Landscape painter Mou Rui (Guo Rui) Geng Zi's new work

? Geng Zichun was restless, and the plague in Wu Hanyou ravaged the whole world. China was moved by great love, while Mourui, a landscape painter, settled down and created a number of fine paintings and calligraphy. Now he chooses the best one to record them.

This picture of the distant mountains, with simple mountains and rivers, lush and misty scenery, poor brushwork, strong trees, antique rocks and ambitious, does not leave a cloud. The stream at the foot leads the line of sight to a temple, which is poetic and thought-provoking. There are countless works with similar themes in ancient and modern times. He wins with great simplicity and is unique!

The technique of creating a clear snow scene has been used by too many people. Why does he always nag about this? This is what makes him outstanding. Some people paint snow, polish it, paint it bit by bit, wipe it and dye it for the sake of painting snow, which has always been inferior to craftsmen. Although the image is good from a distance, it is too small to be believed, and the author is happy in one go, and the pen and ink are spilled on your heart like blood, with steel bars.

It is no accident that he can have such exquisite landscape paintings. You can tell at a glance by his poems and calligraphy.

? The boxer crown disease is raging in Jianghan, and there is little pollution in the north and south of Spring Festival travel rush peak.

? Good decision-making, if effective potential is isolated, it will turn.

? The backhand battle will make thousands of people wait for the good news from China.

This is his calligraphy work specially created to fight against coronavirus. The whole battle process is clear in only 42 words! Delicate brushwork, ups and downs are particularly lyrical, like Xu Wei, gentle. I can't help it! Big characters are good, too.

This Longshan draws lessons from the brushwork of freehand brushwork of flowers and birds, especially the brushwork of the old man Baishi, which highlights the simplicity and freehand brushwork of ink painting, but the composition and poetic understanding of the old man Baishi are not enough to be praised.

The last two pictures are Wang Meng and Xu Wei that he understands. Niu Maocun's brush is loose and light, but its structure is immature, but its brushwork is extremely accurate. But the contrast between black and white, the brushwork and the momentum in the waterfall, like Xu Wei, are unparalleled. This is the soul of ink painting, brushwork, poetry and Chinese painting. Needless to say, people with this talent, it's a waste of time to say, draw a poem and start writing.