A poem about reasoning with scenery

1. What are the ancient poems that use the scenery to explain the truth?

Popular in the North

In Tang Dynasty: Li Bai

lived in a cold door in Candle dragon, but his brilliance was still bright.

what's the difference between the sun and the moon? Only the North Wind came up in anger.

Yanshan snowflakes are as big as seats, and they blow off Xuanyuan terrace one by one.

You miss your wife in December. Stop singing and laugh.

leaning against the door to watch pedestrians, it's sad to miss the Great Wall.

Don't mention the sword to save the border, leaving this tiger with gold and shovel. There are a pair of white arrows in

, and spiders make webs to produce dust.

the arrow is empty, and people die today and never come back.

I can't bear to see it. It's burnt to ashes.

the yellow river holds the soil, but the north wind hates the rain and snow.

In the Tang Dynasty, Meng Haoran

The moon hung in the autumn sky, and his luster was wet.

I was surprised that the magpie was undecided, and the flying fireflies rolled in.

the cold shadows of the courtyards are sparse, and the sound of the neighboring pestle is urgent at night.

what's the occasion? Look at the sky and stand.

Lao Lao Ting

Tang Dynasty: Li Bai

The sad place in the world is Lao Lao's Pavilion to see off guests.

spring breeze knows better than bitterness, and never leaves willow branches green.

Chunzhuang

Tang Dynasty: Wang Bo

Orchid Leaf Path in the mountain, just outside Li Taoyuan.

I don't know that people are quiet, but I don't feel the noise of birds.

Meet Huan weiyun with a touch of a remote peak

Qing Dynasty: Nalan Xingde

weiyun with a touch of a remote peak, which is cold and soluble, just the same as a personal thrush.

Red wax tears, blue silk quilt, and heavy water, but listening to the west wind in Huang Mao Wild Shop. 2. What are the ancient poems that use the scenery to make sense?

"Popular in the North" Tang Dynasty: Li Bai lived in a cold door in Candle dragon, and the glory was still blooming.

what's the difference between the sun and the moon? Only the North Wind came up in anger. Yanshan snowflakes are as big as seats, and pieces of them blow off XuanYuanTai.

You miss your wife in December. Stop singing and laugh. Looking at pedestrians by the door, it is sad to miss the Great Wall.

Don't mention the sword to save the border, leaving this tiger with gold and shovel. There are a pair of white arrows in the forest, and spiders make webs and dust.

the arrow is empty, and people die today and never come back. I can't bear to see this thing, and it has burned to ashes.

the yellow river holds the soil, but the north wind hates the rain and snow. "Autumn Night Under the Moon" Tang Dynasty: Meng Haoran hung the bright moon in the autumn sky, and his brilliance was wet.

I was surprised that the magpie was undecided, and the flying fireflies rolled in. The courtyard is cold and the shadows are sparse, and the sound of the neighboring night is urgent.

what's the occasion? Look at the sky and stand. Lao Lao Ting Tang Dynasty: Li Bai's sad place in the world, Lao Lao seeing off guests pavilion.

spring breeze knows better than bitterness, and never leaves willow branches green. "Chunzhuang" Tang Dynasty: Orchid Leaf Path in Wang Boshan, Li Taoyuan outside the city.

I don't know that people are quiet, but I don't feel the noise of birds. "Meet Huan weiyun with a touch of remote peak" Qing Dynasty: Nalan Xingde weiyun with a touch of remote peak, which is cold and soluble, just the same as personal qingxiao thrush.

Red wax tears, blue silk quilt, and heavy water, but listening to the west wind in Huang Mao Wild Shop. 3. The poem of reasoning

(1) The title Xilin Wall: It is written on the wall of sairinji. Sairinji is at the northern foot of Lu. Title: writing, inscribing. Xilin: sairinji, in Lushan, Jiangxi. (2) Looking horizontally: looking from the front. Lushan Mountain always runs from north to south, and when viewed horizontally, it is viewed from the east to the west. Side: Seen from the side. (3) Different: different. (4) knowledge: see clearly. (5) True face: refers to the true scenery of Lushan Mountain. (6) fate: the same as "original" because; Due to. (7) This mountain: This mountain refers to Lushan Mountain.

