Appreciation of Chu Kai Shu's Works
Appreciating pictures of Chu Kai Shu calligraphy works 1
Appreciation of Chu Kai Shu works Figure 2
Appreciation of Chu-style regular script works Figure 3
Appreciation of Chu Kai Shu Works Figure 4
Calligraphy style of regular script in early Tang Dynasty
Regular script in the early Tang Dynasty is still the calligraphy style of Sui Dynasty. Europe, originally from the Sui Dynasty, entered the Tang Dynasty in their twilight years. Yu Shinan personally inherited the gentle and elegant teachings of Zen master Zhiyong and continued the romantic life in Jin and Song Dynasties. Ou Yangxun was born on the stone tablet of Shixing King in Liang Xiao, and he was closely protected. Ruan Yuan is right to call Europe a northern faction. How's Ou Yangxun? An inscription book? , he wrote the "monument" is that kind of deliberately exaggerated waves? Retro fonts? . Huangfu tablet and Yugong tablet are steep and dangerous, which are difficult to distinguish from the inscriptions of Sui people. Only the knife, stone and pen and ink in Jiuchenggong and Huadu Temple are integrated. This is of great significance in the history of calligraphy. Later inscriptions can be regarded as calligraphers' works. Seal cutting is to express pen and ink, not to wander between knife and pen. However, it must be pointed out that this drift is still quite serious in the epitaphs of the Tang Dynasty. His son Ouyang Shutong's book "Dao Yin Bei" always appears in the official script, as if he wanted to declare himself to the world. An inscription book? Family. Chu Suiliang's "A Que Buddhist Shrine" cannot accurately represent his writing style, because the role of intermediate masons is too great.
There are many examples of inheriting the Southern and Northern Dynasties in the early Tang Dynasty. In the early years of Zhenguan, Yan Shigu's "Dengci Temple Monument" was vigorous in Gu Zhuo, and the book of the Northern Dynasties was very imposing. Is Ou Yangxun's Square Monument from the Northern Qi Dynasty and the Northern Zhou Dynasty? Retro? Inheritance of. This kind of word is not uncommon in epitaphs of the early Tang Dynasty. Especially the epitaph of Zhenguan four years, there are all kinds of regular script, official script, seal script and cursive script. This kind? Half-breed? More than Du Zhaoxian statues in the Western Wei Dynasty. It seems to be advocated by Emperor Wen of the Northern Zhou Dynasty? Retro? It was blown until the early Tang Dynasty.
The second chapter mainly introduces Ou, Yu, Chu, Xue and their works. Now let's talk about the early Tang calligraphy on several tombstones buried with Zhaoling. These steles were unearthed in 1974, and have never been recorded by stone engravers in past dynasties. Because of the late excavation, there are no residual characters, and the characters are as new as before, which can obviously reflect the style of regular script in the early Tang Dynasty.
Xu wrote the Zhou Protection Monument, and Wang Xingman wrote the book. Wang Xingman's Preface to Luoyang Sacred Education has been handed down from generation to generation. His position is not high, and he is only called in Zhou and Hubei. Recording under the door? , but can ask him to write the emperor's article "the preface to the holy teachings", it can be seen that his title was very big at that time. It is not surprising that some people think that Dou did not mention him in Shu Shu Fu. Dou was born in a famous family, and he always disdained villains. When he had to mention Sun, he still scoffed? Yan Zhifeng? . Wang Xing is full of monuments between Yu and Chu. It is moist in the plain and broad in the dense forest, and it is comparable to the monument of Mencius in Chu.
The book Meng Li Chang Bei was written by Li Xuanzhi. The Book of Old Tang Dynasty (189) was circulated, but it was not written. And when you sign the title on the tablet? Prince's book? It can be seen that he is not only knowledgeable, but also works hard.
This monument was carved by Wan Baozhe, a famous hand at that time, in the first year of Ganfeng (666), conveying exquisite brushwork. Calligraphy is as smart as Chu, the suffix is as rigorous as Europe, and it is as concise as Sui tablet. Unearthed in recent years, it is a precious material for studying calligraphy in the early Tang Dynasty.
Guangwu Monument was carved in the second year of Tongzhang (669) without a title. It is thicker than the monument in the early Tang Dynasty. There is Wei Bei's brushwork, but it is not refreshing enough compared with Dengci Temple Monument.
Throughout the epitaph of the Tang Dynasty, Li Bo's brushwork remained until the beginning of Tianbao, and Chu Shu had a great influence. For example, the epitaph of Mrs. Shunjie has a strong brushwork and is more graceful than Chu Shu.