Good evening everyone. Tonight I will continue to tell you sixteen ways to end a quatrain.
(9) straight down and quick harvest, hidden front leaves flavor:
The creation of quatrains usually has certain rules, such as less materials, less plots, better language, careful use of allusion, clever and hidden meaning, deep rhyme and long taste. For another example, sentences should be high, stable, graceful and seamless. But these should be used flexibly according to the specific situation, and we should not stick to a model or a law. This structure can be divided into four sentences, which correspond to each other one by one, or can only be used, or can only be used, or even can only be used at two levels in special circumstances.
Try Jin Changxu's "Spring Complaint";
Get rid of the oriole, get rid of all the music on the tree.
They woke her up when she dreamed that she went to meet him in Liaoxi camp.
The structure of this poem is very special. The first sentence begins with "hit", and the last three sentences explain why "hit" is one or three sentences. Starting from the first sentence, the second, third and fourth sentences are inherited without conversion. This three-sentence model is centered on the first sentence, and then the sentences are closely connected without leaving any gaps. Wang Yuanmei, the leader of the "Last Seven Sons" in Ming Dynasty, commented that this poem "is not only high in meaning, but also compact in syntax, with a word" no "added in the middle, which means that the meaning is not allowed, and the end is extremely dead, while the middle is slow, with no residual method and aftertaste." ("Art Garden") "The knot is extremely broken", leaving no room for insertion, which is the biggest feature of this poem. Its strength lies in consistency, and poetry wins with qi. The ending method of this poem is called "straight down and quick collection" and "cut off the knot"
Just like a calligrapher writing cursive script, the brushwork is fast, such as a snake coming out of the hole, a bird entering the forest, and the pen is hidden, which comes to an abrupt end. "That time she went to Liaoxi camp to meet him there" in "Spring Complaint" really has the effect of cutting and the knot is neat. But when I think about it, I'm still unfinished. Even if the birds fly away, the dream will continue and they will go to western Liaoning as they wish. So what? When I woke up from my dream, I was still crying, wet my pillow towel in vain and had nowhere to send it. This shows that although the poet has broken the knot, he is also hiding the front, leaving a taste in the pen collection and chewing.
Su Xiang's "Surprising Autumn on Powder" is also a five-line poem praised by poetry critics.
The poem says:
The north wind blows white clouds, and Wan Li crosses the river.
When the mood falls, the autumn sound can't be heard.
This poem is similar to the poem "Autumn Wind Poetry" written by Emperor Wu of the Han Dynasty, that is, "The autumn wind starts and the boat floats in the river to help the river wind". Poetry critics have always had different views on whether to improvise on history or express emotion. In fact, judging from the habit of using allusions in quatrains in the Tang Dynasty (even if they are used, they often pretend not to know that there are allusions) and the title of the poem, this poem should be the grief caused by what the poet saw in the water and express his true feelings, which has nothing to do with chanting history, and can be explained by the word "Jing" in the title of the poem and the word "Feng" in the sentence. The poet saw the roaring north wind blowing the white clouds on the horizon to the confluence of Fenshui and the Yellow River, and the bleak sound of the surrounding vegetation was intertwined with the lost emotions in his heart. The sentence "I can't hear the autumn sound" was cut off and there was a sense of terror. This poem is in a hurry, and in a rage, the feeling of autumn sounds is vivid. Therefore, Gu's poem is "Everyone is arrogant, and the five words are the most rare." (Selected from Ten Thousand Poems in Tang Dynasty)
Five-word sentences are quickly put away, because there is one syllable less than seven words, which is clean and easy to distinguish. Seven words have one syllable, which makes them easier to read. However, the intention of chopping hands is quite obvious.
For example, Li Bai's "Early Hair Baidicheng":
In the morning, I said goodbye to Caiyun and Baidi and returned to Jiangling in one day.
The cries of apes on both sides of the strait are still unconsciously crowing in their ears, and the canoe has passed the heavy green hills.
