1. Appreciate four-character words in cursive calligraphy
Dragon and phoenix dancing
The close meaning is free and unrestrained
The original meaning is to describe the winding of the mountain. "Majestic and majestic" later also described the calligraphy strokes as powerful and flexible.
Source: Song Dynasty Su Shi's "Biaozhongguan Stele": "On the mountain of Tianmu, the sweet water flows out, and the dragons and phoenixes dance, gathering in Lin'an."
Example: Look up and see the hanging on the north wall Four large screens, written in cursive script, are amazing. (Chapter 9 of Liu E's "Lao Can's Travels" in the Qing Dynasty)
The pen moves the dragon and the snake
The literal meaning is the dragon flying and the phoenix dances, the word moves the dragon and the snake
The definition describes calligraphy as vivid and powerful.
Source from Tang Dynasty Li Bai's "Cursive Script Song": "From time to time, only dragons and snakes are seen walking away, left and right are frowning and shocked."
Use case The scholar Xiao Wangbin has a brocade hidden in his chest. ~. (Ming Dynasty Ling Shuchu's "The First Carving of the Case and the Surprise" Volume 20) 2. A complete collection of four-character calligraphy idioms
The dragon and snake at the bottom of the pen are still said to be the dragon and snake at the bottom of the pen. Calligraphy is described as vivid and powerful.
Source: Chapter 31 of "Jin Ping Mei Ci Hua" written by Lanling Xiaoxiaosheng of the Ming Dynasty: "Wen Gong is erudite and has extensive records, and his writings are about dragons and snakes. He is a true genius."
The pen moves like a dragon and a snake describes calligraphy as vivid and powerful.
Source: Tang Dynasty Li Bai's "Cursive Script Song": "From time to time, only dragons and snakes are seen walking away, left and right are frowning and shocked."
Silkworm head and swallow tail describe the dignified start of calligraphy. The writing is mild.
Source: Song Dynasty Zhao Ji's "Xuanhe Painting Book·Yan Zhenqing" "But he is loyal to the day and has knowledge of the world, so his spirit can be seen in the expression of calligraphy and ink, which is unique and inclusive. ... Later secular studies , I am looking for the end of its shape, so I call it a silkworm head and a swallow tail, and I just got it. "
Calm, happy, strong and fluent, vigorous and hearty. Describe poetry and calligraphy as vigorous and fluent.
Source: Volume 1 of "Yao Lu" of the Southern Dynasties and Song Dynasty quoted Yang Xin's "Able to Write Names of People from Ancient Times": "The emperor of Wu people can make grass like an elephant, and he is known as calm and happy."
Calm, happy, strong and fluent, vigorous and hearty. Describe poetry and calligraphy as vigorous and fluent.
Source: Song Dynasty Yan Yu's "Canglang Poetry Talk·Poetry Debate": "There are probably two types of them, namely, leisurely travel without urgency, and calm and happy life."
Fengjin Duolifeng : plump, plump; tendons: tendons or ligaments on bones; many: redundant. Calligraphy has muscles and bones, and the writing force is strong. It means that the font structure is solid and plump, and the writing power is strong.
Source: "Xuanhe Shupu" by Anonymous of the Song Dynasty: "At the beginning of the Three Kingdoms, calligraphy was not taught at all, so Yao became a family method, and some commentators said that it had abundant muscles and strength, and was able to travel in the clouds and rain. Sudden trend. ”
Feng Boluan drifts, moored: drifting with the current. It originally described the calligraphy style as free and elegant, but later it was used as a metaphor for a couple being separated or a writer being frustrated.
Source: Tang Dynasty Han Yu's poem "Xunji Mountain": "Ke Douquan's body is covered with sage, and the luan is floating on the phoenix and holding the tiger and chi."
The phoenix dances and the dragon flies to describe calligraphy. The writing style is strong and flexible.
Source: Chapter 10 of "The Biography of Heroes of Sons and Daughters": "This calligraphy can also be written in such a way that the phoenix dances and the dragon flies. It is really admirable."
Feng Zhuluan returns to Zhu. : Goofy. It is a metaphor for the flying and stretching of calligraphy strokes.
Source: Lu Ji's "Fu Yun Fu" of Jin Dynasty: "Luans soar and phoenixes fly, cranes fly in fear, whale salamanders trace the waves, sharks and crocodiles rush along the road."
