2. The appearance is round and the bones and muscles are connotative. The stippling is gorgeous and vigorous, and the knot is broad and beautiful. The stippling echoes each other very closely. It seems soft on the outside but firm on the inside, with beautiful body and strong skeleton. Scholars not only learn its shape, but also learn its spirit;
3, the pen is round and square, and the flow belt is arranged. When writing Zhao Ti, the stippling needs to be mellow and colorful, but the structure of the white cloth should pay great attention to the founder's preciseness, horizontal and straight, flat and stretched, and the focus is stable. Only in this way can we grasp the characteristics of Zhao Ti. In addition, when he writes regular script, he uses running script slightly, which makes every word beautiful and moving, which is also one of the characteristics of Zhao Ti.
4. Zhao Meng _ was an influential calligrapher in the early Yuan Dynasty. According to the original biography of the History of Yuan Dynasty, "Meng _ Zhuan's calligraphy and calligraphy are all the best in ancient and modern times, so the title of the book is the world", which shows that it is highly praised. Song Lian, a Ming Dynasty scholar, said that Zhao's calligraphy learned from the book of Si Ling (that is, Zhao Gou, Song Gaozong) in his early years, learned from Zhong You and Xi Xian in his middle years, and learned from Li Beihai in his later years. Wang Shimao said: "Most of Wen Min's books come from two kings (Xizhi and Dedication). If they are close, they will win the right army; If you have an elegant attitude, you will get a big order; The calligraphy tablet is cool and imitates Li Beihai's "Yuelu" and "Miluo". " In addition, he also visited Dingding Monument in Yuan and Wei Dynasties, Tang Yu Shinan, Chu Suiliang and others. In seal script, he studied Shi Guwen and cursed Chu Wen; Li Shu Xue Liang Hu, Zhong You; Learning from cursive script and offering sacrifices can work hard to inherit the tradition.
5. Just as Wen Jia said, "Wei Gong's calligraphy was superior to that of the ancients, and all of them imitated it.". Yu Ji called him: "Kaifa won the" Luoshen Fu "and won its bid. Running script concept "the preface to the holy teachings", and into its room. As for the cursive script, I am full of "Seventeen Posts" and measure its shape. " He is an accomplished calligrapher who combines the calligraphy of Jin and Tang Dynasties. Contemporary calligraphers highly praised him, and some later generations listed him as one of the four masters of regular script: "Yan, Liu, Europe and Zhao". Dong Qichang, a painter and calligrapher in the Ming Dynasty, thought that his calligraphy was direct to Jin people.