This poem is also in a hurry and ends neatly in a style full of lofty sentiments. This is related to the sentence "How many people fought in ancient times" in Liangzhou Ci, the sentence "I have to live for half a day" in the Li Shao monastery of Su Helin Temple, and the sentence "I don't believe in the east wind, but I can't call it back" in Ling's Song of Spring.
This ending technique is also common in modern poetry. Just say a few songs here.
Hunan poet Xiong Jianyou wrote a poem "Hanging Zhang Zhixin". His poem was written by Zhang Zhixin who was chopped by the executioner before his execution, and it flowed in one breath, like a crazy wave bursting its banks, unstoppable:
The counterfeiters dare not tell the truth, but they are all thumbs, wasting their time trying to prevent Sichuan.
Even if Changshan's tongue is cut off, there will be many thieves in the world.
Zhang Zhixin hanged himself from the executioner's inhuman evil deeds, and scolded him heartily, saying that Xiong Jian was not the only one who scolded him. Every sentence was concise and neat, just like a paper verdict in court, and there was no doubt about it.
Shantou poet Xu wrote a poem called "Write a Book for Mother", which was also written in round characters, and the sentence was extremely concise:
The wood falls in the autumn wind, and the waves cool the sea.
Afraid of loving mother's tears, I dare not report my clothes list.
The first sentence begins with the cold weather in late autumn, and then drops sharply until the sentence ends leisurely. Not a happy ending, just a temporary calm. The author uses this as a metaphor for the hardships of going out to study and work. This is the smell of Tibetan front.
Shantou poet Xu wrote a poem called "Write a Book for Mother", which was also written in round characters, and the sentence was extremely concise:
The wood falls in the autumn wind, and the waves cool the sea.
Afraid of loving mother's tears, I dare not report my clothes list.
The first sentence begins with the cold weather in late autumn, and then drops sharply until the sentence ends leisurely. Not a happy ending, just a temporary calm. The author uses this as a metaphor for the hardships of going out to study and work. This is the smell of Tibetan front.
Ding Runru, a Hubei poet, has a poem "Occasionally in Summer", which has a very special structure. It is in the form of three conjunctions, and conjunctions are also combined sentences, which are neatly tied.
The poem says:
The drizzle disturbs the system, and the breeze sends the evening cool.
A bowl of ice on the street won the emperor Xi.
There is rain, wind to cool down and ice to moisten the throat. The three meet and become a great pleasure. The conclusion is an overflow of happiness, as concise as a slogan. Fortunately, it has paved the way for summer coolness, and the emotion in the advertising language is still full of reality.
I wrote a four-line poem last year? Four musts and the feeling of Bayi:
Text/Border Meaning (Liaoyang)
The wardrobe occasionally sees old fashion, but the grass is still slightly hurt.
After leaving the military camp for a long time, military songs echoed in my ears.
I rummaged through the wardrobe and saw old clothes. The green military uniform bears my sadness and thoughts when I left the military camp. Turn the trend, directly explain the reasons, and finally swing around in the ear with military songs, which is concise and clear.
(10) poetic perfection;
At the end of Hurriedly, although poets usually hide their eyes and ears and chew with taste, they still reveal their true feelings more often.
For example, Jia Dao's "Last Words":
When I asked your students under a pine tree, "my teacher," he replied, "went to pick herbs."
However, through these clouds, how can I know which corner of the mountain it is facing? .
This poem is also a three-sentence, broken sentence, but the language is simple and clear.
Another example is Dai Shulun's "Wine":
Chung Shan Man, a triple river, enjoys leisure in the mountains of spring breeze.
And ask Baiyun to get drunk, so you don't have to worry about dreaming about the countryside.
The sentence that was cut off from the collection is also a true feeling. Sometimes, in order to play in depth, the poet deliberately chooses ambiguous words in the final sentence, which makes the final sentence more uncertain. This ending technique is called circle turning, and its purpose is to make the poem thicker.
And look at Wang Changling's four-line "Join the Army":
There is a dark snow-capped mountain in Qinghai, with long white clouds and a lonely city looking at Yumenguan.
Yellow sand wears golden armor in hundreds of battles, but the loulan is not returned.
