Ding Qian's artistic achievements.

In recent years, the name Ding Qian is very famous in the China book circle, which can be seen from his many awards in international and domestic calligraphy competitions and his frequent appearances in newspapers, magazines, radio and television. His works have been exhibited or collected in Japanese, Thai, Singaporean, American, Hongkong and Taiwan Province provinces, and engraved in the forest of steles such as Yellow River and Wei Zi. He has published dozens of Copybook for calligraphy, held personal calligraphy exhibitions, and wrote inscriptions or mastheads for many hotels, newspapers and books. His name and works have been included in Who's Who of Contemporary Art in China, Who's Who of the World and Calligraphers' Directory of Past Dynasties in China. Every day, he receives letters from all over the country, including elderly people over 80 years old, children under 7 years old and disabled people.

After he became famous in the book world, he did not indulge in his own glory, but devoted himself to popularizing the art of popular calligraphy to the maximum extent, striving to make more people take fewer detours and enter the hall of calligraphy art as soon as possible. Since the 1990s, he and some comrades-in-arms have jointly initiated and organized the National Calligraphy Art Competition to commemorate the 70th anniversary of the founding of the People's Republic of China, the China Contemporary Culture Exhibition to commemorate Mao Zedong's birthday100th anniversary, the Calligraphy Art Exhibition for the 45th anniversary of the founding of the People's Republic of China, and the First China Calligraphy and Painting Artists Art Exhibition for 2 1 20th century, and so on10th times. Organized and compiled a series of calligraphy and painting art books, such as 20th Century China Calligraphy and Painting Art, China Calligrapher's Art Ceremony and China Hard Pen Calligraphy Encyclopedia. He teaches in the army, schools and factories, writes for newspapers, magazines and radio stations, donates books and writes for retired cadres, remote mountainous areas and poor schools, and tries his best to take time to reply to letters from all over the country. He worked tirelessly for the art of calligraphy.

He often tells his friends who study with him: don't practice calligraphy for the sake of practicing calligraphy. People who study should be eclectic and read more books such as literature, history and philosophy. Otherwise, they will lack the traditional culture of China, and what they write will be thin and not deeply rooted in people's hearts. To this end, he practiced and read widely, and extensively dabbled in the biographies and historical records of Tang poetry and Song poetry, Laozi, Confucius and various celebrities at home and abroad. Not only that, he also made an analogy, dabbled in sister art extensively, and wrote novels, poems, reportage and cross talk. His poem "I-the Character of a China Youth" is "my favorite" on the front page of Youth Digest magazine. Because of this, the words he wrote are always full of strong cultural sense and literary popularity, and always full of something profound and high-spirited.