I paid attention to the official account of Mo Chi WeChat and his calligraphy lecture hall. It was accidental and inevitable to listen to a calligraphy class through sharing and a dollar.
Let's look at the notes first:
Zhao Mengfu said in "Thirteen Prefaces to Lanting Collection"-
The ancient pen, also called twister pen, is a kind of seal script. It hides its head and protects its tail, and its center is awkward. Mainly based on torsion.
This method uses pens (fonts, lines, cursive scripts) to cut diagonally along the front, and the middle edges are mutually used.
Sun is the best inheritor of the brushwork of the two kings. Let's look at Pu Shu's brushstrokes-beginning, walking and ending.
Forward (potential), back (potential) or exposed front and hidden front.
The front is bright and the front is dark. Unlike the round pen, Fang Bi started Eton College again. Fang is like Wei, man, and line, and the round pen is like Yu, Gu, and Jude.
Contrarian trends are divided into positive trends and negative trends such as grass and beauty, and negative trends such as if and not if.
It has a center and sides. The former has a strong sense of volume and three-dimensional sense, that is, high, straight, round and full, as above. The latter needs greater efforts to write on paper, otherwise it will not be written well. For example, less and so on.
Back to the front like a pool, confused, out of the front like a line, come again, lead the pen out of the front, the action is slightly faster and cleaner.
There are very classic words about making and turning in the book spectrum.
Square folding and circular turning:
The square fold is due to the lateral front. Square, refreshing and powerful, with soft curves.
When writing a square fold, when the direction changes, that is, when folding in front, the action should be fast, not sloppy and not soft. You can even pick up a pen and cut it, like two strokes without breaking it!
The stroke itself is arc-shaped, so it must be real, not imaginary. The tension wire is arc-shaped, mainly virtual or real.
It seems that the big characters are necessary, and it doesn't matter whether the small characters have this action or not, just by the wrist, so there is no need to generalize.
In a word, the true beauty of calligraphy, the quintessence of China culture, is to draw inferences from others. There are changes in unity and unity in change!
Attached:
One: Pictures and videos can't be compared with words one by one (recorded and sorted out), so they are all here.