The Evolution of Yan Shu

At first, I studied the calligraphy works of Yan, Liu, Ou, Wang and the Tang and Song Dynasties, and I knew the intentions and brushwork of the ancients like the back of my hand. Therefore, he combined line, grass and truth in one furnace, summed up the simple writing methods of thousands of Chinese character radicals in various fonts, and imitated the dynamic beauty of willow leaves and bamboo leaves from the overall trend characteristics of glyphs, and finally became a system of its own. The naming of this book was once a hot topic, some people called it "Yong 'an Style", and because this book looks like bamboo leaves and willow leaves, some people called it bamboo leaves or willow leaves. "

In July 2009, his creative mode was officially named "Horse Calligraphy" by China Calligraphy Xintiandi Research Center, and was compiled into "Modern Book Score".

On February 20 10/0, Ma Yongan's calligraphy was appraised by a series of experts and obtained the registration certificate issued by the National Copyright Administration of China. Officially named "Yan Style Calligraphy", it is the sixth calligraphy style after China traditional official script, running script, cursive script, regular script and seal script relay the golden section of human body. So it is also called "Yan Ti".

20 10 1 1, Ma Yongan completed the sixth calligraphy style "Yan Shu", created an expanded calligraphy style, and finally formed his own complete calligraphy system.