What are the influences of Wang Xianzhi's works?

Wang Xianzhi's works are not handed down as many times as his father Wang Xizhi, but there are hundreds of posts. The more famous ones are the 29th Post, Thirteen Lines of Luoshen Fu, Duck Head Pill Post, December Post, Mid-Autumn Post and so on.

The Twenty-ninth Post originally had Long Live the Tian Tong Post, which was copied well. The font is slightly flat, and some words are similar to the inscriptions of the Northern Dynasties. Thirteen lines of Luo Shenfu in lower case. The original ink has long been lost, and now there is only a block print left. This post is very artistic, with delicate and vigorous strokes, large or small fonts and elegant style.

"Mid-Autumn Festival Sticker" was once listed as one of the "three wishes" by Emperor Qianlong, and was regarded as an original. Actually, it's Mifei's grass. Rice has a strong taste. Mid-Autumn Festival stickers were originally posted in December. This post was once hidden by Mi Fei in Jin Bao Zhai Tie. Comparatively speaking, "December Post" can better reflect the original features of Wang Xianzhi's calligraphy.

The regular script of Wang Xizhi and Wang Xianzhi is famous all over the world. Regular script written by calligraphers in Tang and Song Dynasties is neat and beautiful. Their father and son's calligraphy is really immortal and has indelible appeal.

In the century and a half from the late Jin Dynasty to the Liang Dynasty, Wang Xianzhi's influence even surpassed that of his father Wang Xizhi. Yuan Ang, a painter and calligrapher in the Liang Dynasty, said in the Book Review of Ancient and Modern Times: The wonder of Zhang Zhi, the unique of Zhong You, is the best in the world.

Tao Hongjing, a writer in the Liang Dynasty, recorded in On Books that all people in the world respect books, but on earth, it is not only invisible, but also so on.

At that time, it almost became Wang Xianzhi's world. It was not until the Tang Dynasty that Emperor Taizong highly praised Wang Xizhi and belittled Wang Xianzhi that some calligraphy critics began to think that Wang Xianzhi's calligraphy was inferior to his father Wang Xizhi.

But Mi Fei, a calligrapher in the Northern Song Dynasty, mainly learned from Wang Xianzhi. Others think that Zhang Xu and Huai Su's Weeds were developed from Wang Xianzhi's cursive script.