1955, a native of Anyang, Henan, a scholar in Xijiang. One of the four disciples who have contributed to contemporary calligraphy masters. At the age of six, he began to learn books. He visited all the inscriptions and was good at regular script.
By chance, in the autumn of 198 1, Mr Jia Hongsheng became a master of contemporary calligraphy. Mr. Meng Qigong personally made suggestions and made extensive contact with inscriptions in the Northern Wei Dynasty and wooden slips in the Han Dynasty, and then traced back to the Jin and Tang Dynasties and down to the Ming and Qing Dynasties, learning from others. Mr. Jia Hongsheng has finally formed his own style, becoming more and more mature.
Influenced by Mr. Qi Gong, he has bold innovation and development on the basis of inheriting Mr. Qi Gong's style. Therefore, each of his works can be different in font and composition, and each one shows his own personality.
2. Zhang Shizhong
1Born in Beijing in July, 964, I liked calligraphy very much since I was a child, so I got advice from Mr. Qi Gong when I was a child, and I also studied with Mr. Qi Gong for some time. He copied all kinds of fonts, the most important of which was the running script. He was also instructed by many calligraphers. Because of the solid foundation, I have formed my own writing style. His works are characterized by "falling rocks from mountains".
3. Ding Guangmao
China famous calligrapher,/kloc-0, born in April, 1939, was born in Xiangxiang City, Hunan Province. Mr. Ding loved calligraphy since childhood and received a good traditional education. Although I have been engaged in flying and army work for a long time, I have been studying calligraphy theory persistently and assiduously, starting with Ou Yangxun and Liu Gongquan, and then studying the calligraphy works of Erwang and Dong Qichang and the calligraphy skills of Mr. Qi Gong, a modern calligraphy master, mainly using running script.
I was lucky enough to get the guidance of Mr. Qi Gong and become a close disciple of Mr. Qi Gong. Mr. Ding adheres to the principle of unity of inheritance and development, artistry and practicality in his calligraphy creation, and his calligraphy art has profound traditional cultural heritage and innovative spirit of inheritance and development. His books are rigorous in structure, precise in brushwork, rich in brushwork and well-proportioned in flesh and blood, giving people a kind of beautiful enjoyment.
4. Zhao
Born in June, 1942, Beijing. Zhao has a strong interest in classical literature since he was a child. 1978, the state resumed the postgraduate diploma system. He was admitted to the Chinese Department of Beijing Normal University, studied classical literature under Mr. Qi Gong, and became the first postgraduate after the Cultural Revolution.
During my study at school, I mainly engaged in literature research in Tang and Song Dynasties, and also learned from Mr. Qi Gong about poetry creation, calligraphy theory and calligraphy appreciation, which benefited me a lot.
198 1, Zhao stayed in school after graduation, mainly engaged in the teaching and research of classical literature. Most of the courses offered by the Chinese Department of Beijing Normal University and their own research topics revolve around this major.
5. Zhang
Born in Gu 'an, Hebei Province, 1965. University culture, teaching for ten years. From 65438 to 0996, Zhang went to Beijing with his family to seek the true meaning of calligraphy. When he first arrived in Beijing, he learned words and looked for opportunities to consult famous teachers to make a living by selling words. Because of the pressure of survival, I had to imitate other people's calligraphy and painting to sell money.
Zhang accidentally read Qigong's book On Poetry from Books, and was shocked by his knowledge, so he decided to learn the style of Qigong. In less than two years, Zhang wrote his qigong style in a confusing way. His name gradually spread in Panjiayuan market, and his words became bestsellers in the market. However, this "imitation" reputation has always made Zhang unable to let go.
Later, Qigong's friend Bao saw Zhang's words in Panjiayuan, and immediately fell in love with this hardworking and sincere young man and agreed to his wish to visit Qigong. Until then, Zhang Cai met his long-admired "teacher". What moved Zhang was that the Qigong master not only didn't mind Zhang's imitation, but also praised his calligraphy for being fake but not inferior.
After each communication with Mr. Qi Gong, he once again combined inspiration with pen, copied Mr. Qi Gong's words again, and tried to figure out the artistic conception conveyed in the words, and his works gradually became better and better. The style of Qigong he learned is not only similar, but also more similar because of the implication of Mr. Qigong.
6. Li Honghai
Born in 1946, the word Yixin,No. Ark, Wuqing, Tianjin. Li Honghai loved calligraphy and seal cutting since childhood, and learned to paste rubbings every day, which laid a solid foundation and paved the way for success. Later, when he joined the army, he took the blackboard newspaper as a platform and copied files as an opportunity. His talent for calligraphy began to show, and he was transferred to the office to specialize in writing. At this time, Li Honghai like a duck to water, like a dumpling in the sea, shows his talent.
However, it is the famous calligraphy master Mr. Qi Gong who has really made great progress in calligraphy. In the early 1970s, Honghai had the honor to learn from Mr. Qi Gong, and gained his true story, lit the beacon, pointed out the road, worked hard, studied hard and matured day by day. After 1980s, he made his mark, published articles in newspapers and periodicals at home and abroad, won more than 100 calligraphy competitions, held solo exhibitions, and his works were collected by many albums.
In the early 1990s, he was listed as a world celebrity in painting and calligraphy. His paintings and calligraphy works were not only designated as gifts for foreign heads of state by the International Liaison Department, but also collected by cultural units and individuals at home and abroad. They were also hung in foreign affairs reception places of many countries and armies, and many titles such as "cultural messenger" came into being.
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