Question 1: How to break up a wooden S, a dot crosses Y, an fold N, and a person W
Question 2: How to break up the nuclear word Wubi:
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SYNW from Baidu Chinese | Error
Core_Baidu Chinese [Pinyin] [hé, hú] [Definition] [hé]: 1. The hard part of the fruit that contains the kernel: peach ~. Apricot~. 2. Something like a nucleus: ~ cell. ~Acid. ~Heart (center). Knot ~. Atom~. ~ Son. ~Reaction. ~ Weapons. 3. Carefully compare and examine: ~ determine. ~ meter. ~ Real. ~Forget it. ~Check. 4. Informative and correct: the writing is straight and the story is clear. [hú]: Same meaning as (1), used in some spoken words, such as "Xingheer".
Question 3: How to type the word "nuclear" in Wubi? The Wubi code of the word "nuclear" is: SYNW.
The first key, S, the root word "wood",
The second key, Y, has the root "亠",
The third key, N, has the root "亠",
The last key, W, has the root "人".
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Question 4: How to write the five strokes of nuclear weapons:
sgkk
[Pinyin] [hé wǔ qì]
[Interpretation] Use Weapons in which the shock waves and radioactivity of nuclear reactions cause killing and destruction, including atomic bombs, hydrogen bombs and radioactive warfare agents. Also called nuclear weapons or atomic weapons
Question 5: How to use the word "nuclear" in Wubi:
SYNW
[Pinyin] [hé, hú]
[Interpretation] [hé]: 1. The hard part of the fruit that contains the kernel: peach~. Apricot. 2. Cell. ～Atom. ～Weapons. ～Determination. . ~Real. ~Check. 4. The text is straight and the matter is clear. [hú]: Same meaning as (1), such as "Xingheer"
Question six: perfect, good, yi, xian, law, wei, core, heart, how to break it into five strokes pfq perfect, ugushan, nywyyi, ptfxian, ifclaw, owei, syncore, nyxin .
Question 7: I accidentally placed too many orders on Taobao, but I can only cancel five orders a day. What should I do? Now every seller is like me to check the address. You just don’t have to pay. Just don’t open Wangwang
Question 8: Hu Wensui: How can we make the written words full of power? , such as "falling stones from the peak"... In a word, it is called pen power. Everyone knows the strength of pen power, but how to make your writing power full is what beginners are very concerned about. , but feel that there is no skill in seeking it. Pen power originates from the human body, is formed in the sharp edge, and is expressed on paper. Therefore, in order to make your writing power strong, you must have the correct writing posture and correct pen handling. And correct knowledge about the reflection of pen power on paper, etc. First of all, the ancients often said that writing a book "must be done with all one's strength". This is undoubtedly true, but it is easy to say but difficult to do. Concentrating all the strength of the whole body on the sharp edge cannot be achieved by force alone. Generally speaking, people with weak writing skills will most likely have the following problems in this regard: they cannot hold the pen correctly and use their fingers to move the pen. . Just imagine, if the pen is not held firmly, how can the power be transmitted through the fingers? Even if the pen is held correctly, if the boat is carved and the sword is pressed, the mind only stays on "L pressing the hook to hold", and the strength is concentrated at the fingertips, resulting in only finger strength but no wrist strength. Arm strength, let alone body strength. If you rely solely on the strength of your fingers, your writing will be weak. This is a common problem. In addition, Chen Yi in the Yuan Dynasty once advocated the writing method of pillowing the wrist, hanging the wrist and sinking the elbow, which had a great influence because it allowed for laziness and cleverness. As everyone knows, sinking the elbow will block the force above the elbow; pillowing the wrist will block the force above the wrist. These are all writing postures that damage the writing power.