Ancient and modern times The different styles of calligraphy are metaphorical.
Source: Volume 2 of "Calligraphy Essentials" by Zhang Yuanyan of the Tang Dynasty: "Impermanence is called fatness in ancient times, and Zijing is called barrenness today. Both ancient and modern times are different, but fatness and thinness are quite opposite."
Crane's knees and wasp's waist ① This refers to two of the eight diseases of poetry's rhythm. Generally refers to the mistakes made in the rhythm of poetry. ②Two kinds of diseased pens in calligraphy.
Source: Song Dynasty Wei Qingzhi's "Poet's Jade Chips·Poetry Diseases·Eight Diseases of Poetry": "The third is called wasp's waist, the second word must not sound the same as the fifth word...the fourth is called crane's knees, the fourth is called "Crane's Knees" The five characters cannot have the same sound as the fifteenth character. "
Hu Fei Zhong Shou Hu: Hu Zhao during the Three Kingdoms period; Zhong: Zhong Yao during the Three Kingdoms period. Hu Zhao's font is fat, while Zhong Yao's font is thin. Each person is good at describing calligraphy in its own way.
Source: Tang Dynasty Zhang Yanyuan's "Book of Laws": "Liu Desheng in the Wei Dynasty of the Three Kingdoms was named Junsi, and he was famous for his running script. Hu Zhao and Zhong Yao also learned from his method. The Hu style was fat, and the Zhong style was Thin, each has its own beauty."
The calligrapher's method of painting with sand seal clay is a metaphor.
Source: "On Calligraphy" by Chu Suiliang of the Tang Dynasty: "The pen should be like a cone to draw sand, like sand and clay."
Painting worm graffiti describes poor calligraphy or writing. Often used as a word of modesty.
Source: Ming Dynasty and Song Lian's "Preface to Han Bo in Kuaiji": "Gu Yu is not sensitive and practices useless learning. He only writes empty words to meet the needs of the times, draws graffiti, and has no time to give." 3 . A collection of four-character calligraphy idioms
The pen moves like a dragon and a snake, the Yan muscles and willow bones, the iron painting and the silver hook, the power penetrates the back of the paper, and the brush moves freely bǐ zǒu lóng shé Definition: Describes the calligraphy that is very beautiful and skillful Yan Jin and Liu Gu yán jīn liǔ gǔ Definition: Yan: Yan Zhenqing, a calligrapher of the Tang Dynasty; Liu: Liu Gongquan, a calligrapher of the Tang Dynasty.
It means that the calligraphy of the Yan and Liu families is strong and powerful, but their styles are different. Also generally known as excellent calligraphy.
Iron Painting and Silver Hook tiě huà yín gōu Definition: Describes the strength and softness of calligraphy that penetrates the back of the paper lì tòu zhǐ bèi Definition: Describes the strength and power of calligraphy, and the strokes almost penetrate to the back of the paper. It also describes poems with profound ideas and concise words.
huī sǎ zì rú Definition: describes painting, writing, composing, being able to use the pen as one pleases. 4. Four-character idioms to describe calligraphy works
Hello, I have written a few four-character idioms for you, please go and take a look
Sweep the army Describes poetry, calligraphy, etc. as grand and powerful
Bi Zonglong Snake describes calligraphy as vivid and powerful.
Silkworm head and swallow tail describes calligraphy that starts with a dignified stroke and ends with a light stroke.
Fengjinduoli means that the font structure is solid and plump, and the writing power is strong.
As powerful as a frightening dragon, often used to describe the vigorous calligraphy strokes, or the graceful dancing posture.
The power of penetrating through the back of the paper describes the strong and powerful calligraphy, and the tip of the brush almost penetrates to the back of the paper.
Penetrating into the wood, describing calligraphy as extremely powerful. Nowadays, the problem of multi-metaphor analysis is very profound.
Iron painting and silver hook describe calligraphy as strong and soft.
Fairy Pearl describes the calligraphy as elegant and round. 5. Four-character idioms about calligraphy
The pen is full of ink: the pen and ink are used very freely and fully. It mostly describes calligraphy and poetry as smooth and vigorous. The pen moves the dragon and the snake: The pen depicts the dragon and the snake leaping. Describes the calligraphy style as vigorous and free-spirited. He also writes on behalf of the commander.