This poem also has the momentum of broken sentences, but it is a bit different to use a muddy word "end". The word "finally" can be interpreted as "finally" and "forever". The former means you can never come back, and the latter means you can never come back. One is forced by objective helplessness, and the other is subjective rhetoric, which is very different. Some people say that the conclusion should be bold, and some people say that if it is bold, why not use the word "oath" to be more bold? Shen Deqian of A Qing Dynasty thought: "It's ok to look at it with bold words, but it's meaningful to look at it back home." ("Tang Poetry"
In fact, the reason why the poet uses the word "end" instead of "oath" is to use the uncertainty of the sentence to aggravate the meaning of the whole poem. Perhaps the poet wants to be both proud and helpless, both of them. Isn't the emotional color richer and more complicated? Imagine that the soldiers who have fought many battles have both the lofty sentiments of serving the country and the bitterness and loneliness of guarding the border. If the poet uses the word "oath", it can be translated into understanding, but the high-sounding words shouted out are just the slogan of the poet "it is easy to speak when standing", which is by no means the voice of the border guards.
Wang Changling's muddy ending technique is also reflected in another poem, Joining the Army.
One of "joining the army":
Huo Feng is 0/00 feet west of the city, sitting alone in the sea breeze and autumn dusk.
Guan Shanyue, who plays Qiangdi, is not worried about the golden boy Wan Li.
The word "Wu Na" at the end of the sentence is also a round brushwork. It was originally written that the garrison sergeant missed his wife at home on the tower. With the sound of the flute of bitterness, he suddenly felt that the flute could not dispel his wife's nostalgia for himself. The inversion of this sentence is transited by the word "Wu Na". The meaning of "nothing" is close to "helplessness", but "helplessness" is dull and "nothing" is ambiguous. Regarding the ending sentence of this poem, Li Yao's Poem Change Notes once commented: "If you don't talk about homesickness, you can't comfort homesickness, but it is deeper than homesickness." This is a meaningful praise for Wang Changling's mastery of the Four Wonders.
Using the muddy ending technique can make poetry not simple, straightforward and rich, but sometimes it will cause people to interpret it differently. One of Du Fu's "Eight Arrays" has the longest litigation time in the history of poetry, and its doubt lies in the word "lost" in the sentence.
The original poem says:
During the Three Kingdoms period, you made unparalleled achievements, and you gained a permanent reputation by invading.
This river won't divert the stones from your disposal, and you will always regret that you will destroy Wu's unwise.
The word "lost" can be interpreted as "lost", "lost" and "lost", and it can also be interpreted as "lost" and "lost", so there are many different explanations for the ambiguity of this word.
There are three explanations for "losing":
Speaking of resentment, I failed to swallow Wu;
One said that because "the stone doesn't turn", he hated God and didn't help him destroy the State of Wu;
It is said that Wu Bing entered the eight-array map, but the array law did not exert its power to destroy it all, which became a grudge;
There are three explanations for "missteps":
I hate Liu Bei's blunder on Wu Zhi.
One said that Zhuge Liang thought he hated Liu Bei and Wu failed to stop him;
One said that Liu Bei failed to use the Eight Arrays to cover up Wu Naicheng's historical grievances;
Interestingly, all the people involved in the lawsuit are famous scholars and poetry critics, such as Su Dongpo, Qian, Zhu, Qiu, Pu Qilong, Yu Biyun, Li Ai and Liu Yongji. In fact, scholars often turn to historical facts or interpret Zhuge Liang to make a clear statement, but forget the most fundamental fact: that poem was written by Du Fu, which should be Du Fu's ruling. But if Du Fu says you are all right, which is exactly what I want, then you must also admit it. This is called "poetic".
Now, there are many natural ways to use this technology, and several outstanding examples are given.
Cai Houshi, a Jiangxi poet, wrote a quatrain "In the bosom of Yandang Mountain".
The poem says:
The strange water in Yandang Mountain is also strange, and the husband and wife miss each other under the peak.
Dingdong creek is like a gurgling stream, but I don't remember leaving without thrush.
