Huang Zhiquan
Huang Zhiquan (1908-1993), female, pen name is Du Lin, also known as Huang Xianze. Born in Shuiqing Township, Jiang'an County, Sichuan. Poet, calligrapher, painter. He once served as a member of the Standing Committee of the Sichuan Provincial Committee of the Chinese People's Political Consultative Conference, consultant to the Chinese Poetry Society, consultant to the Sichuan Poetry, Calligraphy and Painting Academy, and honorary president of the Sichuan Poetry Society. He is the author of "The Position of Du's Poems in the History of Chinese Poetry", "Notes on Du's Poems", "Ten Essays on Li Qingzhao's Works", "Poems Before Zhiji's Thirty Years", "A Study of Different Poems of Chu", "Comments and Supplements to the Selected Poems of Yan, Bao and Xie" ), "Du Lin's Manuscript", etc.
Chinese name: Huang Zhiquan
Alias: Huang Xianze
Birthplace: Shuiqing Township, Jiang'an County
Date of birth: 1908
Date of death: 1993
Occupation: poet, calligrapher, painter
Main achievements: Member of the Standing Committee of the CPPCC Sichuan Province, consultant of the Chinese Poetry Society
Sichuan Consultant of the Academy of Poetry, Calligraphy and Painting, Honorary President of the Sichuan Poetry Society, etc.
Representative works: "The Position of Du Shi in the History of Chinese Poetry"
Basic Introduction
Characters Experience
Huang Zhiquan was born in Jiang'an County, Sichuan. In the preface to "Zhiquan's Poems Before Thirty", she wrote: "For the rest of her life, when she was six years old, Tingwei taught how to distinguish the four clear and voic tones, and read the short poems of the Tang and Song Dynasties. When she grew up, she became a foreign master and traveled around the literary garden."—— At the age of six, he began to receive a systematic classical cultural education at home. When he grew up, he socialized in the circle of intellectuals. Literary style prevailed in Jiang'an. Huang Zhiquan's surname was Huang, a prominent family in Jiang'an. His mother, Fan, knew poetry and calligraphy, was familiar with Huang, and was good at painting and embroidery. His father, Huang Quanzhai, was a talented scholar from Jiang'an who served as a provincial councilor. He was good at poetry, calligraphy, and Xiaoyin rhythm. Although he was an old man, Mr. Huang did have advanced awareness of girls' education. Huang Zhiquan and his two younger sisters Shaoquan and Xiaoquan all received a good education. Huang Zhiquan inherited the training from the court at a young age and has read all the classics and historical records, as well as Tang poetry and Song lyrics. At the age of eleven, he went to Chengdu with his father to study. In the 19th year of the Republic of China (1930), he graduated from Chengdu Normal University. The following year, he applied for the History Science Department of the Graduate School of Beiping Normal University with his research results "Chu Ci Kao Yi" and a volume of his own poems, and was admitted with excellent results. Study ancient Chinese literature from the famous scholar and poet Huang Jie (Huiwen). In the 22nd year of the Republic of China, he suffered from bone tuberculosis and returned to Sichuan for recuperation. He recovered from his illness the following year and stayed in Chengdu to teach at Sichuan University and other schools. In addition to teaching, he wrote "Commentary Supplement to the Selected Poems of Yan Bao Xie" and "On the Similarities and Differences of Yan Xie" and other treatises. In the 33rd year of the Republic of China, Huang Zhiquan was hired as the editor and reviewer of the Preparatory Committee of the National History Museum of the Chongqing National Government. In the 35th year of the Republic of China, the National History Museum was formally established and he was appointed as the editor of the National History Museum. In the 1950s, Huang Zhiquan wrote an article "The Preparation and Establishment of the National History Museum of the Former National Government", which has great historical value. Huang Zhiquan is famous for his poetry, calligraphy and painting. In her early years, she was known as a "talented girl in Sichuan with three outstanding qualities in poetry, calligraphy and painting" due to the publication of "Zhiquan's Poems Before Thirty" and her outstanding achievements in calligraphy and painting. Her literary and artistic treatises such as "The Position of Du Shi in the History of Chinese Poetry", "Records of Du Shi Zha", "Ten Essays on Li