Tang Yin seldom indicates the year when he paints, and his painting style changes irregularly, so it is difficult to infer the time when he painted, and it is also difficult to divide the changing process of his painting style by time. As far as subject matter is concerned, Tang Yin's paintings mainly include landscape painting, figure painting, flower-and-bird freehand brushwork and so on.
On the one hand, Tang Yin's artistic achievement lies in breaking the stereotype, accepting both the North-South School of Painting, the Southern Song Dynasty Academy Painting and the Yuan Dynasty literati landscape painting, mainly learning the Southern Song Dynasty and Liu Songnian Academy Painting School, and learning the rigorous and vigorous painting style of the Song Dynasty.
At the same time, he participated in Xia Gui's composition and pen and ink techniques, extensively dabbled in Li Cheng, Fan Kuan, Guo He, Huang and Wang Meng in the Northern Song Dynasty, and gradually formed his own style.
The layout of the picture is rigorous and orderly, the shape is real and vivid, the mountains are majestic, the rocks are steep, the axe is chopped, the brushwork is vigorous, and the pen and ink are dripping. On the other hand, I have personal observation and real feelings about natural mountains and rivers. Representative works include Loneliness in the Sunset, Spring Mountain Companion, Empty Pavilion at Night, Apricot Blossom House, etc.
Tang Yin's figure painting has superb realistic skills, accurate images and unique charm. Ming Lu Hua commented that his figure painting is "Qian Shunju, Du Chang (Du Jin) is a layman". There are two kinds of ladies' paintings, one is fine lines, bright colors and high weather, which comes from the institutional paintings of the Southern Song Dynasty, such as the prostitute map of Wang Shu Palace.
Exquisite brushwork and heavy colors, with the "three white methods" to dye the face of ladies and gentlemen, highlighting the thick coating of ladies and gentlemen. The lines of clothes are drawn with fine and smooth iron lines, and the clothes are painted with rich colors, which makes the front edge gorgeous. It vividly depicts the famous prostitutes scrambling to dress up, competing for beauty and coquettish, and is an excellent painting of ladies by Tang Yin.
The other is a quadrangle born out of the Southern Song Dynasty. The pen and ink are fluent, the brushwork is vigorous, and the lines are undulating, from beauty to simplicity. Representative works include Autumn Fan Map and Li Duanduan Tu Tu. In the Song Dynasty, Li's description of flowing clouds and flowing water is combined with Yan Hui's description of broken reeds, and the picture is full of rhythm.
Tang Yin ink freehand brushwork flowers and birds, Mo Yun bright and clean, elegant style and full of realism. The picture of dried grass carp, as the representative, is composed of broken branches, and the branches of dead trees bend and extend from the bottom right to the top, full of colors, old and straight. Draw a myna perched on a branch with ink accumulation, with a bald pen and leaves, one or two thin vines and a few wild bamboos. In the upper right corner, the poem reads: "The mountains are boundless and the birds are singing in the spring rain." ?
Painting with calligraphy, painting with pen instead of description, strong brushwork, beautiful shape, concise and accurate pen and ink, elegant and free and easy. "Rain Bamboo Map", the picture is mainly composed of two groups of thick leaves, then light leaves, and then a few leaves echo, all the leaves rush down and the rain hits the bamboo leaves. In addition, there are Mumei map, Fengzhu map, Waterfront Lotus map and Apricot Flower map.
Tang Yin's paintings combine the techniques of the Song Dynasty's courtyard and the charm of Yuan people's pen and ink, showing a bold and graceful but elegant character. The composition is concise and clear, the picture is well-defined, dense and well-organized, the pen is clear, thin and not light, powerful and rhythmic, and has the beauty of combining rigidity with softness. The ink color is dripping and changeable, and there is harmony; The artistic conception is simple and elegant, beautiful and free from vulgarity.
Extended data:
Tangyinhua
Song of Mountain Road in the National Palace Museum in Taipei.
Farming map of Jiangnan in the National Palace Museum in Taipei.
The double waterfalls of Song Dynasty, collected by the National Palace Museum in Taipei.
Biography of Jinchang, collected by the National Palace Museum in Taipei.
The map of Yukime in the letter is in the National Palace Museum.
Yellow bamboo in Dongting of Shanghai Museum.
Dream Xianju in Beijing Palace Museum.
Map of Western Zhou Dialect Collected in the National Palace Museum in Taipei.
Map of Copper Mountain in Beijing Palace Museum.
Fan map of Banji in the National Palace Museum in Taipei.
Figure of prostitutes in Wang Shu Palace, Beijing Palace Museum.
Chang 'e map of Beijing Palace Museum.
Li Duanduan's begging for poems, Nanjing Museum.
Picture of ladies in Tang Dynasty, National Palace Museum in Taipei.
Pictures of ceramic poetry collections, collected by the National Palace Museum in Taipei.
Map of hay and fish
Baidu Encyclopedia-Lushan Map
Baidu Encyclopedia-Tang Yin