The conclusion of this poem is ambiguous. There are four different explanations. One is the poet himself, the other is the poet's wife, the other is that the poet didn't paint for his wife, and the other is that his wife didn't paint for the poet. Generally speaking, when the third kind is closer to the author's original intention, it is used to imply that some responsibilities were not fulfilled when traveling, and some things that should have been done were missed when breaking up. Maybe I was in a hurry to make out when I left, maybe I was in a hurry and didn't have time to say goodbye. In short, at the peak of husband and wife, there is a strong love involuntarily. To my disappointment, there are still many deep feelings that I can't express to my lover. Then, this sentence is to compare the warmth and sweetness of love with a trace of apology. Imagine if you use the words "Laugh and say that you didn't thrush when you left" or "complain" or "complain" at the end of the sentence, then you can clearly point out that the poet didn't thrush his wife, and there will be no other ambiguity above. However, it is the use of the word "Mo Yi" that gives "No Thrushcross" more explanation space, which makes the whole poem profound and meaningful.
Zou You, a poet in Longchuan, has a quatrain "Man Yin", which is also very ethereal and deeply hidden.
Its poem says:
Self-indulgence, the threshold is round and square.
Poetry, wine and boat waves make the sunset a flat chapter.
The postscript of this poem mainly expresses the poet's broad mind of "drinking poetry", "wandering" and watching the clouds go to sunrise and sunset. But the word "let" at the end of the sentence can be free and easy, open-minded, helpless and indisputable. Free and easy is to retire, not to delve into anything about home and country, but to enjoy the scenery. Being helpless means retiring, having no position and being powerless. Although we see many shortcomings in managing people's politics, we can only sigh. What can we do? Even if there is an "infinitely beautiful" scenery, it is also a beautiful scenery that is about to fall, without life. Ping is also used as the official name for managing the people. "Book of History Yao Dian" "Nine clans are both harmonious and the people are peaceful". In the Song Dynasty, there was an official named Zhang Shi of Tongping, whose position was equivalent to that of prime minister. If it is the latter, then the poet's "wandering like a poem boat" is just a self-exile that is not in place and does not seek its own politics. If you look closely, you can see the poet's sadness. It can be seen that this poem has different meanings because of its ambiguity.
(1 1) prime knot, affectionate:
Poetry critics often say that the beauty of an article lies in the end, the beauty of the end lies in deep affection, the beauty of deep affection lies in implication, and the beauty of implication lies in dullness. It seems a little careless to end with plain words. Sometimes the poet just stands by and looks on coldly, expressionless, writing objectively, without any criticism, but hiding his deep feelings in objective and simple words. This kind of ending sentence only feels ordinary after reading it, but it is very tasty when hidden, and it is very profound and poetic when remembered. This is a frequently used and increasingly sophisticated ending technique in the May 7th quatrains in the Tang Dynasty.
Look at Liu Yuxi's autumn wind:
Where is the autumn wind? Xiao Xiao sent the goose.
When the morning light enters the courtyard, lonely guests smell it first.
The whole poem focuses on the autumn wind: the autumn wind comes and goes without a trace, only to hear the "rustling" sound that the autumn wind has suddenly arrived in the distance, and then watch the geese start flying south; Soon, the autumn wind entered the yard again and shuttled among the leaves. At this point, the image of autumn wind has been tangible, but the poet has not shown any emotion. Should the feelings in the scene be pointed out in the conclusion? However, I saw that the poet closed his pen with the phrase "the lone guest hears first". Is "First Smell" happy or sad? Literally, it can't be seen, because its language is almost neutral, plain and without any emotional color.
Unlike Su Xiang's "autumn sounds are inaudible" used in "Surprising Autumn on Powder", that kind of sadness and sadness suddenly overflowed beyond words. So, does the poet not want to express his thoughts and feelings? Obviously not. So after I finished the roll, I went back to think about it. The autumn wind rustled into the courtyard, and the sound was close at hand. The poet heard it, and others heard it, of course, but why did he say it was "the first guest to hear it"? Obviously, "lonely travelers" are more sensitive to the changes of surrounding environment and seasonal phenology than others. As Tang Ruxun said: "The heart of a lone traveler knows that autumn has not wavered, so it is the first to smell. (Interpretation of Tang Poems) "In this way, only lonely travelers who are worried about traveling and homesick will be sensitive to" smelling first ",then the autumn sound of" Sha Xiao "will make lonely travelers feel sad and ecstatic. You see, these strong thoughts and feelings are quietly hidden in the plain language of the conclusion sentence. No wonder Zhong Xing commented on this poem: "Don't say' I can't smell it', but say' I smelled it first', and the meaning will be profound ('The Return of Tang Poetry')".
