These are all reflected in calligraphy. If the worship of dharma in Sui, Tang and Five Dynasties was the embodiment of seeking "writing", then in Song Dynasty, calligraphy began to appear in front of the world with a new look of respecting meaning and expressing emotion. That is to say, besides being natural and diligent, calligraphers should be knowledgeable, that is, bookish, so that northern Song Sijia can change the face of Tang Kai. Direct promotion and calligraphy heritage.
No matter Cai Xiang, who is a talented and innovative person, Su Dongpo and Huang Tingjian, who admire the ancients, and Mi Fei, who dares to take risks in No.3 Middle School, they are all trying to show their calligraphy style while highlighting an unconventional posture, which makes the learning atmosphere gloomy and sandy between pen and ink and gives people a new aesthetic mood.
In the Southern Song Dynasty, calligraphers such as Wu Shuo, Lu You, Fan Chengda, Zhu and Wen Tianxiang further developed this theory. However, the Southern Song Dynasty calligraphers' knowledge and pen and ink skills can no longer be compared with those of northern Song Sijia. Calligraphers in Song Dynasty were represented by Su, Huang, Mi and Cai.
Extended data:
Representative of Shang Yi: Song Sijia.
Song Sijia is the collective name of four calligraphers, Su Shi, Huang Tingjian, Mi Fei and Cai Xiang, in the Northern Song Dynasty in China. These four people can generally represent the calligraphy style of the Song Dynasty and have the highest achievements, so they are called "Song Sijia".
Since the Ming and Qing Dynasties, some people thought that "Cai" should be Cai Jing. Later generations looked down on him, so they changed Cai Jing to Cai Xiang and thought that Cai Xiang's artistic achievements were above Cai Jing.
Calligraphy art in Song Dynasty occupies an important position in the history of calligraphy in China, and its main practitioners are Su Shi, Huang Tingjian, Mi Fei and Cai Xiang in Northern Song Dynasty.
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