The Stone Drum Inscriptions are the oldest writing in China. They are majestic and majestic in ancient times and are unparalleled in ancient and modern times. The original rock paintings are the origin of painting and have spread across five continents and stretch for tens of thousands of miles. Shaanxi artist Shi Gu (Zhen Wangzhi) has devoted decades of energy to extending academic research and artistic creation to the ancient beginning of human art and continuing it. Recently, the "Chinese Primitive Painting Civilization Dazzling Tour" - Chinese Primitive Painting Theme Art Exhibition, held in Beijing, displayed more than 80 paintings of ancestors' rock paintings, stone drum calligraphy and painting art, and tadpole calligraphy art carefully created by Shi Gu. A painting and calligraphy work. According to various sources, their academic value goes far beyond the scope of painting art.
This exhibition organized by the Organizing Committee of the Chinese Primitive Painting and Text Theme Art Exhibition focuses on the evolution and development of early Chinese civilization from the Paleolithic Age to the Pre-Qin Period, covering religion, history, Archeology, painting, literature and other multi-disciplinary categories. In the form of "extrapolating the past and discussing the present", Shi Gu projects the wisdom and thoughts of the Chinese ancestors into his writings. Viewers praised it as: a gluttonous feast that showcases the ancient civilization of the East, and an art collection that embodies the historical context of China. At the same time, Shi Gu decrypted the stone drum inscriptions that had been doubted for thousands of years, overthrowing the theory that the stone drum inscriptions were ordinary poems about "fishing and hunting" and peaceful times, and instead became the epic of the Qin state, and drew lessons from Qin's politics, military, law, ecology, literature, ancient astronomy, This is the first time that "Shigu" has been proposed since its discovery in the Tang Dynasty, and it has attracted strong attention from domestic scholars.
Shi Gu breaks away from traditional painting techniques and cleverly combines Western oil painting with Eastern ink painting. Through the integration of calligraphy and painting, he blends pre-Qin totems with ancient calligraphy and artistically reproduces the distant, mysterious and imaginative atmosphere. of the ancient world. At the same time, he uses modern art patterns to give his works the aesthetic flavor and decorative beauty of the times. His works not only reshape the beauty of China's ancient Chinese pre-Qin characters, but also reveal the mystery of stone drum inscriptions that have been silent for thousands of years. Their cultural connotations transcend time, space and national boundaries.
A senior art critic pointed out: "Master Shi Gu's paintings are of their own, interpreted from the perspective of ideological value, and embody the screening and sublation of traditional civilization, history, culture and religion views; From an artistic perspective, it is a very subversive and pioneering work, which has a milestone significance for the origin of traditional culture and the origin of today's painting school. "This is a valuable work by Mr. Shi Gu in the history of modern art. explore.
Mr. Shi Gu held an art exhibition with the theme of Chinese original paintings
On December 4, Mr. Zhen Wangzhi (Shi Gu), a famous Shaanxi artist, traditional Chinese medicine scientist, and successor of Golden Needle, held a nationwide exhibition in Beijing The two-day "'Chinese Primitive Paintings, Dazzling Civilization' Chinese Primitive Paintings Text Subject Art Exhibition" was held in the CPPCC Auditorium. The picture shows Mr. Shi Gu introducing the painting "Shaman" at the art exhibition ceremony. Photo by China News Service reporter Zou Xian
The exhibition displays more than 80 works of Mr. Shi Gu’s ancestors’ rock art and stone drum calligraphy and painting art. Mr. Shigu is an expert in the study of the "Shiguwen" (the large seal script and the Zhouwen before Qin Shihuang unified the script, inscribed in the 11th year of Qin Xiangong's reign) which was produced in Fengxiang, Baoji, Shaanxi Province in the pre-Qin period of China (374 BC). His grandfather Zhen Shoushan He once served as division commander of the National Revolutionary Army and commander-in-chief of the Northwest Civilian Army.
With respect for Mr. Shi Gu and exploration of pre-Qin culture, Shi Gu’s successors have spread everywhere, such as Mr. Feng Jixuan in Shanghai