Li Bai, who advocates that writing poems should be frank and plain, is a master who is good at being plain and natural. Reading Li Bai's five-character quatrains, you will feel as natural as bathing in the breeze, touching the morning dew, taking a leisurely walk and listening to the birds in the forest. The poem "Thinking about a Quiet Night" is the first of the top ten Tang poems because it is simple and natural:
The foot of my bed is shining so brightly. Is there frost already?
I looked up at the moon and looked down, feeling nostalgic.
This little poem is fresh and simple, and the four sentences are all spoken words: the moon is as white as frost, the night is quiet and the autumn is cool, and you wake up after a short dream, which unconsciously touches the feelings of travel and silently misses your hometown after a long separation.
It's easy to start a sentence, but it's easy to end it. The whole poem is clear and touching. It is simple in content, but rich in emotion; Everyone can understand it, but not ordinary people can appreciate it. Yu Yue said in "A Brief Talk on the Lake Building" that "feelings are expressed by ruthlessness, but if you have no intention of freehand brushwork", which is the beauty of this poem. It is also Hu Yinglin's so-called "natural" work (poem number. Inner volume 6). No wonder netizens say that this poem has been integrated into the bone marrow of the Chinese nation for thousands of years, so that repeated use of words such as "looking up" and "bowing down" does not care about the influence of the leveling law.
In the quatrains of the Song Dynasty, this technique of summarizing sentences in plain language was also widely used.
Look at Wang Yucheng's Qingming Festival:
I have lived in Tomb-Sweeping Day without flowers and wine. Like a monk in a temple, everything is depressing and lonely for me.
Yesterday, I discussed new kindling from my neighbor's house, and early in Tomb-Sweeping Day, I lit in front of the window and sat down to study.
This poem comes straight to the point, starting with the theme, using the latter sentence to express discussion, supplementing the plot of the third sentence "begging for fire", ending with the fun of private prosecution, and the language is plain and affectionate.
Look at Han Wei's "Zhanjiang Pavilion Begonia";
I have been to Shujiangtou this year and have been fascinated for decades.
Today, seeing the color of the column, the dream soul no longer crosses Xizhou.
This poem is a poem that eulogizes Haitang, but it is a sentimental love poem when we read it carefully: the poet once had a crush on a beautiful woman, but he has been attached to himself for decades. Today, he doesn't want to see another woman with similar appearance, but he arouses deep love for a while, but his youth has gone, and his love has been lost. What about his sincere love? At the end of the sentence, "Dream Soul Farewell to Xizhou" contains melancholy and sadness, which means that the dream is over.
Modern poetry is good at ending with simple words, with a calm tone and deep feelings hidden in the poem, which is very common. People who generally like modern poetry are proficient in this way. Here are a few examples.
Zhou Duwen, a Hunan poet, wrote a quatrain "Study":
On Sunday, Yin Jian and Jian Zheng, the phoenix window lamp was clipped.
Who can get rid of an old love? Cloth socks are blue for thirty years.
Annotate ancient poems, write appreciation words, and occasionally sing a few songs to ease your temperament and light up the chicken window. Every day, this lonely and boring study life lasts for 30 years, and those who are willing to sit on this bench are usually people with great realm. This poem is a confession of literati's mind and poet's temperament, but it ends with a plain "Thirty Years of Blue Socks", and the emotion is deeply hidden in the words without emotion, which is quite intriguing after reading.
Jiangxi poet Xiong Shengyuan has a quatrain "Feeling from Singing".
Its poem says:
The sword shadow has taken second place, and the cuckoo sounds like a river of sadness and tears.
Who knows that the four seas inherit weekdays and listen to quotations and songs of the year.