Qingzhao's Works", etc. are unique in their own way. Huang Zhiquan was good at painting. When he was 29 years old, he created the painting "Picture of the Goddess of the Luo River" in fine brushwork. Many famous artists had inscribed the painting. His love for painting plum blossoms is also praised by many people. Huang Zhiquan is proficient in calligraphy and has practiced penmanship for decades. In the 1980s, at the invitation of Japanese friends, a piece of the book "Poems Wang Wei Sending to Secretary Chao Jian Returned to Japan" went east to Japan for exhibition. It was highly appreciated by the Japanese calligraphy circle and the work was included in the "Illustrated Catalog" edited by Japan and published. Today, his calligraphy and painting works are collected in Mount Emei, Wuyou Temple in Leshan, Du Fu Thatched Cottage in Chengdu, Wuhou Temple, and Li Bai Memorial Hall in Jiangyou. From 32 to 38 years of the Republic of China, he was elected as a member of the Provisional Senate of Sichuan Province and a legislator of the National Government. In the spring of the 32nd year of the Republic of China, when her husband Leng Rong was serving as a member of the Mongolian and Tibetan Affairs Commission of the Nationalist Government and the Director of the Xikang Civil Affairs Department, he offended the warlords and some Xikang officials because of his strong advocacy of the war of resistance and the strict ban on opium, and was killed on his way back to Kangxi. Director Li of the Xikang Finance Department was ordered to send a huge check of one million yuan in order to keep him quiet. She withstood threats, refused inducements, and told the truth about Leng Rong's murder righteously and righteously. On the eve of the liberation of Chengdu in 1949, the Nationalist Government sent people two air tickets and urged Huang Zhiquan to take her young son to Taiwan, but she flatly refused. After the founding of the People's Republic of China, Huang Zhiquan successively served as a member of the Chongqing CPPCC Committee, a member of the Standing Committee of the Chengdu CPPCC Committee, and a member of the Sichuan Provincial Committee of the CPPCC Standing Committee. He has served as a professor at the School of Liberal Arts of Sichuan University in Chengdu and Southwest Normal University in Chongqing.
Since 1982, Huang Zhiquan has served as a consultant to the Chinese Poetry Society, a special librarian of the Sichuan Provincial Literature and History Research Institute, a director of the Sichuan Provincial Calligraphers Association, an honorary chairman of the Chengdu Calligraphers Association, and a consultant to the Chengdu Painting Academy. In his later years, he compiled his lifelong academic achievements into a volume called Du Lin's Manuscripts, which was published by Sichuan People's Publishing House in 1990. In 1993, Zhiquan died of illness in Chengdu at the age of 85.
Character
Huang Zhiquan’s poems come from her troubled life. Whenever she writes about her husband, she always feels her love and respect for her husband Leng Rong (also known as Jason), and she hopes to stay together forever. However, the world was in danger. While serving in the Mongolian and Tibetan Affairs Commission and Xikang Provincial Department of Civil Affairs, Mr. Leng offended the warlords at the time by advocating for the Anti-Japanese War, strictly prohibiting opium, and purging officials, and was assassinated at the Wenjiang Fair. Some people wanted to "bury him as soon as possible" to hastily settle the matter, while others sent threatening letters to hinder the investigation of the truth. Mr. Huang concealed his grief and advocated for justice, asking the authorities to "immediately report to the central government and request a clear order to arrest the murderer." He also wrote an elegiac couplet: "Be righteous and become benevolent, and your righteousness will make you immortal; be virtuous and follow virtue, and I should be willing to suffer all the hardships for the rest of my life." The sincere friendship makes people sigh. In the book "The Presence of Du Lin's Poems", there is a photo of Mr. Huang studying at the Graduate School of Beijing Normal University when she was 28 years old. In the eyes of today's people, she is also a real beauty. I remember that in the summer of 1995, Xu's fellow family member Ding from Foshan stayed at my house overnight. When he was flipping through the newly published book "Du Lin Shi Cun", he couldn't