What are the technical characteristics of running script?

1. Use it correctly. Generally speaking, the running script pen is only one-third of the whole pen, and the heaviest pen should not exceed half. In this way, when you write, you can press or lift. Of course, this is not absolute. People who like to write books with short and long foreheads are often not restricted by this, or use full foreheads or foreheads. As long as you master it properly, you can do what Liang's book review requires: "The pen should be practical and can jump, and the pen can't get stuck on paper." Writing big characters in small print will be stretched and withered. The fineness of words is often closely related to the size and depth of pens. If you use too many pens, the strokes will be stiff, flat and thin.

2. The pen is late and the speed is appropriate. The speed of running scripts cannot be generalized. It should be said that it is both late and fast. Also depends on the needs of the whole article. Although it is a word, it can be as fast as the wind and as late as a boat. Therefore, the speed of writing should not be limited to medium speed, and urgent writing should not be accelerated. It is better to be calm and use your heart to express your feelings. In the "Calligraphy Tips" of the Qing Dynasty, it was put forward: "If you can use the author, you will have a good name, and it will be interesting to use the pen."

3. pen delivery. Running script must be "pen to pen". The so-called pen transport means that in the process of running a stroke, the pen tip should be in place, and the pen tip cannot be picked out or folded at the end of the stroke. This is the key to writing. The kung fu of this pen comes from the basic skills of regular script writing, otherwise it will not be delivered in place and the quality of strokes is poor.

4. Think horizontal first, think vertical first. Whether horizontal painting and vertical painting are hidden or exposed, they all conform to the principle of model opening. In horizontal painting, it is especially important to note that there should not be too many sharp pens to prevent the thin strokes from being cut off and make the pens full and thick. Cut to the right before putting pen to paper in vertical painting, and then press cut to prevent it from being too sharp.

5. The tie is not thick. Jiang Kui put forward in "Continued Book Spectrum": "All paintings are stippling, no stippling, occasional paintings, and their pens are light." If there is a thick entanglement between paintings and words, there will be suspicion of usurping the role of master and entanglement.

6. Turn the front end like a tendon. Turning the front is to turn the pen with your wrist, so that the front ring becomes a line without edges and corners, that is, "turning the circle." For example, the main pen or hook pen that writes the words "Ye", "Wei", "De" and "Er" should achieve the same effect as the tendon circle and have a three-dimensional sense.

7. Vertical pen display. In other words, we should boldly absorb ink and let it flow freely, so as to receive the artistic effect of unrestrained momentum and ingenious brushwork. In ancient times, Zhu Yunming, Xu Wei, Chen Daofu, Wang Duo, Fu Shan and Zhang Ruitu all made good use of this method.

8. Change the front. Beginning means that the last stroke of the previous word is followed by the first stroke of the next word. Pay attention to the changes of the lead, and try not to appear in the same category of an article. In running script, Feng can change his posture, resulting in the increase and change of rhythm.