Liang Wen is near Nanfeng, and his poems are light and beautiful. He is also good at calligraphy. Wu Xiu, a Qing Dynasty man, called it "a poem" in Zhao Ji Yu Zhuan. Li mentioned Liang's calligraphy in A Brief Introduction to the State Dynasty: "Liu Chenggong (Liu Gongquan) was the first to learn public calligraphy, followed by Zhao () and Yan (Zhenqing) and Li (Beihai)." Wang Chang, a Qing Dynasty man, commented on Liang's calligraphy in the Collection of Spring Rongtang: "As the saying goes, it is appropriate for the son of heaven to write big characters for the inscription in the upper study, and the ministers stand upright and wait for it. The son of heaven ordered the book to be printed on the sleeve, and he also ordered it to be dragged." It is also said that Liang and Zhang Zhaozeng were couplets in Qianlong period, and Chenghailou couplets. "Poetry Talk" praised Liang's poems as "majestic, elegant and graceful, natural and harmonious, and both emotion and writing are wonderful. Experts are bitter. " "Male (beam) wins with stability. A fast rider is good at everything. "
Liang has been engaged in the compilation of official studies for a long time. Qianlong fifteen years, specializing in "The Collection of King James Ye Yun" ten volumes. Sixteen years after Qianlong, I majored in Xiqing Gu Jian with 40 volumes and attached Qian Lu with 16 volumes. Follow-up "Xiqing Xu Jian" Part II, each with 20 volumes. In the seventeenth year of Qianlong, he was ordered to compile fifteen volumes of records of the west lake, and also participated in the compilation of Shi Qu Bao Ji and Zhu Lin Secret Hall. In addition, Liang also intends to make peace with Emperor Qianlong's poem, "The imperial system is too liquid, and you can't play Yuan Yun".