Uncle Zhang said that he is 74 years old and has made four pieces: a golden pagoda, a Yellow Crane Tower, a Temple of Heaven and an embroidered tower. The big one is one meter and five meters high. It takes about 4000-5000 pairs of chopsticks to make one with bamboo chopsticks and gum. It takes more than a month to make a simple one.
Uncle Zhang said that he didn't need drawings to make handicrafts, so he imagined the picture and size of the drawings in his mind, and he probably knew it in his heart. Uncle Zhang was a carpenter and blacksmith when he was young. Although you are over 70, you can't always be idle, can you? Since last year, he has built four pavilions by himself with chopsticks.
There are also many folk masters who create miracles. Let's feast our eyes!
There are many ways to write Preface to Lanting Collection, and many famous writers have written it. As a calligraphy work for practicing hands, if the calligraphy level is really high, the Preface to Lanting will naturally look good.
Many folk masters have written the Preface to the Lanting Pavilion, but there are not many truly eye-catching and beautiful works. Let's take a look at the Preface to Lanting Collection written by this folk lover. He may be described as a folk expert, and his words are so beautiful.
Folk master wrote the preface of Lanting, and he won, not losing the experts of China Book Association.
The handwriting is vigorous and clear, and a heavy feeling can be clearly felt between the lines. This is the basic skill of writing calligraphy, and it is also the style shown by a professional calligrapher through brushwork and brushwork.
In addition, the poor brushwork feels gorgeous, the pen and ink match is wonderful, and it is very comfortable after reading. Seeing softness at first, there is kung fu in the pen is the embodiment of this kind of calligraphy.
Good calligraphy pursues a feeling of elegance. Why did the ancients appreciate calligraphy very highly? Because the ancients paid more attention to brushwork and strength, as well as the freehand brushwork of the content. This is why everyone wants to imitate the brushwork of the ancients, but it is difficult to achieve it.
However, elegant calligraphy needs to be based on traditional calligraphy if it is implemented in real life. This folk master's calligraphy lacks a sense of elegance, but his style has reached the standard, which can be regarded as a powerful work.
Very good, but every word is dry ink. The so-called dry ink is the conversion between shades, which is not reflected. However, the author's brushwork and the strength of the pen are wonderful, and the words written are very aesthetic, giving people the first visual beauty.
But it is this kind of dry ink that needs to be changed, otherwise the characters will lack the charm of the ancients. Experts point out that writing should be more and more flexible, and it may be better to use less dry ink when you are familiar with rules and strokes.
This must be high-end calligraphy, so when you observe and appreciate it, it feels too rigid, which is also caused by the dry ink.