Zhu Da (1626— 1705) has a unified surname? ,No. Peng Zu, Badashan people, alias Xuege, Geshan, Renwu, etc. Nanchang native, an outstanding painter in the late Ming and early Qing Dynasties.
Zhu Da, the ninth grandson of Zhu Quan, King Ning, was born in Yiyang's family of calligraphy and painting, and served as an assistant general. I have received literary education since I was a child. At the age of eight, I can write poems, at the age of eleven, I can draw mountains and rivers, and when I was young, I can write the fine print of Mijia by hanging my wrist. He once gave up his citizenship and took part in scientific research. 16, 17 years old, he was a scholar and wanted to enter his career through scientific research. In the seventeenth year of Chongzhen (1644), he died. After the Qing army occupied Nanchang, Zhu Da hid in Jinxian, Fengxin and Xinjian mountains. At the age of 23, he became a monk in the Gangguang Society in Jinxianjie. At the age of 28, he was consecrated by the elderly in Fengxin Geng 'an, where he lived and gave lectures. At the age of thirty-six, he returned to Nanchang, founded a Taoist temple in the former site of Tianningguan in the southern suburbs (now Qingyunpu Scenic Resort Scenic Area), and lived an indifferent pastoral life. In the seventeenth year of Kangxi (1678), Linchuan county magistrate Hu invited him to participate in the pen meeting of Linchuan County Records. The following year, he suddenly fell ill, burned the monk's clothes and wandered around the streets of Nanchang crazily. After recovering from illness, he returned to Guanguan and lived in Sibumen (now Huimin Gate) in Nanchang City, specializing in painting and calligraphy, meeting friends of poetry and painting, and visiting friends for painting. This is the heyday of his creation. Finally, a "Gage Caotang" was built in the east of Nanchang, and he spent his old age in loneliness and poverty.
He has been engaged in painting all his life, combining poetry, calligraphy and seal cutting, especially flower-and-bird painting, which is beautiful in the world. In painting, he is famous for his freehand brushwork with a lot of ink and wash, and his exquisite works are also very wonderful. In the creation, the method is natural, the pen and ink are concise, the momentum is magnificent, the layout is sparse, and the artistic conception is ethereal, creating a unique style that is broad and vertical. His calligraphy is concise, round and unique. He vented his grief and indignation at the ruin of the country in his paintings and calligraphy. His brushwork is simple in shape, flexible in deformation and both in form and spirit, such as bulging birds, glaring fish and birds landing to show their disagreement with the Qing court; He often writes the word "Badashanren" in grass, which looks like "crying" and "laughing" to show his painful mood of crying and laughing. Many of his obscure poems and postscript implicitly express the spirit of never giving in to the Qing court. His art of managing India is incisive and changeable, and his poems are ancient and mysterious.
He created a lot in his life. Although he lost a lot, there are still many late paintings and calligraphy works circulating at home and abroad.
Badashan people's artistic achievements in calligraphy and painting are called "four monks in the early Qing Dynasty" with Yuanji (Shi Tao), Hong Ren and Kun Can. Zheng Banqiao in Qing Dynasty, Ren Yi, Wu Changshuo in modern times, Fu Baoshi, Qi Baishi, Pan Tianshou, Li Kuchan, Zhang Daqian and other famous painters praised and inherited his painting style. Painters and scholars from Japan, the United States, Canada and other countries have a very hot research on the art of calligraphy and painting of Badashanren. On June 1959 10 1 day, Badashanren Memorial Hall was established in Qingyunpu Scenic Resort Scenic Area. 1986 10, Nanchang Municipal People's Government held an international academic activity to commemorate the 360th anniversary of Badashanren's birth, and exhibited more than 1 10 original works, which promoted Badashanren's artistic research and publicity to the world.