Shan Guodong, who graduated from the Fine Arts Department of Zhangye Teachers College in 1992, began to work as an art teacher. After resigning in 1994 and settling in Beijing, he began to create oil paintings. In 1997, his oil paintings "Sky in the West" and "Scenery" were collected by a private museum in the United States. In 22, many works of "Scenery Series" were privately collected by the United States. In 22, he donated works to an auction for leukemia children. In 23, Landscape was kept in private by local leaders; in 23, he participated in China Oil Painting Invitational Exhibition; in 23, he donated works for Wenchuan Earthquake Charity Sale; in 24, Landscape-Spring was collected by a national leader; in 24, he participated in the China Contemporary Painting Exhibition held in Venezuela for the 3th anniversary of the establishment of diplomatic relations between China and Venezuela; in 26, Hà Thu won the West Hope Dunhuang Gansu Art Exhibition. In 26, he participated in the Press Conference of Opening the Painting and Calligraphy Channel and the Exhibition of Painting and Calligraphy Channel, which was held in China Art Museum. His work Early Spring won the Excellence Award and was collected by the Painting and Calligraphy Channel. In 27, Great Wall participated in the Art Exhibition to Celebrate the 8th Anniversary of the Founding of the China People's Liberation Army, and in the same year, Great Wall and Red Yanhe participated in the 2th New Works Exhibition. He participated in the National Exhibition of Fine Arts and Calligraphy, the 7th anniversary of the founding of National Defense University, and launched the First Oil Painting Exhibition of the Ninth Painting School in 28. In 29, "Old Man" and "Looking Back" participated in the exhibition of artists' works in Chengxian County, Beijing, sponsored by Beijing Painting Academy; in 28, they planned the National Invitational Exhibition of Famous Flower and Bird Painters to Commemorate the Centenary of Guo Weiqu's Birthday; in 28, they planned the exhibition of teachers and students in Wang Mingming Studio; in 29, the girl on the Plateau participated in the 11th exhibition. In May, 21, he went to French art inspection with Yang Feiyun, Dean of China Oil Painting Institute, and in August, 21, he went to Russian sketch inspection with Yang Feiyun, Dean of China Oil Painting Institute and Chen Danqing. In 21, he planned the 21 Invitation Exhibition of China Oil Paintings, in 211, the Inheritance and Development-Invitation Exhibition of China Famous Oil Paintings, in 212, he participated in the planning of "Harmony with My Heart"-Mo Xiaosong Fine-brush Flower and Bird Painting Exhibition, and in 212, he planned the "Rising China Oil Paintings"-Shenzhen First Invitation Exhibition of Contemporary Famous China Oil Paintings.
In p>27, The Red Landscape was collected by the national ministries and commissions. In 211, it held the exhibition of oil paintings by Shan Guodong, participated in the exhibition of ten people in Gansu in 212, participated in the activity of "Song Zhuang artists painting Longnan" in 212, and planned and participated in the "Rising China Oil Paintings"-the first invitation exhibition of contemporary China oil paintings in Shenzhen.
since p>25, all the works have been loved and collected by the government, institutions, banks, private collectors and collectors in the United States, Britain and other countries. He is currently a member of China Artists Association, a national first-class artist, vice president of Shandong Weifang Lijing Painting Institute, executive director of Beijing Guanzi China Fine brushwork Flower and Bird Painting Institute, vice chairman of Dingxi Artists Association, member of Dingxi CPPCC and member of Beijing Oil Painting Society.
The works have always shown the western customs, especially the life of the Tibetan people. The works mainly reflect the joyful, quiet and peaceful life pictures. In recent years, many large-scale landscape and customs oil paintings have been created, showing the understanding of nature and the interpretation of beauty. They have their own unique language and expressive force in the creation of large-scale oil paintings. Advocating realism and aestheticism in painting concept, advocating learning from European oil painting masters, studying pure oil painting language and techniques, and expressing artistic works with artists' own unique aesthetics.