Generally speaking, only if the joints such as fingers, wrists, elbows, shoulders, and waist are loose and unobstructed, then the whole body's strength can make it go away. Huangshangu once commented on Su Dongpo: "Dongpo's writing before Pengcheng was still fake. After arriving in Huangzhou, his pen was very powerful, and he could tell whether it was genuine or fake." However, Dongpo himself said: "I thought that knowing the writing was not about The pen is firm, and Haoran listens to what the pen does without losing the law." From this, we can see that the strength of the pen lies in nature. Secondly, the method of writing is the most detailed one described by Cai Yong in the Han Dynasty. He said: "There are two methods of calligraphy, one is disease, and the other is astringency. If you get the two methods of disease and astringency, the writing will be wonderful." The so-called "astringency" is It is what we usually call "contrary to the trend", that is, pushing against the pen and giving full play to the elasticity of the pen hair, so that "all the force of the pen can be used to penetrate the back of the paper". The so-called "quickness" refers to writing vigorously when one has the momentum, soaring rapidly without any hindrance. Just like what Wang Xizhi said, "It's as cool as a god", and as Huangshangu's comment on Mi Fu's book said: "It's like a sharp sword cutting into a formation, a strong crossbow shooting thousands of miles, and it should penetrate through." This is the most difficult thing for beginners to learn. at. Due to unskilled brushstrokes, beginners often experience stickiness in their brushstrokes, which results in a tendency to lose momentum and naturally destroy the writing power. To solve this problem, it is necessary to strengthen the proficiency in writing, and "the intention should be written first, and the words should be placed after the heart." Of course, this is a question of skill. Finally, let’s talk about the reflection of writing power on paper. In reality, I don’t know what real “writing power” is. If you spread falsehoods, you will fall into a maze and be unable to extricate yourself. Generally, there are the following wrong ways to express pen strength: First, using force blindly. Press down the tip of the pen and drag it forcefully, resulting in no strokes, no ink rhyme, too much ink, and thick and lifeless fonts, like "ink pigs". This kind of effort is actually the opposite. The "clumsy force" mentioned by Wang Sengqian of the Southern Qi Dynasty refers to this situation. Secondly, Cai Yong once said: "Hide the head and protect the tail, and the power is in the words; use force when writing, and the beauty of the skin will appear." Indeed, the power of the brush must be hidden in the inner part of the pointillism, rather than showing its shape, as the ancients did. There is a saying that "there is a needle hidden in the cotton". Some people don't know this way, and they don't know how to use hardness and softness to reveal their muscles and bones. Zhang Huai's "Essay on Medicine and Stone" said: "If the muscles and bones are exposed, it is a disease. How can it be called strong! The calligraphy must also be rotated in circles and follow the laws of nature. If it often becomes angular, it is a disease. How can it be called strong!" "Thirdly, some people are affected by bad habits. They write in a deliberate way, like an earthworm, or mechanically, like a calculator. Coy and pretentious. This kind of calligraphy, which looks old but is actually disease-free, is the most abhorrent. Learning calligraphy must not involve this evil way. 3. Some people think that writing must be "centered", but some people think that writing does not necessarily have to be "centered". It seems that ancient handwriting is not all "centered". How should we understand this issue? Mr. Shen Yinmo once summed up the brushwork as "nothing more than 'center of the stroke'". This theory was not developed rashly, but is the result of summarizing the historical experience of nearly two thousand years. As early as the end of the Eastern Han Dynasty, the famous calligrapher Cai Yong once said, "Let the brushwork always be in the dot painting." This, together with his metaphor of "Le Ruo horizontal scales", is often regarded as a saying through the ages, and everyone in the subsequent dynasties has always praised it. Taking this as a guideline for writing books, there is no shortage of people who have written about the center. For example, Li Shimin of the Tang Dynasty said that "mostly when the wrist is straight, the front is upright, and when the front is upright, the four sides will be full", Yan Zhenqing's "leak marks in the house", and Liu Gongquan's "upright pen" theory. Another example is Huangshan Valley's "Wang's calligraphy, thinking...gt;gt;