First written about Huang Ting: Huang Ting: Taoist classic "Huang Ting Jing", Jin people have "Huang Ting Jing" small regular script calligraphy. In old times, when commenting on calligraphy, there was an idiom: "The first time I wrote about Huang Ting, it was just right." Later it was used as a metaphor for doing things just right.
Spring earthworm and autumn snake: a metaphor for poor calligraphy, as crooked as the tracks of earthworms in spring and snakes in autumn.
The sword was at war: the sword was drawn from its sheath, and the bow was opened. Describes a situation that is tense and on the verge of breaking out. Later, it was also used as a metaphor for calligraphy to be vigorous and powerful.
Example: Zuo Qiuming wrote a biography of "Spring and Autumn" and summarized the calligraphy of "Spring and Autumn" into several categories and gave a general explanation. Later, the style of classifying and exemplifying a book was called "example and enlightenment". See "Fanfan Jiexi". Powerful and penetrating the back of the paper: It originally refers to the strong and powerful calligraphy, but now it is also used to describe the vivid, profound and powerful poetry.
Dragon flying and phoenix dancing: Like a flying dragon, flying like a phoenix. The original description is unrestrained and majestic. Nowadays, calligraphy is often described as lively, flexible and skillful writing, and also describes the lifelike dragon and phoenix sculpture art.
Flying dragon and snake: describes the vigorous and vivid calligraphy strokes. Su Shi's "Xijiang Moon? Pingshan Hall" lyrics: "I haven't seen the old immortal for ten years, and dragons and snakes are flying on the wall."
Luan Piao Feng Bo: Luan: a legendary bird like the phoenix. It turns out that calligraphy is described as free and unrestrained. It is also a metaphor for the separation of husband and wife among advanced students.
Luan Xiang Feng Zhu: Zhu: Flying high. It is a metaphor for the flying gesture of calligraphy strokes.
Beauty Hairpin: Describes the beauty and beauty in calligraphy or poetry style.
Penetrating three-thirds of the wood: It originally described the power of calligraphy (it is said that when Wang Xizhi of Jin Dynasty wrote on the wooden board, the ink penetrated three-thirds of the wood into the wood), now it mostly describes the profound and powerful force of analysis, description and discussion.
Iron painting and silver hook: painting: strokes; hook: hook. The calligraphy is described as strong and beautiful. 6. A collection of 4-character calligraphy idioms
Falling from the peak, changing the style, embodying the meaning in the middle, powerful and vigorous, well-proportioned, elegant and charming, thundering, hard, soft and clumsy, flowing and smooth, dragon and tiger Shock, change of ideas, elegant and elegant, dignified and elegant, powerful and bold, concise writing, wrapped in iron, round and smooth, natural, delicate and rich, leaning on the side and elegant, beautiful and clear, natural and interesting, thick and strong, simple and honest Vigorous, sinister, powerful, powerful, rich in the strengths of others, timeless and handsome, frank and simple, majestic, powerful, flying, vivid, profound, agile and flowing, powerful as a dragon, majestic. , completely natural, gorgeous and natural, thousands of miles of clouds, self-made natural interest, pleasing to the eye, majestic, graceful and generous, beautiful style, majestic, smooth, simple and graceful, vigorous and powerful, fresh and straightforward, tight structure, straight and strong, Excellent works handed down from generation to generation, natural stretch, vigorous and vigorous, flowing clouds and flowing water, skillful brushwork, smooth charm, unrestrained and elegant, peaceful and smooth, iron painting with silver hook, lifelike, round and smooth, simple and peaceful, free and easy, strong muscles and bones, tight and relaxed, The pen is strong, retractable and retractable, smart and delicate, hearty and unrestrained, charming and strong, beautiful in structure, unique in personality, tight and steep, handsome and elegant, three points dense and plump, rich and graceful, smart and unrestrained, the pen moves like a dragon and a snake, Soft yet strong, strong and simple, powerful through the paper backing, dignified and simple, round and round, strong and powerful, hearty, free and unrestrained, smooth and subtle, strong and upright, steep and sparse, combining hard and soft, and created by foreign teachers. 7. Is there any 4-character word that describes good calligraphy?
