China landscape painting has a long history and diverse styles. With its profound ideological connotation and strong artistic appeal, it has set up a great monument in the treasure house of traditional painting art in China. A good landscape work is always unforgettable. In reality, people's impression of China's landscape paintings is more ink and wash landscapes, which are black and white, lofty and quiet. However, did you know that China's ancient landscapes were once "colorful"? Do you know that five lines of gossip's theory is still included in landscape painting? Today, we will approach such a contemporary painter-Man Yunlin. Yunlin landscape painting is elegant and fresh, with class color, verve and unique style, revealing the beauty of harmony between man and nature. His turquoise landscape paintings are exquisite in color, suitable in shade and rigorous in layout. Look at his "Yunmeng Mountain Residence", depicting the bones of mountains and rivers in blue and yellow, and describing the atmosphere of mountains and rivers. Simple style, rigorous modeling, smooth and free pen, appropriate ink, beautiful and distant artistic conception. In the picture, the mountains are towering, the river is faint, the trees stand upright and the houses are leisurely. In the faint fog, it is quiet, far and near, full of interest, giving people a long artistic conception and refreshing beauty, making people feel as if they were there. As an important category, green landscape was once the main means of expression of landscape painting in its heyday before Tang and Song Dynasties. Taking lines as bones and coloring by categories, Wang Ximeng's A Thousand Miles of Mountains and Rivers and Li Zhaodao's Pavilion on the River are left behind. It is noble and elegant, with magnificent colors. Due to the high demand for raw materials, labor and energy, and the promotion of modern ink painting, the green landscape gradually declined. After the arrival of the famous modern artist Zhang Daqian, few people painted. As a painter with a strong preference for color, Man Yunlin went deep into theory and insisted on long-term sketching practice. On the basis of studying large and small turquoise landscapes, he combined light crimson landscapes with small turquoise landscapes, and painted with five elements of color in landscape paintings, gradually forming his own painting style. Man Yunlin said that the green landscape has a unique color and personality. With the improvement of collectors' eyesight and taste, green landscape will surely gain new attention. A magnificent, fresh and elegant green landscape will make the house flourish. Man Yunlin always blends into the essence of traditional culture consciously or unconsciously in his creation. Different from many painters, he integrated five lines of gossip's theory into his own paintings and created Feng Shui paintings with five lines of gossip as the connotation. Except for some sketches, his creation strictly follows the method of five elements. Man Yunlin has long been interested in China traditional culture and has a deep understanding of the relationship between painting and five lines of gossip. In his view, China's ink painting conforms to the principle of yin and yang gossip, and has the meaning of auspiciousness and harmony. Therefore, the integration of ink painting and five lines of gossip's theory into landscape painting can not only greatly enrich the connotation of the picture, but also convey the positive energy of Feng Shui. "Leshan wise men enjoy water" is a profound knowledge. Throughout the ages, the landscape in landscape painting, especially water, has a close relationship with Feng Shui in management and layout. Man Yunlin said: "The large-scale landscape paintings of ancient court painters in China all have Feng Shui, which can be found by anyone who has studied it, because emperors basically believe in Feng Shui. The architectural structure and interior decoration of the Forbidden City are full of geomantic omen. Why do many houses have screens when they enter the door, and quadrangles push the door open as a shadow wall? It has a transitional function. Why should osmanthus trees and stone fruit trees be planted in the yard? How to locate fish ponds and rockeries? Are inseparable from feng shui. Modern people's lives range from building decoration to jewelry wearing, all involving Feng Shui, and collecting calligraphy and painting is no exception. It can be said that Feng Shui is everywhere in China people's lives. This is a culture that conforms to human nature. " In terms of home layout, people like to choose auspicious, safe and meaningful paintings and calligraphy. But in Man Yunlin's view, many of them can only be regarded as "auspicious pictures", not feng shui paintings in a strict sense, and landscape paintings are authentic feng shui paintings. "For example, water in landscape painting has a lot of knowledge, not only how to use water, how to render water, compare water, but also the role and energy of water." Man Yunlin said that he followed the original Fuxi gossip. In addition, there are many exquisite feng shui paintings. After a feng shui painting is completed, it needs to inject positive energy into the painter to make it work. With the improvement of people's living standards, various geomantic concepts will be paid more and more attention. The art and collection value of Feng Shui paintings are considerable, and collectors can learn more about them in the process of collecting paintings and calligraphy. In dealing with art, Man Yunlin insists on "learning from the past but not from the new" and innovating rather than just being new. What makes him different is not only his different colors from traditional ink painting, but also his unique "five elements" painting concept. Man Yunlin made a good exploration on how to connect the essence of traditional culture and integrate into his own painting concept.