Han, 1957 was born in Shenyang. Influenced by my father since childhood, I like calligraphy. I graduated from the Foreign Languages Department of Liaoning University on 1984, majoring in Japanese. 1992 graduated from the Chinese Painting Department of Zhejiang Academy of Fine Arts, majoring in calligraphy and seal cutting, and studied under professors such as Sha Menghai, Liu Jiang and Zhang. Get a master's degree in literature. From 200 1 year, he studied for a doctorate in fine arts at China Calligraphy and Culture College of Capital Normal University, and studied under Mr. Ouyang Zhongshi. He also obtained a doctorate in literature with his thesis "A Study on the Ink of Zen Buddhism in China and Japan". At present, he is a professor of calligraphy department of China Academy of Fine Arts, master tutor, member of China Calligraphers Association, member of Xiling Printing Society, researcher of Modern Calligraphy Research Center of China Academy of Fine Arts, director of Zhejiang Branch of China Calligraphers Association, deputy director of Zhejiang Seal Carving Committee, vice president and secretary general of Oracle Bone Inscriptions Society of Zhejiang Province, director of Ancient Calligraphy Research Center of China Academy of Fine Arts, vice president of Zhejiang Popular Science Artists Association, visiting professor of Southeast University, visiting professor of China Academy of Fine Arts, and member of Japanese Calligraphy, Taoism and History Society. Professor of Calligraphy Department of China Academy of Fine Arts, member of China Calligraphers Association, member of Xiling Printing Society, deputy director of Zhejiang Seal Cutting Committee, distinguished professor of Gifu Women's University. Han 1992 graduated from the Department of Traditional Chinese Painting of Zhejiang Academy of Fine Arts, majoring in calligraphy and seal cutting, and studied under Professor Sha Menghai, Liu Jiang and Zhang. Korean calligraphy is dominated by ancient Chinese characters, and his works have participated in many major exhibitions at home and abroad, and have been collected by many art galleries, art galleries, museums, Diaoyutai State Guesthouse and collectors. There are more than 0/00 paintings and calligraphy works of Han epigraphy in this painting and calligraphy exhibition, which is "majestic, modest and elegant" and highly praised by visitors. Another highlight of this painting and calligraphy exhibition is that part of Mrs. Han's ceramic works are exhibited at the same time, which adds a touch of harmonious and bright color to the "Han Stone Carving and Calligraphy Exhibition".
Edit the published works in this paragraph.
This theory focuses on the comparative study of Chinese and Japanese calligraphy. The main published works are Japanese Seal Carving (Shanghai Calligraphy and Painting Publishing House 1995), Buddhist Scriptures, Three Paintings and Three Traces, Zen Ink (China Academy of Fine Arts Press, 200 1 year) and Korean Calligraphy Seal Carving (China Academy of Fine Arts Press 1998). In addition, there are more than 30 comparative papers and translations about calligraphy and seal cutting between China and Japan, which have been published in authoritative core journals and anthologies such as Calligraphy Research, Calligraphy Magazine, China Seal Cutting and Art Observation. Calligraphy is mainly based on the creation of ancient Chinese characters. His works have participated in many major exhibitions at home and abroad and have been collected by many art galleries, art galleries, museums, Diaoyutai State Guesthouse and collectors. /kloc-since 0/998, as a professor recruited by the Japanese Ministry of Education, he has taught calligraphy, seal cutting and ink painting at Gifu Women's University in Japan for four years. He has held exhibitions such as Korean calligraphy and painting exhibitions and Korean new works exhibitions in Nagoya, Gifu, Shizuoka and Nagano, Japan.