Gaotianbao calligraphy

Archaeologists from Shaanxi Institute of Archaeology recently excavated and cleared a large number of Sui and Tang tombs in Qin and Han New Town, xixian New Area, Xi. During the excavation of family tombs in Yuanshi County in Tang Dynasty, the epitaph written by Yan Zhenqing was unearthed. The epitaph written by Yan Zhenqing was written in the fifth year of Tianbao, and Yan Zhenqing was thirty-eight years old. This discovery is the only authentic Yan Zhenqing's early writings excavated by scientific archaeology in China. ? According to experts' research, this period should be a period when his calligraphy style has not yet taken shape, but there are still some clues about his later calligraphy style. It is of great significance to study the calligraphy history of himself and medieval China. ?

Yan Zhenqing's calligraphy has always been praised by the world, and Yan Zhenqing's calligraphy style is called? Face? , and Liu Gongquan said? Yan Liu? , is it? Yan gu? In fact, Yan Zhenqing's calligraphy was a beginner of Chu Suiliang, and later he learned to write in Zhang Xu and discussed calligraphy with Huai Su. He deeply studied the calligraphy of Erwang and Chu Suiliang, absorbed their strengths, completely got rid of the style of the early Tang Dynasty and created a new era of calligraphy style.

The characteristics of Yan Zhenqing's calligraphy are dignified and dignified. In the early Tang Dynasty, the knot characters changed from slender to square, with a centripetal force. The pen is vigorous and powerful, and the central brushwork is good. Full of bones and muscles, but also sharp. Generally, horizontal painting is slightly thinner, vertical painting, point, skimming and pressing are slightly thicker. This book is magnificent in style and momentum, and has the spirit of flourishing Tang Dynasty. His cursive script is vigorous, expressive, calm and vigorous, which opens up a complete life for the cursive script after Wang School. Yan Zhenqing's running script is rich and vigorous, which embodies the prosperous style of the Tang Dynasty empire and is in line with his noble personality. It is a typical example of the perfect combination of calligraphy beauty and personality beauty, so it is praised by future generations? The second running script in the world? .

Yan Zhenqing in the history of calligraphy? Face? Created a unique realm of calligraphy. His calligraphy is characterized by excellent spirituality and natural magnificent realm; It is cast by its powerful soul, and its realm is naturally vigorous; It enriches the people, and the realm is naturally broad. Yan Zhenqing in his youth asked Zhang Xu for advice? How to be equal with the ancients? problem This is the aspiration of Yan calligraphy. This strict Miao descendant who used a loess broom to sweep walls and learn calligraphy since childhood stood at a towering starting point of calligraphy almost from the beginning. In calligraphy, Kun Peng spread his wings, and it took almost thirty or forty years of experience to become his own face and climate. Then after decades of skill tempering and enrichment, make it? Face? Both form and spirit. In his later years, he still pursued perfection and perfection. ? Face? Finally standing in the book world. As scholar Huang Jinxiang said: Being strict as a teacher and being upright and upright is the integrity of the monarch and the minister! ? Yan Zhenqing's regular script, especially the regular script after the year of India, has formed a paradigm, and many later learners, even some? Learn to learn? Statement.