Wang Duo's "Yanxiang Hall Calligraphy"
An antique stele calligraphy from Yanxiang Hall, 14th year of Chongzhen in the Ming Dynasty (AD 1641). Length 100-120 (cm), width 34 cm, thickness 12-14 (cm). Made of blue-grey texture, a set of 10 squares, each square is horizontally rectangular, the surface of the stele is polished and inscribed, and the whole set is composed of a variety of fonts such as
hung, cursive and regular script. Each block ranges from 24 to 30 lines, with about 6 to 10 characters per line. It has the calligraphy fonts of Wang Xianzhi, Zhang Xu and other calligraphers. The content includes "Thinking of Cambodian Friends of Songjian Bookstore", "Spring Song", and "Thinking of Niushou Mountain" , "Deng Teng Wang Pavilion", etc. There are two seals of "Wang Duo's Seal" and "Zong Bo Bachelor" at the signature. The antique inscriptions in Yanxiang Pavilion were written by Wang Duo, a famous calligrapher in the late Ming and early Qing dynasties. Most of the contents are poems written by Wang Duo, a famous calligrapher in the late Ming Dynasty and early Qing Dynasty, who expressed his feelings after enjoying the landscape of Huaiqing in the 14th year of Chongzhen. Among them, there are regular scripts with high ancient style and compelling charm, as well as vertical and horizontal cursive scripts with surprising naturalness, as well as large grass scripts with free and easy brushwork. His works have regular scripts in the cursive script, restrained vertical scripts, well-proportioned and endless charm. . It has reached the artistic level of perfection and is an important reference for studying Wang Duo's late calligraphy achievements. It has important historical, scientific and artistic value.
Blue and white Baishou vase
Collected in 1985. Qianlong period of the Qing Dynasty, 81 cm in height, 32 cm in diameter, and 28.5 cm in base diameter.
Telled mouth, two ears on the neck, rounded shoulders, bulging belly, and convergent lower part,
Eight It has a glyph-shaped base, the neck is decorated with deformed Ruyi patterns and flower patterns, the shoulders are decorated with a tangled grass pattern, a circle pattern and a Ruyi pattern each, and the abdomen is fully decorated with 120 "Shou" characters in different shapes. The lower part is decorated with a lotus petal pattern and a loop pattern for one week each, and the foot is decorated with a banana leaf pattern for one week. It is huge in shape, exquisite in shape, dignified and regular, with smooth and smooth glaze, thick and even white glaze, and green glaze. It was fired in the official kiln during the Qianlong period of the Qing Dynasty. Especially the 120 characters with different shapes of "Shou" embody the traditional Chinese understanding of "Shou". The traditional writing method of "" is an extremely precious material for studying the origin of Chinese "Shou" font, and it also shows the level of porcelain making technology at that time.
Double Dragon Zun
On March 23, 1992, the Qinyang City Cultural Relics Team unearthed it at Shuinanguan Tengfei Tannery.
Tang Dynasty, 41.5 cm high and 7.7 cm in diameter. Bottom diameter 10.7 cm. The mouth is girded, the belly is bulging, the bottom is convergent, the bottom is flat, the double dragon ties on the shoulders are higher than the mouth of the plate, there are four convex nipples on each tie, and there is a convex string pattern around the neck; the green glaze is applied to half of the belly, and the glaze has Ice cracks, unevenness, red tires. The shape and glaze are typical characteristics of Gongxian kilns of the Tang Dynasty. They were unearthed from tombs of the Tang Dynasty and have high historical and artistic value.
Eight Immortals Character Furnace
Collection on July 20, 1985.
Ming Dynasty, 13.2 cm high, 18.2 cm diameter, 16 cm bottom diameter. Tubular shape, straight mouth, three breasts and feet, flat bottom with flint red color. There is a convex rib on the abdomen, the upper ribs are decorated with grid patterns and floral patterns, the lower ribs are decorated with figures of the Eight Immortals and cloud patterns, and the edges of the mouth are decorated with blue and white string patterns. The blue and white material is made of domestic Pingping blue, with a soft, elegant and even glaze. The upper blue and white uses the brush point method to imitate the imported Su Nibo blue, but without the uneven effect. It has the characteristics of the late Ming Dynasty and provides precious information for the study of late Ming porcelain. physical information.