"Nurturing Spirit and Changing Temperament" Yu Ying Calligraphy Class

In Dali in June, the rainy season came earlier than in previous years, and it has been raining. Since I took a calligraphy class in Xuan Tong classroom and sent my daughter home every day, I always wrote a few pages before going to work, and gradually formed the habit of writing every day. At this time, sitting at my desk, looking at the rain left along the eaves outside the window, I remembered the teacher's "like a standard center in Yin Yinni, like a cone painting sand, like a leak", and felt that writing was actually very interesting.

Since everyone is busy, why write? In class, the teacher quoted Yi Bingshou, a calligrapher in Qing Dynasty, as saying, "Nourishing Qi and Changing Temperament". The ancient literati expressed their thoughts through poems, and the handwriting of calligraphy was the material carrier of ideological wisdom. Calligraphy is perhaps the most beneficial channel to help modern people enter the tradition. It has the closest connection with China culture, embodies the wisdom of predecessors, has a complete kungfu skill practice system, is connected with all the wisdom experience in the past, and keeps growing and updating with people's practice.

When I write, the children sometimes write together when they see it, so we will write separately quietly and not disturb each other during this time.

When writing, it is quiet, slow down, and you can experience some interesting things in detail, experience the reflection with everything and nature, and grow up with each other. What is a silkworm head and a goose tail? Let me show you the tail of a wild goose.

Seeing this, I can't help laughing.

We live in the contemporary era, travel through time and space through calligraphy, and learn education, character, patience and interest through direct communication with the ancients over and over again. The most precious thing is to learn to appreciate thousands of pen and ink, and appreciate the rare abstract beauty in this world.

Yu Ying school calligraphy class, which has been brewing for a long time, has the honor to invite Lei Zhen, the ancient capital of Luoyang, to talk with us about the origin of China characters and the beauty of calligraphy.

The open class "Tracing the Source of China Calligraphy" is led by two teachers, Lei Zhen and Mingxin in Luoyang, the ancient capital. It traces all the way from the common fonts in modern life: standardized Song style, dignified Tang Kai, vigorous Wei Bei, chic running script, wild cursive script, Han Li in Gu Zhuo, beautiful Qin Xiaozhuan, and even colorful Da Zhuan in the pre-Qin period. ...

Calligrapher Lei Zhen showed the evolution of China's calligraphy in the form of traditional calligraphy, which directly hit the source of China's calligraphy. With what? Is Oracle Bone Inscriptions the earliest written language? This question leads us to explore more ancient characters and symbols, and we think that China culture has a long history and is interesting and worth listening to.

Kelly Lai Chen

The word is silent, the ancient capital Luoyang people; Studied in China Academy of Fine Arts and Tianjin Academy of Fine Arts successively; Educated by domestic traditional China painting and calligraphy; The master of Chinese painting was inherited by Mr. Huo Chunyang, and the master of calligraphy was inherited by Mr. Yan Binghui; Calligraphy originated in the pre-Qin period, and the bronze inscription "Shi San Pan" has been studied for twenty years, including Da Zhuan, Xiao Zhuan, Han Li, Wei Bei and Cao Xing.

Exhibition of works:

20 15, held a solo exhibition "Lancha" in Beijing 798 International Art Zone.

20 16 The White Horse Temple in Luoyang held a joint exhibition of famous artists "Interpreting the Source and Seeking Dreams".

20 17 Zhengzhou Tea Library held a personal painting and calligraphy exhibition of Zen Heart and Blue Rhyme.