Picture of kua teacher's calligraphy works 1
Figure 2 Praise the teacher's calligraphy works.
Figure 3 Praise the teacher's calligraphy works.
Figure 4 Praise the teacher's calligraphy works.
Learn calligraphy well and look at these ten hard truths.
First, the pen is muscular and interesting, and the structure is skeleton and rationality.
The appearance of things is logical, that is to say, the shape, structure and stroke position of words are logical, reflecting rules and statutes; On the other hand, pens reflect people's interest and taste in books. These are two principles. The external form of things is clear at a glance, and it is clear at a glance that it conforms to the rules; Pen is the essence of calligraphy. The thickness, release, speed and shade of ink are all requirements of calligraphy itself, which determines the taste of words, and the different pens determine the different tastes. The glyph structure is a rational requirement, and it is also a requirement for the beauty of Chinese characters in China. Must be rigorous. Whether it is running script or official script, this is the basis of calligraphy. These are two different principles, and Lin Tie is learning this principle and principle.
Second, understand the * * * and personality of strokes, which have different characteristics.
When creating, take the glyphs on the tablet and express them in different ways, that is, use the glyphs of the ancients, but not necessarily in his way. In creation, the technique determines the style, the technique has changed, the style has also changed, and there are many techniques. What we are demonstrating now is just general. Different tablets have different technologies. Zhang Qian and the wise and foolish emperor are one kind, while Cao Quan is another. If it's okay,
Third, there are not many correct posts, and the reason is not the law.
Stickers tend to pursue quantity, and it is difficult to make progress by repeatedly copying a post without thinking. Every word should be proficient, first written as an elephant, then skillfully written, and then recited. You should learn the word barrier, not just copying posts.
Four, as familiar as before, word for word.
Now we have to change the way, just write a word five or six times, and write it twice. Then we must find the feeling, such as writing on the back to see if we can remember it. Then we can practice the movements of the pen, refine it from the aspects of speed, reality and proportion, and conduct targeted and purposeful training to write every word thoroughly, that is, from birth to maturity to back. In other words, even if you eat only one bean, you should eat it in your stomach. What you eat is not much, but whether it can play a role.
Five, we should stand on the basis of the ancients, learn from the truth of the ancients, and try to figure out their intentions.
Be sure to understand the principle. It is useless to copy the ancients directly. Copying with the ancients has no brains. You are just the hand of the ancients. You must be the brain of the ancients. Whether you can develop depends on whether you can be scientific, and science can develop. What can you develop without science? That's the reason. You should learn the principles of the ancients on the basis of them. After learning the principles, methods, standards, laws and basic techniques, you have to be a processing factory, thinking, researching and experimenting. Scientific experiments and reasonable experiments are effective experiments, so that you can use them in creation.
Sixth, the coordination of yin and yang is the taste, and modesty and preciseness are the core. Yin and Yang are harmonious, dignified and rigorous.
Han steles are divided into Yang steles and Yin steles. Yang's inscription is exquisite and exquisitely carved. Speaking of Bei Yin, his writing style is not refined, nor is it refined, and he writes casually. This exquisite casualness also embodies a knife method. Therefore, the east and west of Beiyang should be regarded as norms and statutes, and the novelty of Beiyang should be regarded as a means of change. To learn from Beiyang is to learn the law into rules. His brushwork is rigorous, delicate and delicate, and the standard of starting, using and collecting pens is the ultimate monument, while his interest in learning is generally to learn from Beiyang. The front is strict, boring and rigid, and the back is poor and interesting, which just complement each other.
The brushwork of stele yang is rigorous, delicate and delicate. The standard of using pen, carrying pen and carrying pen is the ultimate of stele, and stele yang is the law.
Although Beiyang's rules and regulations are rigid, he also tells you a sense of change. Although this kind of consciousness is not as lively and brisk as Yin Bei's, it can be changed by Yin Bei's pen-closing state, and the rigidity of the former method can be changed by the later things. Isn't that enough? And blindly exaggerating and thickening, in fact, is not a change, but only makes people see a kind of confusion and ambiguity in our thinking. When you understand this, you will learn the rigorous statutes and standardized techniques when posting in Beiyang, and also learn Yin Bei's spontaneous personality and artistic interest. The combination of the two makes the work solemn but not dull, light but not frivolous.
Eight, can digest, purposefully, thoughtful, and strive to become the second creation of the ancients, aiming at the second creation of the ancients.
Did you see this in Miffy? Feng? Words, from the direction, the first stroke is slightly higher, the second stroke is higher, and the third stroke is higher. These three strokes just run in three different directions, and the directions cross each other. This is the direction in which the pen moves. Is it a simple rise or a decline? Not exactly. Wrap the pen at the same time, so move these three pens. Generally speaking, there are ups and downs, and generally speaking, it is a little up. Every stroke is more energetic, just like I pulled you over. You want to come over but don't want to come over yet. You are trying. This is elasticity, a kind of strength, which is produced by the shape limitation of strokes.
Nine, the most important thing is not whether it is like rubber, but whether it is reasonable.
Sticking a bar doesn't want you to look at many images, but at its external situation and internal character. Skills tell you not only the state of exercise, but also a state of life. For calligraphy, discerning people pay special attention to the situation, that is, to grasp the state of movement. Folk writing generally focuses on the physical structure, but not on the physical structure professionally, but mainly on the word potential and pen potential. Potential mainly refers to a kind of strength or posture, which must be a state of motion. People have a certain strength or posture, which reflects a certain mentality of people. A word has a certain strength or posture, which reflects the appearance of the word. Appearance reflects a state of motion, but it tells you something inside and gives a character to a stroke or a word.
Ten, pay attention to the word potential, stroke potential, grasp its dynamic and static, living conditions, and show its spirit. Make a gesture and show your spirit.
We should write the words vividly, write a state of life and catch our breath, such as this sentence in Miffy. Win? The word, left low and right high, these three vertical strokes, not straight up and down, not vertical, but a little oblique, generally have the feeling of jumping up and down, but also horizontal. As long as you write this meaning, you can write it freely. No matter how you write it, as long as the word potential comes out, others will know that it is Mifei. Miffy is good at creating dangerous situations. Every stroke is moving, and it is also very powerful and particularly interesting. Therefore, it is necessary to grasp the movement and life state of the characters by paying attention to this kind of character potential and stroke potential, and show a unique appearance.