Mid-Autumn Festival stickers are soft and changeable. Wang Xianzhi is a model of writing cursive script in regular script. The techniques of "ups and downs" and "one stroke after another" in regular script are used properly and naturally. In the Qing Dynasty, Bao said in "Nine Questions on Wu An's Essays": "The world knows that the beauty of real books lies in making changes, but they don't know that the beauty of cursive calligraphy lies in stippling, and what this cursive calligraphy has done is not passed down.
Big grass often turns in circles, like fire, with no beginning and no end. But careful exploration of the gameplay, turning around, ups and downs, has become a trend of stippling. "This is reflected in the Mid-Autumn Festival post. Take "Deng" as an example. At the end of the word "Deng", I drew two vertical hooks and dots, wrote them together, and then drew a setback in the circle. After inspection, it is found that the circular part is not round, but consists of several short straight paintings.
"Mid-Autumn Festival Sticker" is tied tightly, and the elasticity and mutual tension of stippling are obviously smaller. Smooth release, return and connection is an important measure for technical consideration. The strokes of this post are all connected, and the connection between "fu" and "bu" is not very smooth; The word "probably not" is a bit restrictive. Worthy of the praise of "unique charm and unique appearance"
2. In terms of using pens:
"Mid-Autumn Post" uses thick ink, turns the pen outward, starts writing or hides the front or side, and emphasizes nature. The strokes of the whole character tend to be plump, but supplemented by a few thin Lian Bi and characters, showing appropriate density and thickness changes.
With a pen flowing gently, in one go, there is the beauty of "a book". Moreover, the Mid-Autumn Post is interspersed with cursive scripts, such as the word "Xiang" in the first line and the word "Sheng" in the second line. When writing, there are fast and slow, when writing, there are diseases and slow, full of rhythm.
Its ink lines are elastic and neatly displayed in thick and thin circles. Words are well matched and care for each other. The brushwork seems to be swift, but in fact it is rich and mellow, charming, elegant, looking forward to deep affection, breaking through bones and muscles, refreshing and harmonious, with a natural change in the easy-going use of ink. Its ups and downs are clear, the pen runs through it, and it is vigorous and imposing, giving the viewer a hearty feeling.
The first six words of the post are connected by strokes, and then there are many breaks, and the situation is good. Looking closely word for word, the words "Mid-Autumn Festival Bo" are connected, and then pause and sweep out the words "Never again" in one breath. The lines are undulating, long and not chaotic, and they are rolled and connected, and the density is good. After "No More", the word "Xiang" is used in regular script, which is dignified, full and serious.
Compared with the other 2 1 words in this post, the word "Xiang" gives people a strange feeling and makes people think. After the word "phase", the pen rushed and chased, and shook back until the end.
3. As far as motivation is concerned:
The whole work of Mid-Autumn Post is magnificent and vigorous, which is more impressive than the implicit, quaint and elegant cursive style in Wang Xizhi's calligraphy works handed down from generation to generation. Compared with Wang Xianzhi's "Duck Head Pill Post" and engraved post "December Post", it is also slightly different.
Especially when I wrote the last word "Jun", the vertical painting extended downward, seemingly unrestrained, but did not persist to the end. It is "Dapeng winds up, long whales spray waves, cliffs fall, and electric shocks." But in this gloom, there is an elegant and clean atmosphere, which reproduces the natural elegant and free-and-easy style of gold calligraphy.
Extended data:
According to "Broken Tang Book", he learned from his father and then from Zhang (Zhi) from an early age. After changing the system, don't create your own laws. " According to records, Wang Xianzhi studied under his father Wang Xizhi when he was young, and then under Zhang Zhi. On this basis, he made a bold change in the calligraphy of his predecessors, creating a "broken style" that does not stick to the six-book standard, saves twists and turns, and strives for simplicity and convenience.
Wang Xianzhi learned from Zhang Zhi, mainly imitating the momentum of word-to-word connection, and changed and developed Zhang Zhi's cursive script, that is, saving points, making it simple and convenient for writing and blood connection. At the same time, he changed his father's cursive script, mainly adopting "extremely vertical cursive script" and giving full play to "one book" as far as possible. Wang Xianzhi's cursive script is different from Zhang Zhi and Wang Xizhi's and has its own style.
Mid-Autumn Festival Sticker has long been regarded as Wang Xianzhi's original work, which inherits the momentum of Zhang Zhi and You Jun and inspires the practice of Zhang Xu and Huai Su.
However, some people think that the style of Mid-Autumn Post is far from the 29th Post and Duck Head Pill Post handed down from generation to generation, and the calligraphy is full of pleasure but not calm and dignified, lacking the natural and unrestrained meaning of Jin people's calligraphy.
The full pen and ink form of this post can only be expressed by the soft and unintentional pen in the Song Dynasty, but not by the intentional hard pen in the Jin Dynasty. Posts written on bamboo paper were not popular in the Eastern Jin Dynasty, but only appeared in the Northern Song Dynasty.
Therefore, it is considered that Mid-Autumn Festival Post is the festival of Mi Fei's old collection "Wang Xianzhi December Post". And "Painting and Calligraphy Boat" says: "Li Xiang Amethyst has her own postscript to the Mid-Autumn Festival. Look carefully, it's the Tang people in the book, not the original. " In the Qing Dynasty, Wu Sheng's Grand View Record said: "This calligraphy is thick and dark, but it is as big as a fat maid. Although not hooked, it may be imitated by Song people. "
Baidu Encyclopedia-Mid-Autumn Festival Sticker