Translation

From the front, the mountains of Lushan Mountain are undulating, from the side, the peaks of Lushan Mountain stand tall, and from the distance, near, high and low, Lushan Mountain presents various appearances. People can't recognize the true face of Lushan Mountain because they are in it! [1]

Editing the appreciation of this paragraph

Su Shi passed Jiujiang and visited Lushan when he was demoted from Huangzhou to Ruzhou as the deputy ambassador of Yong Lian. The magnificent landscape triggered the idea of exuberance and grandeur, so I wrote several poems about Lushan Mountain. Topic Xilin Wall is a summary after visiting Lushan Mountain. It describes the varied features of Lushan Mountain, and points out that observation should be objective and comprehensive, and if it is subjective and one-sided, it will not lead to a correct conclusion. The first two sentences, "Looking at the side of the mountain as a peak, the distance is different", are actually written about what you saw when you visited the mountain. Lushan Mountain is a mountain with vertical and horizontal hills and valleys and ups and downs of peaks and hills. Visitors are located in different places and see different scenery. These two sentences sum up and vividly write the varied scenery of Lushan Mountain. The last two sentences, "I don't know the true face of Lushan Mountain, but I am only in this mountain", are the experience of reasoning on the spot and talking about traveling to the mountain. Why can't you identify the true face of Lushan Mountain? Because I am in the middle of Lushan Mountain, my vision is limited by the peaks of Lushan Mountain, and I only see one peak, one ridge, one hill and one valley of Lushan Mountain, which is only partial, which is bound to be one-sided. This is what you see when you visit mountains, and it is often the case when you observe things in the world. These two poems have rich connotations, which enlighten people to understand a philosophy of dealing with people-because people are in different positions and have different starting points to see problems, their understanding of objective things is inevitably one-sided; To know the truth and the whole picture of things, we must go beyond the narrow scope and get rid of subjective prejudice. This is a philosophical poem, but the poet does not talk abstractly, but talks about his unique feelings by tightly clasping the mountain. With the help of the image of Lushan Mountain, he expresses philosophy in simple terms in popular language, so he is kind and natural. [1]

The influence of editing this paragraph on later generations

The meaning of this poem is very profound, but the language used is extremely simple. Simple explanation is one of Su Shi's linguistic features. Su Shi has no habit of carving when writing poems. What the poet pursues is to express a fresh and unprecedented artistic conception with a simple and fluent language; And this artistic conception is flashing the light of philosophy from time to time. Judging from this poem, the expression of language is concise, but its connotation is rich. In other words, poetic language itself is a high degree of unity of image and logic. In four poems, the poet generally describes the image characteristics of Lushan Mountain, and at the same time accurately points out the reason that seeing the mountain is irrelevant. Bright sensibility and clear reason are intertwined and mutually causal, so the image of poetry is sublimated into a typical one in the realm of reason, which is why people regard the last two sentences as philosophical epigrams for thousands of times. If the poetic tradition before the Song Dynasty was characterized by expressing ambition and expressing feelings, then in the Song Dynasty, especially Su Shi, a new poetic style characterized by reasoning appeared. This poetic style is a new way created by the Song people after the Tang poetry. In Su Shi's words, it means "creating new ideas in statutes, leaving wonderful ideas outside the bold". The characteristics of this kind of poems are: the language is shallow and the meaning is deep, because the things are reasonable, and the taste is indifferent. Title Xilin Wall is such a good poem. [1]

