Ou Kaiheng's pen starts from the "left" at the bottom left.
1. Basic structure of horizontal:
Horizontal is the simplest kind of Chinese character strokes, which consists of a horizontal line. According to the position and order of starting a pen, horizontal can be divided into many different forms, among which Ou Kai horizontal is a specific way of starting a pen.
2. the method and form of horizontal stroke:
the stroke of omega chi horizontal stroke starts from the "skimming" at the lower left, and then straightens to the upper right to form a horizontal horizontal stroke. Compared with other pen-starting methods, Ou Kai Horizontal has a unique oblique pen-starting feature, which makes the font more balanced and stable.
3. Evolution and application of horizontal:
Horizontal is one of the most common strokes in Chinese characters, which has undergone various changes and applications in the evolution of Chinese characters. Horizontal can be used as an independent font or as a part of other radicals or radicals. In calligraphy and font design, the method and form of horizontal strokes are very important for maintaining the balance and beauty of fonts.
4. Key points of Ou Kaiheng's writing:
Ou Kaiheng should pay attention to the following points: First, he should start from the "left" at the lower left, and keep a proper angle and strength; Secondly, pay attention to the smoothness and smoothness of lines when straightening to the upper right; Finally, the length of the horizontal line can be adjusted according to the needs of the font and layout, but generally it should not be too long or too short.
5. The starting direction of the horizontal stroke:
The starting direction of Omega Chi Horizontal stroke is from the lower left to the upper right. This oblique stroke can make the horizontal lines more stable and uniform, and also meet the requirements of Chinese character writing norms and aesthetics.
6. Structural changes of the horizontal:
Although the basic form of the horizontal is a straight line, there may be some structural changes in different glyphs. For example, in the horizontal part of some Chinese characters, there will be two parallel horizontal lines connected up and down, forming a horizontal folding or overlapping structure. This structural change makes the font more complicated, so it is necessary to pay more attention to the direction and strength of writing to keep the font accurate and beautiful.