Calligraphy: The pen is vigorous and the ink is full: The pen and ink are used very freely and fully. It is mostly used to describe calligraphy and poetry that are vigorous and vigorous.\x0dThe pen is full of dragons and snakes: The pen is like a dragon and a snake leaping. It describes the calligraphy strokes as vigorous and free and easy. It also represents the command of writing.\x0dThe first writing of Huang Ting: Huang Ting: Taoist classic "Huang Ting Jing", Jin people have "Huang Ting Jing" small regular script calligraphy. In old comments on calligraphy, there is "first writing" "Huang Ting, just right" is an idiom. It was later used to describe doing things just right. \x0d Spring earthworm and autumn snake: a metaphor for poor calligraphy, as curved as the traces of earthworms in spring and snakes in autumn. \x0d At stake: The sword is *** from its sheath. , the bow is also opened. It describes a situation that is tense and about to explode. Later, it is also a metaphor for calligraphy that is vigorous and powerful.\x0dExample: Zuo Qiuming wrote a biography of "Chun Qiu" and summarized the calligraphy of "Chun Qiu" into several categories and examples. A general explanation. Later, it is called a classification example to illustrate the style of a book as "exemplify the style of the book". See "make examples of the world". \x0dStrongly penetrates the back of the paper: originally refers to the powerful calligraphy, now it is also used to describe the vivid and profound poetry. Powerful.\x0dDragon flying and phoenix dancing: Like a flying dragon, like a flying phoenix. The original description is unrestrained and majestic. Nowadays, it mostly describes the lively calligraphy strokes, flexible and skillful writing, and also describes the lifelike dragon and phoenix sculpture art.\x0dDragon and snake flying: Describes calligraphy The writing style is vigorous and vivid. Su Shi's "Xijiang Moon? Pingshan Hall" lyrics: "I haven't seen the old immortal in ten years, and dragons and snakes are flying on the wall." Describes calligraphy as free and unrestrained. It can also be used as a metaphor for the separation of husband and wife of advanced students. \x0d Luan Xiang Feng Zhu: Zhu: Flying high in the sky. It is a metaphor for the flying posture of calligraphy strokes. \x0d Beautiful hairpin: describes the style of calligraphy or poetry. The beauty is beautiful and colorful.\x0dpenetrating into the wood three-thirds: the original description is that the calligraphy pen is strong (it is said that when Wang Xizhi of Jin Dynasty wrote on the wooden board, the ink penetrated into the wooden board three-thirds deep), now it mainly describes the profound and powerful analysis, description, and discussion.\x0dIron painting silver hook: Hua: strokes; hook: hook. Describes calligraphy as strong and beautiful.
8. What are the four-character idioms in calligraphy works
Sweep the army, the pen moves the dragon and the snake, the silkworm head and the swallow tail, the strong muscles and the strong strength, the iron painted silver hook, the fairy dew pearl, the quiet and far-reaching, the vivid charm, Powerful and unrestrained, frank and simple, unique in personality, hearty and unrestrained, natural and interesting, embodying tranquility in the center, seeing release in the tightness, masterpieces passed down from generation to generation, handsome and elegant, gorgeous and natural, smooth and subtle, elegant and graceful, dignified and simple, dignified and elegant, Fresh and straightforward, steep and sparse, thunderous, mighty and powerful, vigorous and vigorous, strong, soft and clumsy, round and smooth, well-equipped, self-contained and natural, well-proportioned, flexible, beautiful and sparse, compact and steep, Leaning sidely and graceful, free and elegant, straight and strong, strong and powerful, vigorous and powerful, compact structure, flying dragons and phoenixes, graceful style, pen moves like a dragon and snake, as powerful as a startling dragon, pen force is strong, pen power is dangerous, dangerous momentum, strong and straight, Penetrate the back of the paper, penetrate the wood into three parts, combine hard and soft, have a smooth expression, be concise, skillful, smooth, free, hearty, pleasing to the eye, elegant and charming, etc.
Chinese calligraphy is an ancient art. Developed with the development of Chinese civilization. There are only a handful of nations in the world that possess the art of calligraphy. Chinese calligraphy has a long history.
As an artistic creation, calligraphy has profound mysteries. From oracle bone inscriptions and bronze inscriptions, it evolved into large seal script, small seal script, and official script. In the Eastern Han, Wei, and Jin dynasties, cursive script, regular script, running script, and other styles were basically finalized. Calligraphy always exudes the charm of ancient art.