Song Dynasty was a special social phenomenon that swept China during the Cultural Revolution. It will be more difficult for people who have not experienced that historical period to understand this poem, because they must understand what it feels like to "sword and knife light" and "tears flow into a river", not to mention that history has not been comprehensively combed, thoroughly reflected and fairly judged. But in the name of "rebellion", shouting slogans, wearing hats, waving sticks, moving knives, destroying traditional culture and hurting innocent people, that is the cultural catastrophe that the Red Sea submerged everything. Quotations and songs represent a crazy era of losing justice, rationality and humanity. Therefore, the end of this poem, seemingly dull and seemingly unmoved, actually hides the poet's strong indignation and deep anxiety.
Hunan poet Xiong Jian wrote a quatrain "Transplanting" during the Cultural Revolution. Due to the atmosphere of his time and his own difficulties, this poem is simple and plain, and the sentences are particularly expressionless.
Its poem says:
I'm full. Now it's good to transplant rice seedlings. Half a basin of horse material is for human consumption.
The old lady added brocade to the flowers and three snails made a bowl of soup.
Note: ① 1970, the production team asked for some bean cakes for horses as rations to support rice transplanting.
This poem was written by the author during the "labor reform" in Yuanjiang, Hunan Province, and it is a wonderful microcosm of the specific life scene in that particular era. "Horse is expected to feed people", and only those who have experienced that particular era and tragic experience can appreciate the suffering. This "snail soup" is the most delicious and mouth-watering dish compared with "horse being eaten by people". This prosaic poem with a conclusion seems to be permeated with a hint of happy life, which makes people feel that the poet is very optimistic about life. In fact, if you carefully taste it, you can feel a kind of sadness and resentment hidden between the lines. Originally, I wrote my mourning with a musical pen. But literally without a trace of sadness and resentment, it is the most ingenious implicit pen.
(12) Sketch the image for the waiter to taste:
Sometimes, at the end of a quatrain, the poet draws a specific image or depicts a specific detail with a simple painting method, leaving it to the readers to appreciate and taste, and the poet's hidden feelings also depend on the readers' understanding in appreciation and taste. This ending technique is simple drawing.
Look at Yuan Zhen's palace:
In the empty and desolate old palace, there is only the lonely brilliant red of Hua Gong.
Several white-haired footmen were sitting around talking about the emperor of the Tang Dynasty.
? This poem begins with the desolation of the palace, and only lonely palace flowers and white-haired ladies are seen. The times are changing, the past is unbearable, and the sad atmosphere is coming. Naturally, perhaps, the poet will use the scenery to express his feelings. Unexpectedly, the sentence only depicts the action of the maid-in-waiting "Xuanzong" and ends. What did the maids say about Xuanzong? The poet kept his mouth shut, but deliberately let the readers taste and think for themselves. "Debating Xuanzong's grand occasion" and "saying" are the key words. Only one word "Shuo" already contains infinity, and ups and downs and homesickness are included in it, which is alarming. It can be seen that instead of discussing, it is better to tie a knot with line drawing. Without discussing or expressing feelings, it can also be dim and moving.
Look at Liu Yuxi's Happy Spring Poetry again;
It's a good day to make up the new Red Mansion and have a deep garden.
Go to the atrium to count the flowers, and the dragonfly flies to Yutou.
This poem describes a young woman's lonely and sad thoughts in a beautiful spring, and ends with a simple painting technique, depicting the details of a flying dragonfly standing on the hairpin of the young woman's well-dressed hairstyle. The subtext is that the young woman was lost in thought when she saw the flowers, and even dragonflies flew wildly over her head, especially without noticing. It can be seen that it is quite interesting to end with details.
Song quatrains often end with this line drawing technique.
For example, Kong's Wo Shu:
The west wind, blowing across the plain, brings the fragrance of millet; In spring, splashing into the ditch, the threshing floor is a busy one.
Only it-the old cow who worked hard for a year, fallow on the hillside, chewing grass and bathing in the golden sunset.
The image of the sentence is an old cow, lying on the hillside in the sunset after plowing, chewing grass. Is that a cow? Yes, but it's also the poet's sustenance. Interesting.