help but blurt out: "Huang Zhiquan is so beautiful. This is a real talent and a real beauty." "When my mother was in middle age, she lived in extreme poverty. Coupled with the torture of Addison's disease, it was really a combination of poverty and disease." (His son Huang Huaizhao said) Under such circumstances, as a student, Mr. Huang Zhiquan compiled and published it in his later years. I read Xiang Chu’s poem draft. She said in "Kongshi Ju Shi Cun·Foreword": "In the winter of Yiwei (1955), Zhiquan returned to Chengdu to recuperate due to illness. She often met her husband and chatted about poetry." Since she returned to Chengdu to recuperate, her life has been deteriorating. The most difficult time was when "there was no water or rice in the house, mother and son lived in the corner, and there was no smoke in the shabby room." However, Mr. Huang was not intimidated by the difficulties, like her son Huang Huaizhao He recalled: "I still read and practiced calligraphy non-stop." In this way, Huang Zhiquan devoted himself to the study of calligraphy for decades, and was good at seal script, official script, Zhen script, Xing script, and Cao script, and was good at painting plum blossoms. The world thinks that her achievements in poetry, history, calligraphy and painting are very high, and she is known as the "Four Wonders". People today are proud to have a piece of paper from her. Huang Zhiquan went from a noble lady to a talented girl in Kyoto, and was reborn as Qinglian. She cared for orphans in her middle age and did not change her joy until she was old. Her character, talent, knowledge, and art are all highly praised by the world, and she has left precious spiritual wealth to future generations.
Artistic Achievements
In his early years, Huang Zhiquan studied under famous scholars Huang Huiwen, Zhao Xi, Xiang Chu and Xie Wuliang. He learned from the strengths of many scholars and gained profound attainments. Huang is good at poetry, calligraphy, painting, and history. She is known as the "Four Wonders" and is known as the "talented woman in Shu". For decades, he devoted himself to imitating calligraphy, specializing in seal script, official script, Zhen script, Xing script, and Cao script. He was also good at painting plum blossoms, and was especially good at poetry. He was famous as a scholar and had a high reputation. He graduated from the Chinese Language Department of Chengdu Normal University in his early years. In 1931, he was admitted to the Graduate School of Beijing Normal University as one of the top four in the country. Later, he served as a teacher at the High School Affiliated to Sichuan University, Chengdu No. 1 Women's Normal College, Chengdu No. 1 Normal College, Datong Public School, Chengdu Public School, and professor at the School of Liberal Arts of Sichuan University. From 1943 to 1949, he served as a temporary senator of Sichuan Province, editor and reviewer of the Preparatory Committee of the National History Museum of the National Government, editor of the National History Museum, and a representative and legislator of the National Congress. After 1950, he served as a member of the Standing Committee of the Sichuan Provincial Committee of the Chinese People's Political Consultative Conference, a consultant to the Chinese Poetry Society, a consultant to the Sichuan Poetry, Calligraphy and Painting Academy, the honorary president of the Sichuan Poetry Society, and a special librarian of the Sichuan Provincial Literature and History Research Center.
Writings on Works
Huang Zhiquan is the author of "The Position of Du Poems in the History of Chinese Poetry", "Notes on Du Poems", "Ten Essays on Li Qingzhao's Works", "Zhiji's Poems Before Thirty" ", "Chu Ci Yiyi", "Selected Poems by Yan, Bao and Xie (Comments and Supplements)", "Du Lin's Preserved Manuscripts", etc.
Poetic sentiments
Huang Zhiquan often traveled with his father. There is a photo in "Du Lin Shi Cun" that leaves traces of the father and daughter's travels. Under the influence of her father and her own study, Huang Zhiquan became proficient in poetic rhythm. Her poems, written "thirty years ago, have been ironed and profound. The so-called outstanding and elegant sound is also due to the sensitivity of her material, which is extraordinary. "Exactly." (Xie Wuliangyu) In the summer of 1937, Mr. Huang sent the poem manuscript to Lu Bicheng who lived in Hong Kong. After Lu Bicheng saw her poem manuscript, she was "rewarded and praised".
