Title: China Aesthetics 2
Book number: 1734554
Publisher: Baihuazhou Literature and Art
Price: 28.
ISBN:7864797
Author: Chen Liangyun
Date of publication: 25-11-.
Introduction
The occurrence and expansion of the concept of beauty
The first chapter "Beauty" originated from the discrimination of "Taste"
The first section is about "The sheep is beautiful when it is big"
The second section "Shuo Wen Jie Zi" queries the original meaning of "Beauty"
The third section "Beauty" Wen, Li, Feng, etc.
Auditory occurrence in the second quarter-sound, chapter and rhyme
Tactile occurrence in the third quarter-wind
Taste occurrence in the fourth quarter-lightness
Synaesthesia occurrence in the fifth quarter-" Emotion and Reality
Zhuangzi's Truth in the second quarter
The aesthetic process of Truth in the third quarter
The utilitarian view of goodness-beauty in the fourth chapter
The comparison of the concepts of goodness between Taoism and Confucianism in the first quarter
The goodness in the second quarter The original beauty consciousness in the Book of Changes
A textual research on the potential beauty consciousness in the Book of Changes
The concept of "rigidity" and "softness" bred in the Book of Changes in the second quarter
The third section on the beauty of astronomy and humanity in the Book of Changes in the second chapter
Only he can make virtue far and near "
Section 2" Benevolence is beauty "
Section 3" Beauty is not enough without essence "
Chapter 3" Nature "concept orientation and" Heaven and earth have great beauty "
Section 1" Assisting the nature of all things and not daring to do it "
Section 2" Those who know enjoy water and those who are benevolent enjoy Leshan. The mystery is profound and subtle
The second section "Wandering at the beginning of things"
The third section "Harmony, the status of heaven, and the education of everything"
The fifth chapter is the consciousness of Buddhism and Zen beauty without saying "beauty"
The first section "Wonderful realization lies in truth"
The second section "refers to the moon, not the moon" "Beauty" in the conflict and reconciliation in the second part of "Mo Shen Wu Sentence"
Chapter 1: Confrontation and transformation of "Beauty" and "Ugliness"
Analysis of the meanings of "False", "Fake", "Evil" and "Ugliness" in Section 1
True "and" Good "in Section 2, Combing the relationship between "beauty" and opposites
the negative tendency of "beauty" in the third section
the second section is in the utilitarian restriction
the second section is in the traditional restriction
the third section is in the formal restriction
the third chapter is between aesthetic acceptance and aesthetic creation
the first section is "taking what is left over". And the aesthetic acceptance view of "Xin Yue"
Further discussion
Chapter I The special contribution of calligraphy art to China's aesthetics
Section I The change of aesthetic concept caused by the rise of cursive art
Section II The calligraphy art promotes the comprehensive "new change" of all kinds of art
Section III The aesthetic category in calligraphy theory
Chapter II "Hugh", Leisure and contemporary aesthetic culture
The first section talks about "happy football"
The concept of leisure and leisure based on "happiness" in the second section
The beauty of leisure and leisure in the third section is "aimless" and "suitable"
The orientation of contemporary aesthetic culture in the fourth section <