Character experience, Wang Xiumei.

In Ms. Xiumei's decades of artistic practice, her persistent determination to learn and brave struggle can be seen everywhere. His calligraphy first laid the foundation stone with Liu style, and later his cursive script was based on Huang Tingjian in the Northern Song Dynasty, and it was widely changed by various schools in the past dynasties. The pen is bold and vigorous, and the writing tends to be dangerous. Moreover, in composition, we strive for uneven levels and success at any time. Fierce and unrestrained masculine beauty is poured into the pen, and the powerful book spirit makes the viewer have a feeling of getting it off his chest. At the same time, Ms. Xiumei's artistic style has won unanimous praise from teachers, friends and colleagues. Mr. Qi Yulin, a famous calligrapher, Mr. Yang, a famous people's connoisseur, Mr. Nie, vice chairman of China Book Association and chairman of Liaoning Book Association, gave encouragement and affirmation successively. In addition, the artistic comments about Xiu Mei are also common in the media:1984165438+10. In October, Shenyang Daily published an article commenting on her running script works as "steady, frustrated and energetic"; 1987, the calligrapher published an article by Mr. Dong Wen, commenting that Xiumei's female calligrapher "can suck a lot of money, be bold and provocative, and sweep away the spirit of good family"; In April, 2002, Hu Chongwei published the article Milestones of Inheritance and Development in Calligraphy Newspaper, and commented that Ms. Xiumei's cursive script was "a brush stroke, full of vigor and vitality, writing the madness of teenagers with Huang Tingjian's method and strong brand of the times". In addition, Ms. Xiumei's calligraphy works have also been selected for the first national youth calligraphy seal cutting exhibition, the second national calligraphy seal cutting exhibition, the national women's calligraphy seal cutting exhibition, the Sino-Japanese calligraphy seal cutting exchange exhibition, the 20th anniversary of the establishment of Liaoning Calligraphy Association, the first national youth calligraphy exhibition, the Sino-Japanese women's calligraphy exhibition and the second Shanxi calligraphy exhibition. , and was collected by Liaoning Provincial Museum, Yellow River Forest of Steles, Shenyang Library and other units. It can be said that it is worth the money. During his 40-odd-year career in inkstone sea, Mr. Wang turned to a number of teachers, from Wei and Jin dynasties to Ming and Qing dynasties, and dabbled in everything from posts to monuments. Finally, he returned to Huanggu Valley, where he became obsessed with the calligraphy art of the Huang family. In his later years, he finally formed a personal style of perfect combination of grandeur and charm. It is rare to combine the two styles perfectly in contemporary book circles. This is exactly Mr. Wang's calligraphy. Mr. Wang not only has great attainments in calligraphy, but also dabbles in painting and is good at painting peony and lotus flowers. The peony she painted is not vulgar, but draws lessons from the Ming and Qing Dynasties and modern schools to form her own style. Peony painting is fresh and fresh in Jing Ya, which is rare in contemporary times, especially painting and calligraphy complement each other. Biographies were compiled into the Dictionary of Modern Calligraphers' Names in China and Who's Who of Contemporary Art in China.