Edit the author's brief introduction of this paragraph

Su Shi is like Su Shi (137~111), with the word Zi Zhan and the word He Zhong, and the name is "Dongpo Jushi", which is called "Su Dongpo" by the world. Meizhou (now Meishan, Sichuan, Meishan City in the Northern Song Dynasty) is a native of Luancheng. A famous writer, thinker, politician, painter and gourmet in the Northern Song Dynasty, one of the eight great poets in the Tang and Song Dynasties, and a representative of the uninhibited poets. His poetry, ci, fu and prose are all highly successful, and he is good at calligraphy and painting. He is a rare all-rounder in the history of China literature and art, and is also recognized as one of the most outstanding literary and artistic attainments in China's thousands of years of history. He is a literary leader after Ouyang Xiu in the Northern Song Dynasty, and his prose and Ouyang Xiu are called Europe and the Soviet Union. Poetry and Huang Tingjian are also called Su Huang; Ci and Xin Qiji are called Su Xin; Calligraphy, Cai Xiang, Huang Tingjian and Mi Fei are collectively called "Song Sijia"; His paintings created the Huzhou School of Painting. His works include Seven Episodes of Dongpo and Dongpo Yuefu. Politically, it belongs to the old party. 4. Write the poem

Waterfall

The river is just south of Lushan Mountain, and the waterfall has been heard since ancient times.

Wan Li faces the sea, and thousands of white clouds are found.

The cold sound is far away, and the school of spirit is divided.

Apart from Deng Tiantai, there is no advection.

Title Xilin Wall < p The distance is different.

I don't know the true face of Lushan Mountain, but I live in this mountain.

Lushan Waterfall

Xuning Waterfall is as straight as a thousand feet,

Thunder rushes into the sea without stopping.

Today, it is as long as flying in white,

a boundary breaks the color of green hills.

The river sends visitors to visit Lushan Mountain.

(1) The title Xilin Wall: It is written on the wall of sairinji. Sairinji is at the northern foot of Lu. Title: writing, inscribing. Xilin: sairinji, in Lushan, Jiangxi. (2) Looking horizontally: looking from the front. Lushan Mountain always runs from north to south, and when viewed horizontally, it is viewed from the east to the west. Side: Seen from the side. (3) Different: different. (4) knowledge: see clearly. (5) True face: refers to the true scenery of Lushan Mountain. (6) fate: the same as "original" because; Due to. (7) This mountain: This mountain refers to Lushan Mountain.

Translation

From the front, the mountains of Lushan Mountain are undulating, from the side, the peaks of Lushan Mountain stand tall, and from the distance, near, high and low, Lushan Mountain presents various appearances. People can't recognize the true face of Lushan Mountain because they are in it! [1]

Editing the appreciation of this paragraph

Su Shi passed Jiujiang and visited Lushan when he was demoted from Huangzhou to Ruzhou as the deputy ambassador of Yong Lian. The magnificent landscape triggered the idea of exuberance and grandeur, so I wrote several poems about Lushan Mountain. Topic Xilin Wall is a summary after visiting Lushan Mountain. It describes the varied features of Lushan Mountain, and points out that observation should be objective and comprehensive, and if it is subjective and one-sided, it will not lead to a correct conclusion. The first two sentences, "Looking at the side of the mountain as a peak, the distance is different", are actually written about what you saw when you visited the mountain. Lushan Mountain is a mountain with vertical and horizontal hills and valleys and ups and downs of peaks and hills. Visitors are located in different places and see different scenery. These two sentences sum up and vividly write the varied scenery of Lushan Mountain. The last two sentences, "I don't know the true face of Lushan Mountain, but I am only in this mountain", are the experience of reasoning on the spot and talking about traveling to the mountain. Why can't you identify the true face of Lushan Mountain? Because I am in the middle of Lushan Mountain, my vision is limited by the peaks of Lushan Mountain, and I only see one peak, one ridge, one hill and one valley of Lushan Mountain, which is only partial, which is bound to be one-sided. This is what you see when you visit mountains, and it is often the case when you observe things in the world. These two poems have rich connotations, which enlighten people to understand a philosophy of dealing with people-because people are in different positions and have different starting points to see problems, their understanding of objective things is inevitably one-sided; To know the truth and the whole picture of things, we must go beyond the narrow scope and get rid of subjective prejudice. This is a philosophical poem, but the poet does not talk abstractly, but talks about his unique feelings by tightly clasping the mountain. With the help of the image of Lushan Mountain, he expresses philosophy in simple terms in popular language, so he is kind and natural. [1]