Zhang Shunmin also wrote a four-line poem "Village Residence", which can be painted as a picture of grazing in the evening:
Water around the bamboo field hedges, elm money falls, hibiscus sparse.
As the sun sets, there is no cowboy riding on the back of the cow, only a pair of crows wandering on the village road.
The image of the sentence is also a cow. A crow perches on the back of the cow and returns with it. "Cattle bring western Western jackdaw" means that this kind of disharmony cooperation has become the helpless destination of cattle, bringing out a kind of information that can only be left to nature, and this ending also contains a kind of indifference and melancholy.
Let's take a look at the excellent works of several contemporary poets, all of which are enclosed by sketched images.
Hebei poet Wei Xinhe has a quatrain "Song of the West Lake", which reads:
Looking at the Twelve Bridges of West Lake, Qianjiang River is only higher than the treetops.
There is no fixed grade in the world, and the sawdust slowly reaches my waist.
This is a travel poem. The author of this poem has a brief description: from the tiger to the Jade Emperor Mountain, trees wither and leaves fall all over the path. The tops of the left West Lake and the right Qianjiang River are all above the treetops, and the surrounding peaks are at the bottom of the sleeves. In fact, this passage is the scene of this poem, and you don't have to write it. The treetops are higher than the top of the mountain, and the West Lake and Qianjiang River are higher than the treetops, which is a strange phenomenon caused by the perspective and position.
The poet connected this strange scene with things in the world and felt a lot, so he said the original idea of "there is no fixed position in the world", which needs to be discussed and brought out his feelings. Unexpectedly, the cunning poet stopped talking, and only used a brush to draw a picture of the treetops reaching "my waist". All the emotions were hidden in this picture. The poet's discoveries and opinions come from the scenery in front of him. It is a clever way of writing to guide readers to observe themselves without exhaustive discussion, so as to understand the author's ideological realm.
Han Shengli, a Jiangsu poet, has a quatrain praising farmers for taking time out to study at night schools in technical schools in order to master new agricultural technologies.
The title of the book is "Farmers' Technical School", and the poem says:
The new moon is shy, and the peasant technical school is brilliant at night.
Gillian came back late from selling vegetables and came into the classroom with a mouthful of steamed bread.
A mouthful of steamed bread into the classroom is also a simple description. The image of a rural woman eager to learn is vividly on the paper. Through the rendering of this image, the poet also expressed his appreciation and praise for the new rural fashion, and his true feelings were hidden between the lines.
Jiang Changdian, a Hunan poet, has a quatrain "A Scene of a Peasant", which is also good at capturing the brand-new atmosphere with the characteristics of the times in real life.
Its poem says:
There are new worries about returning to the old face, but there are no eaves in the colorful building.
Three times around the beam, the hoe basket is still hanging on the powder wall.
This poem describes the changes in the current peasant family. With the rise of urbanization and the improvement of economic living conditions, farmers bid farewell to the scattered and solitary living environment in the past, changed from stone houses to simple bungalows, and moved towards urbanization, intensification, levelization and buildings. Some farmers turn to run enterprises, run transportation, go out to work, and hand over their cultivated land to professional farmers for cultivation. These farmers who are no longer engaged in agriculture hung up their hoes, washed their hands and feet and moved into new houses. This kind of sight, this kind of change, I believe that people who often walk in the countryside can see it. It is this new fashion that people turn a blind eye to and is focused by the poet's keen eyes, so he wrote a masterpiece. Carefully consider this quatrain, and the ingenious idea lies in the end of the sentence. "There is a hoe basket hanging on the powder wall" is also a sketch scene. With this picture, all feelings and surprises can be saved.
I wrote a quatrain like this last year.
Four unique mothers (new rhyme)
Chai Men, leaning on crutches, was looking forward to his son's return, his face turned white and his hair was messed up by the wind.
Cold clothes shadow sad night, slowly turned gray.
Among them, everyone's taste is slow.
Time, that's all for today's class. Good night, everyone
20 17-08-0 1? Butterfly dance arrangement