In the poem "The Rumored Jade Girl" sent to her, she wrote: "Qinglian is reincarnated, especially Mo Meijuan_(hua has four sounds, __, describing a woman who is quiet and beautiful)." She gave a high praise to Mr. Huang's poems. evaluate. Lu Bicheng and Qiu Jin, the heroine of Jianhu, knew each other and cherished each other. She was a famous female poet in the Republic of China who was known as "her eloquent talk that shocked four feasts". Xie Wuliang, a famous poet and calligrapher in the 20th century, commented in the preface to "Zhiquan's Poems Before Thirty": "Concentrate Ding Chou's chapters on avoiding bandits, __ (four sounds of qin, the look of a horse running very fast) Mo Shao "The base of the mausoleum." He pointed out that her poetry closely followed Du Fu and had the mind of the Ministry of Industry. In fact, in addition to Mr. Huang Zhiquan's love for the poems of the great poet Du Fu and his focus on Du Fu's poems, more importantly, she lived in an era when Japanese imperialism invaded China and the Chinese nation was in danger. The people were displaced and in dire straits. struggling. As a poet with a sense of justice who lived in it, of course he had Du Fu's feelings of patriotism, love for the people, and compassion for others. As recorded in the postscript of her poem "Miscellaneous Poems of Ding Chouqiu Escaped the Invaders and Returned to Shu": "On August 30, 1937, the 26th year of the Republic of China, the Japanese invaders launched a massive attack on Shanghai and bombed Nanjing on the 15th. Zhu Zizi returned to Shu and arrived in Chongqing in January. He wrote fourteen poems on the way. "One of them is: The beautiful land of the Southern Dynasty is far from peaceful." The wind stirs up the yellow sea waves, and the soldiers force Bai Menqiu. I haven't returned to my family's happiness, and I have traveled across the city to escape my worries. The nest is overturned and the eggs are filled with sorrow. Where can I find enough water to stay? The poem is very puzzled and indignant about the government's partial security, and expresses the cry of "the nest is overturned and the eggs are so sad that there is nothing left to drown." Another song talks about my feelings during the escape: the world is narrow and the boat is narrow, and the eighth month is desolate. There are ruins and fortresses left in ruins, and there are crows returning to the ancient trees. The river is clear and blue, and the reeds and flowers are rustling in the cold. The separation is mixed with loneliness and anger, and the sun goes down and I feel sad. The overwhelming pain of separation can only be expressed as "desolation" and "loneliness and anger". Her teacher Zhao Xiang Song commented on a certain sentence in this group of poems as "people are in the sentence."
Calligraphy and painting works
Paintings
Social evaluation
Xie Wuliang: Huang Zhiquan's poems were written "thirty years ago, they have been ironed and are so profound and elegant. The so-called outstanding and elegant sound is also due to the sensitivity of the material, which is extraordinary."
Lu Bicheng: Qinglian is reincarnated, don’t be Mo Meijuan_.
Chen Mowu: In the trend of the times, Mr. Huang Zhiquan, with her unique artist temperament, has always maintained a distinctive charm in the fields of literature, history and art, which can be seen everywhere in the philosophy of life. A spark of wisdom that bursts out under the light. Compared with female artists of the same generation, Mr. Huang Zhiquan's works have richer philosophical connotations. They show a wise and erudite intellectual woman, showing a richer and more extensive emotional world. Her extensive cultivation and The deep emotions gave her a sense of tranquility and rationality after settling. In today's era of cultural gathering, revisiting Mr. Huang Zhiquan's poems that sparkle with the wisdom of life will give each of us who come after us some new enlightenment and awareness.
Xiang Huang: There are really very few well-known female professors in modern times. No wonder there is such a passage in "Modern Academic Lin Dianjiang Lu": "China has had the tradition of boudoir poets since ancient times, and we have inherited this trend. Since the New Culture Movement, "beautiful writers" have emerged in an endless stream, almost rivaling the male group. In contrast, beautiful professors are quite scarce. Looking at the outstanding ones before and after the Republic of China, there are only a few...Huang Zhiquan."