1. stroke formula.
There is movement in the script, and the stippling is elegant; Coherent brushwork, ups and downs; Take care of each other and flow freely; Keep your head down and get ready for activities.
2. Font formula.
There is movement in silence, and there is stillness in movement; Like a letter, but not like a letter, like grass; The structure is faithful and agile; Font size, everything is on demand.
3. brushwork formula.
Return to the front with a pen, or expose the front; The strokes are vivid when the pen is pressed; Intermittent brushstrokes give life; For example, the square wire quality.
4. Use the wrist formula.
The key to writing is to use your wrist; Wrist to live, words to be clever; Stiff wrist, stippling, staying; The strength of the wrist is turning.
5. Formulas and formulas.
The beauty of running script lies in layout; There are spaces between words and between lines; Size density, meaning; Carefully arranged, the plan is in black and white.
Structural characteristics of running scripts:
1. Both sizes. That is, each word presents a different size, and there is a pen-to-pen connection of a word. The connection between words is both true and intentional, and there is a connection between them.
2. Combination of contraction and extension. Generally short-term collection, long-term release; Back and front, side and front; Most of them are left hand, right hand, upper right hand and lower left hand, but they can also be converted to each other. Left-handed and right-handed, top-handed and bottom-handed are not excluded.
3. dense and appropriate. Generally, it is dense on the top and sparse on the bottom, dense on the left and sparse on the right, and dense on the inside and sparse on the outside. The middle palace is compact, the white space in the box is as small as possible, and the white space of the circled strokes is as small as possible. On the layout, the word spacing is tight, the line spacing is wide, vigorous and powerful, and the colors are bright.
4. Mix colors. Running script writing should be easy, lively and fast, and master the combination of illness and stagnation, movement and static. The ink color arrangement should be strong at the beginning and dry at the end. The lines are long and thin, short and thick, moderate in thickness and alternating in depth. It's similar to cursive, but it's not so grassy.