Hui Feng He Chang refers to the gentle wind that makes people feel warm and comfortable.
Dragon flying and phoenix dancing originally described the winding and majestic mountains, and later also described the powerful and flexible calligraphy strokes.
Sweeping thousands of troops describes poetry, calligraphy, etc. that are grand and powerful.
The pen moves like a dragon and snake describes calligraphy that is vivid and powerful.
Silkworm head and swallow tail Describes calligraphy that is dignified in starting strokes and light in finishing.
Fengjinduoli means that the structure of the font is solid and plump, and the writing force is more than strong.
Jiao Ruo Jinglong is often used to describe the strong and vigorous calligraphy strokes. Or dance gracefully
Penetrate through the back of the paper to describe the calligraphy that is strong and powerful, and the strokes of the pen almost penetrate to the back of the paper.
Penetrate into the wood to describe the calligraphy that is very powerful. The problem of multi-metaphor analysis is very profound.
Iron painting and silver hook describe calligraphy as strong and soft.
Immortal dew and pearl describe calligraphy as elegant and round.
Vigorous and powerful describes calligraphy as strong and powerful. 9. Four-character idioms for calligraphy
Dense and plump, rich and graceful, soft yet strong, wrapped in iron, majestic, powerful, thick and strong, majestic, majestic, thundering, mighty dragons and tigers, powerful and vigorous, vigorous and vigorous , rigid, soft and clumsy, round and smooth, well-equipped with muscles and bones, self-contained, well-organized, retractable and relaxed, beautiful and sparse, compact and steep, sideways and graceful, free and easy, straight and strong, strong and powerful, vigorous and powerful, structure Tight, flamboyant, graceful style, the pen moves like a dragon and snake, as powerful as a startling dragon, the pen is powerful, the pen is dangerous, the momentum is steep, the pen is strong and straight, the power penetrates the back of the paper, the wood is penetrating, the combination of hard and soft, the expression is smooth, the pen is simple, the pen is skillful , flowing freely, heartily and heartily, pleasing to the eye, elegant and charming, charming and vigorous, vigorous and powerful, iron painted with silver hooks, meaningful and handsome, beautiful in structure, smart and delicate, delicate and rich, rocks falling from the peak, unrestrained and unrestrained, thousands of miles of clouds, Simple and powerful, natural, simple and graceful, smart and unrestrained, simple and peaceful, peaceful and smooth, graceful and magnanimous, natural stretch, natural, smart and flowing.
Dense and full, rich and graceful, soft yet strong, wrapped in iron, majestic, powerful, thick and strong, majestic, majestic, thunderous, mighty dragon and tiger, powerful and vigorous , vigorous and vigorous, strong, soft and clumsy, round and smooth, well-equipped with muscles and bones, self-contained, well-organized, retractable and retractable, beautiful and sparse, compact and steep, sideways and graceful, free and easy, straight and strong, strong and powerful, vigorous Powerful, compact structure, flying dragons and phoenixes, elegant style, the pen moves like a dragon and snake, as powerful as a startling dragon, the pen is strong, the pen is dangerous, the momentum is steep, the pen is strong and upright, the power penetrates the back of the paper, the wood is penetrating, the combination of hard and soft, the expression is smooth, the pen is simple, The brushwork is skillful, flowing, free, hearty, pleasing to the eye, elegant and charming, charming, vigorous, powerful, iron painting with silver hook, meaningful and handsome, beautiful structure, smart and delicate, delicate and rich, falling from the peak, free and unrestrained, thousands of miles. Formation of clouds, sincere and vigorous, natural, simple and elegant, smart and unrestrained, simple and peaceful, peaceful and smooth, graceful and magnanimous, naturally stretched, natural, smart and flowing, lifelike, flowing and smooth, round and round, round Turn smoothly, be inspired by foreign teachers, learn from others' strengths, have profound skills, be majestic, smooth, strong and simple, changeable in style, change your mind repeatedly, lively in charm, powerful and unrestrained, straightforward, simple, unique, smooth and unrestrained, natural and interesting , embodying tranquility in the center, release in the tightness, masterpieces passed down from generation to generation, handsome and elegant, gorgeous and natural, smooth and subtle, elegant and elegant, dignified and simple, dignified and elegant, fresh and straightforward, steep and clear.