Appreciation of Wen Zhiming's Plum Blossom Poems in Ming Dynasty

Wen Zhiming's running script Plum Blossom Poetry is a general running script manuscript, fresh and elegant. The highest achievement of Wen Zhiming's calligraphy art is lower case, so this plum blossom poem still has a strong sense of lower case. This running script combines everyone in the Jin and Tang Dynasties, but it is different from their works with continuous brushwork, physical danger and extreme exaggeration. Wen Zhiming's works are obviously permeated with his own calm and peaceful Shen Feng atmosphere. This volume is easy and sophisticated, calm and leisurely, procrastinating, disciplined, accurate and skillful. Although there is no vertical and horizontal balance in the whole volume, the book furniture has strong control over the central pen, so the overall pen posture is round and euphemistic, light and open and close properly. His pen and ink are smooth but not floating, pointing out the slender points without showing weakness, with a deep backbone and full flesh and blood. Be a pen involved, not afraid of delay.

Wen Zhiming's poems are poetic, big or small, partial or positive, while Fiona Fang is fat and thin, dense and long, with his own attitude, and he does whatever he wants without overstepping the bounds. In the use of pens, this volume is mainly centered, and the strokes are intermittent, and the virtual and the real are born together, refreshing and neat. Although it is varied, it can be done in one go, naturally and smoothly. Its composition is sparse, simple and broad, and its pen and ink are thick and light, creating a visual effect of black and white balance. In a word, this volume of calligraphy is ethereal and harmonious, but it is full of inner strength and strong brushwork, but it embodies charm, ethereal style and elegant momentum. This is also the main feature of Wen Zhiming's running script, which embodies the true feelings of literati advocating nature.