There are many seven-character quatrain calligraphy works in the Middle Eastern and Han Dynasties, such as "Mai Ge Ballad", "Cheng Shang Dance" (Sima Biao's "Continuation of Han Shu·Five Elements"), and "Huan Lingshi Nursery Rhymes" , "Talented Scholars Exhibition" in the late Eastern Han Dynasty. Ge Hong's "Baopuzi: Juju" is a very vivid, popular and fluent folk work with seven-character mixed characters. According to legend, Emperor Wu of the Han Dynasty once gathered a group of officials to compose a seven-character sentence. Bailiangtai.
The Tang Dynasty was an era when Chinese poetry flourished. Among the many excellent literary works of the Tang Dynasty, seven-character ancient poetry undoubtedly occupies an important position. The reason why Tang poetry became Tang poetry was largely due to the prosperity of Qigu in the Tang Dynasty. As an ancient poetry style, Qigu has gone through a long and tortuous development process, including ancient poetry, brush calligraphy and regular script, and finally matured in the Tang Dynasty.
Analysis of calligraphy works
As a social phenomenon, the development of literature must be the result of social development, the psychology of writers, and the psychology of the entire society. The development of Qigu did not happen overnight. The poets of the prosperous Tang Dynasty integrated the practice of Qi Gu's creation in the previous life, which in turn benefited many teachers, and finally created the glory of Qi Gu.
The final preparation period for Qi Gu in the prosperous Tang Dynasty - the early Tang Dynasty. The former inherited the Han, Wei and Six Dynasties, and the latter inherited Qi Gu in the prosperous Tang Dynasty. Although Qi Gu's appearance did not completely change during this period, he was exactly the "Fourth Master" in the early Tang Dynasty. With the efforts of poet Qi Gu, Qi Gu has made the necessary preparations for the climax. In the early Tang Dynasty, the seven-character ancient poetry system was formally established.
From the Four Sections to Zhang, Li, Shen, and Song Dynasties, seven-character ancient poetry has experienced a slow evolution from form to style. Poets in the early Tang Dynasty all made their own contributions to the maturity and perfection of the seven-character ancient poetry, and opened the door to the Qigu in the prosperous Tang Dynasty. Seven-character ancient poetry is referred to as Qigu. It is the most lively form, the richest genre, the freest processing of syntax and rhythm, and the most expressive form of lyrical narrative among ancient poems.
Mainly use seven-character sentences or seven-character sentences. Simply put, it means longer length, larger capacity, and flexible rhyme. For example, Du Fu's representative works of seven-character ancient poems are "Preface to the Sword Dance Ceremony of Guan Gong's Aunt Sunniang's Disciples" and "Danqing Presented to General Cao Ba". The emergence of seven-character ancient poetry provides a larger form for poetry and enriches the artistic expression of Chinese classical poetry.