In his early years, calligraphy was based on the epitaph of the cliff in the Six Dynasties, among which he had a special liking for stone statues, statues and hidden statues of Wei Ling. Learning from the ancient times and taking its essence are praised by contemporary book circles. There have been many reforms in recent years, and there are posts in the monument. Jun Fang's tall and straight contains freshness and agility. Its pen is round, rigid and soft, and applied from the middle side; The opening and closing of the structure has changed, naturally interesting and vigorous; From beginning to end, the blood is flowing and the spirit is flying. His book emphasizes regulation, lyricism and innovation. His works have participated in the second and third national calligraphy and seal cutting exhibitions, the international calligraphy exhibition and the second Sino-Singapore joint exhibition. His commemorative works were included in the Japanese Modern Lin Shu Series, and he published a monograph in China Calligraphy and Calligraphy, commenting on his calligraphy achievements. His works have been included in the Collection of Chinese and Japanese Calligraphy, the Collection of Sino-Singapore Calligraphy Joint Exhibition and the Collection of 100 Contemporary Ink Paintings in China. He was invited by the Central Radio and TV University to be a lecturer in calligraphy.