The influence of editing this paragraph on later generations

The meaning of this poem is very profound, but the language used is extremely simple. Simple explanation is one of Su Shi's linguistic features. Su Shi has no habit of carving when writing poems. What the poet pursues is to express a fresh and unprecedented artistic conception with a simple and fluent language; And this artistic conception is flashing the light of philosophy from time to time. Judging from this poem, the expression of language is concise, but its connotation is rich. In other words, poetic language itself is a high degree of unity of image and logic. In four poems, the poet generally describes the image characteristics of Lushan Mountain, and at the same time accurately points out the reason that seeing the mountain is irrelevant. Distinctive sensibility and clear reason are intertwined and mutually causal, so the image of poetry is sublimated into a typical one in the realm of reason, which is why people regard the last two sentences as philosophical epigrams for thousands of times. If the poetic tradition before the Song Dynasty was characterized by expressing ambition and expressing feelings, then in the Song Dynasty, especially Su Shi, a new poetic style characterized by reasoning appeared. This poetic style is a new way created by the Song people after the Tang poetry. In Su Shi's words, it means "creating new ideas in statutes, leaving wonderful ideas outside the bold". The characteristics of this kind of poems are: the language is shallow and the meaning is deep, because the things are reasonable, and the taste is indifferent. Title Xilin Wall is such a good poem. [1]

Edit the author's brief introduction of this paragraph

Su Shi is like Su Shi (137~111), with the word Zi Zhan and the word He Zhong, and the name is "Dongpo Jushi", which is called "Su Dongpo" by the world. Meizhou (now Meishan, Sichuan, Meishan City in the Northern Song Dynasty) is a native of Luancheng. A famous writer, thinker, politician, painter and gourmet in the Northern Song Dynasty, one of the eight great poets in the Tang and Song Dynasties, and a representative of the uninhibited poets. His poetry, ci, fu and prose are all highly successful, and he is good at calligraphy and painting. He is a rare all-rounder in the history of China literature and art, and is also recognized as one of the most outstanding literary and artistic attainments in China's thousands of years of history. He is a literary leader after Ouyang Xiu in the Northern Song Dynasty, and his prose and Ouyang Xiu are called Europe and the Soviet Union. Poetry and Huang Tingjian are also called Su Huang; Ci and Xin Qiji are called Su Xin; Calligraphy, Cai Xiang, Huang Tingjian and Mi Fei are collectively called "Song Sijia"; His paintings created the Huzhou School of Painting. His works include Seven Episodes of Dongpo and Dongpo Yuefu. Politically, it belongs to the old party. 6. An ancient poem about reasoning

In the Northern Song Dynasty, Su Shi's "Topic Xilin Wall" was seen as a peak on the side of the ridge, with different heights.

I don't know the true face of Lushan Mountain, but I am in this mountain. In the Southern Song Dynasty, Zhu Xi's "Feeling of Reading Books" was opened in a half-acre square pond, and the sky and clouds lingered.

ask the canal so clearly, because there is flowing water from the source. In the Southern Song Dynasty, Chen Yuyi's "Xiang Yi Dao Zhong" showed flowers on both sides of the boat, and it was windy for half a day on the embankment.

I don't know if the clouds are east of me when I lie down and look at the sky. In the Southern Song Dynasty, Xia Yuanding's "Jueju" visited the Taoist temple to Xianghu Lake, and thousands of poems and books turned into fools.

you can't find a place to get it, and you don't have to work hard to get it. Lu You's Reading on a Winter Night in the Southern Song Dynasty shows a child's grace. The ancients learned nothing, and it takes time to grow old.

I've learned too little from the paper, and I never know that this matter needs to be done. In the Northern Song Dynasty, Wang Anshi's Poems on Zhang Si Ye, Suzhou Si Ye Poems are famous, and Yuefu is full of wonderful words.

it seems to be the most extraordinary, but it is easy but hard to achieve.