compare with him.
In addition, Wang Xizhi is mainly good at grass, not writing big grass. For example, his cursive poem Seventeen Sticks: So who and Zhang Xu often discuss together? There is no doubt that there are two grass saints in Huai Su who are also called grass saints. Zhang Xu and Huai Su were once called Cao Sheng, and Zhang Xu's cursive poem "Four Sticks" is also because they both like drinking and writing books after drinking.
So it is also called "drunk". Huai Su's famous cursive copybook is Autobiographical Post, and the development route of Dacao is not complicated. After Zhang Xu and Huai Su in Tang Dynasty, Huang Tingjian, one of the Song Sijia in Song Dynasty, was recorded in history because of his unique brushwork.
His cursive script is said to be the result of Huang Tingjian's observation of "boatman rowing" in his life, and it also incorporates his personal understanding of Zen, so that he can use his pen with intention and never force it, creating a new situation in cursive script. Huang Tingjian's cursive poem Li Bai recalls the past.