Li Bei's strokes are thin, hard and vigorous, and the strokes are thin, sharp and sharp, forming a strong visual contrast, which is somewhat similar to the calligraphy of Juyan Han bamboo slips. However, thin but not obvious, does not hurt the weak, very powerful. In particular, Beiyang's calligraphy is exquisite. On the other hand, the side of the monument and the shadow of the monument, because the names of donors and the amount of donations are recorded, look much more random, with random size and density, but there is a beauty of change.
Compared with other famous Han steles, it is different from English steles in beauty, simplicity, indulgence, strangeness, exquisiteness, founder and beauty. The monument has its own style, which is its success. Learning official script, it is best to start from this tablet.
In the Qing Dynasty, Wang Shu commented on this monument in "The Inscription of the Virtual Boat": "With Bill Han, each monument has its own singularity and nothing in common, and this monument is the most bizarre, as thin as iron, changing like a dragon, with a strange word and no clue." He also said: "Only Hanyi is beautiful and unprepared, thinking that it is superb and vigorous, and that it is profound and restrained, and it has its own division. No one is so wonderful. "
The line texture of Li Bei is different from other official books in the Eastern Han Dynasty, such as Zhang Qianbei and Cao Quanbei. It belongs to the way of justice, dignity, handsomeness and broadmindedness. Some words and strokes in the inscription are as thin as hair, and iron-painted silver hooks are strong and powerful; Some are as thick as a brush, but they are smart and not dull. Although the lines are ups and downs, they seem to be harmonious from beginning to end, and they are very successful in expressing their sense of strength. Therefore, when studying the Book of Rites, you can choose a double-stranded brush, which is flexible and focuses on practicing brushwork.
The strokes should be thin but not thin, and the waves are thicker than the tips of other strokes. Pause before closing the pen, and stir it up quickly by the elasticity of the pen, so that the strokes fly, fresh and healthy. Swallowtail paintings are mostly square, with a large proportion, which looks very imposing.
In addition, this monument is divided into four sides, namely, Yang and Yin. The inscription on Beiyang part is dignified and the arrangement rules are relatively regular, which can be regarded as the representative of the style of ritual monument, and the manpower should start with Beiyang part. However, from the artistic point of view, the tablet also has its unique value. His pen is unrestrained and elegant, naturally interesting, the size of words is not uniform, the rules of horizontal arrangement have been broken, and he is very lyrical, which has injected more subjective spirit and temperament into the whole book, so the inscription can not be ignored in the study.