What's the secret of Xu Zhenqing's switching in The Four Great Talents?

Xu Zhenqing, a writer in the Ming dynasty, is known as "Wu Zhongshi's official" and "Wu Siwei's son". Although he is different from Tang Yin, Zhu Zhishan and Wen Zhiming, Xu Zhenqing is also different from the other three. The other three are proficient in calligraphy and painting, and Xu Zhenqing is the only one who is famous for his poetry.

Portrait of Xu Zhenqing

Xu Zhenqing was very clever since he was a child. He is gifted in poetry, uneducated and excellent in art and science. He said, "Without a book in a family, everything is impossible". After a while, the article went to Wu Kuan and studied calligraphy in Young-jin Lee. After learning, youth is better than blue, and he becomes himself. With Li Mengyang's He Jingming, Kang Hai, Wang, Bian Hong and others, they are also called "the first seven sons". Xu Zhenqing advocated literary schools, emphasizing that articles were advertised by Qin and Han Dynasties, and ancient poems were praised by Han and Wei Dynasties, which was close to the patriarchal clan system in the prosperous Tang Dynasty. Xu Zhenqing has many famous calligraphy works. His poem "Every family in Jiangzuo has an article, flowers and trees in Yangzhou in the misty moon" has been quoted by many famous artists and has become a timeless quatrain.

Xu Zhenqing's Qin Yi Lu has many incisive opinions and good words. This is rare in the history of Ming poetry and even in the history of ancient poetry literature. His poetic style is elegant. Only pay attention to the Han and Wei dynasties, focusing on the theory of retro. However, it did not lose Wuzhong's romantic love.

Wang Yangming's theory of mind prevailed in the Ming dynasty. Xu Zhenqing's ideological course is combined with the whole era, from literature to Taoism, and then to psychology. His way of advocating the restoration of ancient literature and his lifelong devotion to metaphysics reflected Xu Zhenqing's conceptual grasp of the characteristics of the times, which was related to his intention to save the "last days". Later, Xu Zhenqing advocated Taoism and studied health preservation. He lived in the capital for six years and died at the age of 33.

Xu Zhenqing's story

is also called "Four Great Talents in Wuzhong" with Xu Zhenqing, Zhu Zhishan and Wen Zhiming. However, due to the TV series, the "four great talents" known to the public are different. The only reason is that Xu Zhenqing was abandoned and became zhou wenbin. What is this, The Secret Behind?

these pictures are from the internet.

As we all know, Four Heroes of Jiangnan has this title in many TV dramas. They are Tang Yin, Zhu Zhishan, Wen Zhiming and zhou wenbin. However, according to historical data, there is no zhou wenbin here. The title of four talents does exist. However, the fourth man was replaced by zhou wenbin and Xu Zhenqing, which is different from the literary achievements of the other three. Therefore, in the artistic creation of these four talents, the author invented zhou wenbin to match the other three talents. Poor Xu Zhenqing was only good at poetry, so he was deprived of his reputation.

Xu Zhenqing has been very clever since he was a child. He is gifted in poetry, uneducated and excellent in art and science. He said, "Without a book in a family, everything is impossible". After a while, the article went to Wu Kuan and studied calligraphy in Young-jin Lee. After learning, youth is better than blue, and he becomes himself. With Li Mengyang's He Jingming, Kang Hai, Wang, Bian Hong and others, they are also called "the first seven sons". Xu Zhenqing advocated literary schools, emphasizing that articles were advertised by Qin and Han Dynasties, and ancient poems were praised by Han and Wei Dynasties, which was close to the patriarchal clan system in the prosperous Tang Dynasty. Xu Zhenqing has many famous calligraphy works. His poem "Every family in Jiangzuo has an article, flowers and trees in Yangzhou in the misty moon" has been quoted by many famous artists and has become a timeless quatrain.

Three of the four gifted scholars in Wuzhong are proficient in painting, romantic in character and high-profile in behavior. But unlike Xu Zhenqing, he doesn't know calligraphy and painting, he is only loyal to poetry, and his personality is lofty and detached. Probably for this reason, the author of this story invented a handsome zhou wenbin to make up for this total.

Xu Zhenqing's Poems

Among the four outstanding figures in Wuzhong, Xu Zhenqing is famous for his poems, which is different from that of Tang Yin, Zhu Zhishan and Wen Zhiming.

these pictures are from the internet.

Xu Zhenqing occupies a high position in the poetry circle and is called "Xiong Wen". His poems are all excellent and worthy of the name. The writing style of early works tends to be graceful poets, such as Bai Juyi and Liu Yuxi. Later, influenced by He Jingming and others, he advocated that "literature must be in the Qin and Han Dynasties, and poetry must flourish in the Tang Dynasty" and participated in the literary restoration movement, ranking first among the seven sons.

Shen Deqian, a scholar in Qing Dynasty, edited Poems of Ming Dynasty. Only Xu Zhenqing and Wen Zhiming collected the poems of four gifted scholars in Wuzhong, Wen Zhiming only collected two poems, and Xu Zhenqing edited 23 poems. In the top seven, Xu Zhenqing is second only to Li Mengyang and He Jingming. He compared the poetic styles and pointed out: "Li Qixiong, He,". Therefore, Xu Zhenqing's poems are full of feelings, exquisite skills, and meaningful between the lines.

A careful observation of the emotional context contained in Xu Zhenqing's poems is usually different from that of poets in the Central Plains. Jiang Zuo's style and Wuzhong School's elegant and elegant style are still preserved. Because of its unique characteristics, the words and sentences used by Xu Zhenqing in his writing are all words of "refining essence and warning". He is good at seven-character poems, close to the body, especially four-character poems. His skills are exquisite, and his poetic eyes are implicit. His poems are clear and relaxed, like the wind blowing over his face, but he is sad in the aftertaste.

occasionally meeting Xu Zhenqing

is a seven-character quatrain written by Xu Zhenqing, a poet in the Ming Dynasty. "See the peach blossom in the winding path in the mountain, and tilt in a hurry. But Nai Yu Can can't keep the whip. He hates the end of the world in spring. "

these pictures are from the internet.

The main idea of this article is: Walking on a winding mountain road, I am very lonely, and occasionally I see peach blossoms on the road when they bloom. At first, I wanted to stop and see them, but it was getting dark and sunny, and the whip in my hand was disappointing. I can only hurry the horse on the road. Leave the beautiful scenery and rush to the distance with regret for spring.

It is easy to see the poet's heart with this lyric poem that uses scenery. The poet trudged in the mountains. As soon as the peak turned around, the dense peach blossom forest came into view. Beautiful eyes swept away the fatigue of the journey, and the joy was beyond words. However, the weather is not beautiful. As night fell, he had no intention of indulging himself, so he had to run all the way. The poet can't help feeling that he can't keep the passage of time. Even if he raised his whip on horseback, he couldn't catch up. The word' can't stay' contains many regrets in the poet's heart, such as the sunset in the west, the occasional spring scenery and the lost time. Therefore, the corresponding "spring resentment" not only refers to the feeling of hurting spring, but also contains an unspeakable feeling of life and an expression of regret for life. The word "title" originally meant to be contained in the mouth, but here it should be understood as contained in the heart. The poet travels around the world with some regrets about his life, but his life is too short to die and his way home is too far away.

Xu Zhenqing's poems are good at capturing subtle natural scenery, but they are the most poetic. The integration of spirit and emotion had a great influence on the creation of verve poems in the late Ming and early Qing dynasties.