Cursive script: a style of Chinese characters. Formed in the Han Dynasty, it evolved on the basis of official script for the convenience of writing. There are Cao Zhang, Cao Jin and Crazy Grass. There are rules to follow in the changes of strokes, such as the urgent chapter of the Three Kingdoms Wu in Songjiang Edition. Today's grass is eclectic and fluent, and its representative works include Wang Xizhi's "The First Moon" and Jin Dynasty's "Getting Time". Mad grass appeared in the Tang Dynasty, represented by Zhang Xu and Huai Su, and its brushwork was wild and uninhibited, which became an artistic creation completely divorced from practicality. From then on, cursive script was only the works of calligraphers imitating Cao Zhang, Cao Jin and Kuangcao. Masterpieces such as Zhang Xu's Abdominal Pain Post and Huai Su's Autobiography Post. Cursive script is a font produced for the convenience of writing. It began in the early Han Dynasty. At that time, it was "Cao Li", that is, scribbled official script, which gradually developed into a kind of "Cao Zhang" with artistic value. At the end of the Han Dynasty, Zhang Zhi changed "Cao Zhang" to "modern grass", and the character style was formed in one fell swoop. In the Tang Dynasty, Zhang Xu and Huai Su developed into "weeds", with continuous strokes and changeable glyphs.
The cursive script is characterized by simple structure and continuous strokes. Cao Zhang originated in the Western Han Dynasty and flourished in the Eastern Han Dynasty. The font is in the form of official script, and the characters are different and correct each other. This grass originated in the late Eastern Han Dynasty, with diverse styles and beautiful brushwork. The sum of the present and the present is longer than this grass, and the present and the rest are also longer than this grass. Wild Grass, also known as Big Grass, has bold brushwork and continuous posture, such as Zhang Xu's Thousand Pieces of Broken Monuments and Four Ancient Poems in the Tang Dynasty, and Notes on the Autobiography of Monks in Huai Su. It is different from Sun's in words and characters, but it is lively and charming in brushwork. "Big grass" and "small grass" are symmetrical. Big grass is pure grass-based and difficult to identify. Zhang Xu and Huai Su are good at it, and their words are written in one stroke, sometimes out of line, but the context is constant. In Qing Dynasty, Feng Ban gave a lecture on cursive script in "Blunt Printing Book": learn from it, learn from it, learn from it, and learn from Zhang Xu as weeds, so it is better to learn from Huai Su. Huai Su's cursive script is easy to recognize, the handwriting is fine, and the relationship between words is clear and easy to put pen to paper. Zhang Xu's glyphs vary widely, often a number, and the momentum between them is constant, which is difficult to identify and forms a unique style. As mentioned in Han Yu's Preface to Giving People a Noble Mind, Zhang Xu's cursive script is "angry and embarrassed, sad and sorrowful, resentful and resentful, yearning, drunk and annoyed, unfair and moving in the heart, which is bound to be reflected in the cursive script", so it is difficult to learn from Zhang.
Couplet: the general name for running script and cursive script. All strokes are end to end. It may be derogatory to describe scrawl. All he writes is practicing calligraphy, and ghosts can't understand it. As a compliment, it can be said that his face is very good, which shows that he has written a good running script. Practicing calligraphy, as the name implies, is to change people's existing calligraphy habits slightly, so that the original "horizontal and vertical" fonts are coherent, which not only accelerates the writing speed, but also forms a unique style of personal writing, which is highly valued by people.